Wall Street Journal Bästsäljare Den bästsäljande uppföljaren till fenomenet Vem snodde osten? som sålt 28 miljoner exemplar och förändrat liv världen över.I sin varma och underhållande stil berättar Dr. Spencer Johnson en ny enkel fabel som pekar ut de grundläggande sanningar som kan hjälpa dig att förändra ditt liv. Skriven för att passa alla åldrar och bakgrunder är det här en berättelse som tar en timme att läsa, med insikter som varar en livstid.I en labyrint bodde två personer stora som möss, som båda levde på ost. När vi först mötte dem i Vem snodde osten? drabbades de av en oväntad förändring, när osten de älskade plötsligt tog slut. Den ena av dem lyckades hantera förändringen genom att ge sig av i jakt på ny ost. Men vad hände med han som blev kvar?Lämna labyrinten avslöjar hur du kan hantera enorma förändringar som verkar omöjliga att undvika. Genom att följa en mycket liten person när han sakta börjar ifrågasätta sina egna tankemönster får vi syn på vad som krävs för att göra mycket stora förändringar  och det är mycket enklare än vi tror.När du följer med på resan kommer du att upptäcka hur du kan få ut mer av livet genom att tänka utanför boxen. Eller, i det här fallet, labyrinten.

Vem snodde osten har länge toppat världens bestsellerlistor. Det är en insiktsfull och roande berättelse om hur vi kan lära oss att tackla förändringar i arbetsliv och privatliv. Översättare: Elisabet Norlin

Who Moved My Cheese? offered millions of readers relief for an evergreen problem: unanticipated and unwelcome change. Now its long-awaited sequel digs deeper, to show how readers can adapt their beliefs and achieve better results in any field.Johnson's theme is that all of our accomplishments are due to our beliefs: whether we're confident or insecure, cynical or positive, open-minded or inflexible. But it's difficult to change your beliefs - and with them, your outcomes. Find out how Hem, Haw, and the other characters from Who Moved My Cheese? deal with this challenge.

The posthumous sequel to Who Moved My Cheese?, the classic parable that became a worldwide sensation. Who Moved My Cheese? offered millions of readers relief for an evergreen problem: unanticipated and unwelcome change. Now its long-awaited sequel digs deeper, to show how readers can adapt their beliefs and achieve better results in any field. Johnsons theme is that all of our accomplishments are due to our beliefs: whether were confident or insecure, cynical or positive, open-minded or inflexible. But its difficult to change your beliefsand with them, your outcomes. Find out how Hem, Haw, and the other characters from Who Moved My Cheese? deal with this challenge.

Spencer har bestämt sig. Bara för att kompisen Zac plötsligt börjar gå ut med tjejer och klä sig i säckiga byxor tänker inte Spencer göra det. Han vill inte ha något med märkeskläder, piercing, tjejer och allt sånt att göra. Han tänker bli en antitonåring. Han tänker aldrig förändras, och det är ett löfte ... En humoristisk och lättläst ungdomsbok av Pete Johnson.

In 1960, burgeoning actress and defiant dreamer Lena Spencer opened a small, grassroots coffeehouse in the quaint upstate New York town of Saratoga Springs. Within her then-husband's plan to start the Caffe as a means for the couple to artistically flourish while "making enough money to retire in Europe" lay the seed of a more impactful cultural contribution that would change music history forever. It was a time in America when a coffeehouse could be something more--a focal point for a different sort of people, radical new ideas, and notably, emerging artists. Caffe Lena's humble stage regularly welcomed musicians such as a young Bob Dylan in 1961, the singer/activist Bernice Johnson Reagon in 1962, and a pre-"American Pie" Don McLean in 1965. Quickly, Caffe Lena took its place among the nation's foremost incubators of an American folk movement that inspired a generation of musicians, artists, and thinkers and a country in need of a new vision of equality, freedom, and understanding. <br> Fortunately for posterity, camera shutters were often snapping in time to the music, and so an intimate visual record of Caffe Lena's early years exists. Now, thanks to years of dedicated digging and detective work by the Caffe Lena History Project--to unearth Lena's secret memoirs, collaborating with photographers to identify and rescue mysterious negatives, and collecting stories from the original artists to highlight these materials--the time has come to share this treasure trove of authentic and rare Americana with the world. Caffe Lena: Inside America's Legendary Folk Music Coffeehouse brings more than 200 never before seen, evocative images and stories to the public. Early 1960s photographs of Bob Dylan and Pete Seeger and modern-day images of Rufus Wainwright and Patty Larkin blend with rare memorabilia and an oral history derived from more than 100 original interviews of artists who have graced Caffe Lena's stage over the decades, including Ani DiFranco, Utah Phillips, Dave Van Ronk, Spalding Gray, and other luminaries of the folk, blues, jazz, and theater worlds. <br> This exclusive time capsule chronicling the heyday of Caffe Lena--now the country's oldest continuously operational folk music coffeehouse--provides an insightful look at the many artists whose poetic lyrics cast a mesmerizing spell over a generation, and who remain beloved today. <br>" "<br> "Caffe Lena holds an important place in the folk and traditional music communities. For me it was the gateway to so many things I hold dear about music."<br> --Scott Goldman, The GRAMMY Foundation <br> "The story of Caffe Lena is the secret history of the folk-music scene. Lena was a pioneering woman in a man's world and her story needs to be told."<br> --Holly George-Warren, "The Road to Woodstock" <br> "Lena Spencer was a rare person with a shining spirit who created a small world of her own. The magic of her Caffe cannot be analyzed, computerized, or explained." <br> --David Amram, Musician

Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson.

'German military figures had a certain terrifying glamour,' wrote Patrick Leigh Fermor, recalling views about Germany during the First World War. When, he asked, had the bristling general replaced the 'philosophers and composers and bandsmen and peasants and students drinking and singing in harmony?' The enchanted forest, symbol of Romantic idealism and traditional folktales, had given way to other images of Germany and Germans. By following Leigh Fermor, and over eighty other British and North American literary visitors to Germany, this original anthology shows how different generations of English-speakers have depicted this country. Starting in the sixteenth century with some of the earliest travel accounts in English, Brian Melican presents a wide range of writing about, or set in, Germany. Letters from Johnsonians such as Boswell and Garrick and the Romantic poets Coleridge and Wordsworth; the journals of Herman Melville and Henry James; ante bellum fiction by authors such as D. H. Lawrence and Ford Madox Ford: all of this and more reveals an oft-forgotten richness in encounters with Germany before the horrors of the twentieth century.Work by Christopher Isherwood, Stephen Spender and wartime reporters through the 1940s exposes the country's darkest moments, while sometimes surprising takes on the conflict emerge from authors inside Germany with unique perspectives such as Christabel Bielenberg and Michael Howard. Post-war writing ranges from the spy fiction of Len Deighton to the writers who dissected post-Nazi Germany. The diversity of writing about Germany today encompasses light-hearted accounts and more searching passages taken from an eclectic selection of authors. Recorded and imagined images of Germany have changed dramatically across the centuries. Yet views on many of its features especially its cities and rivers, customs and cuisine have often remained constant. This anthology, with extensive introductions and annotations, offers a range of opinions, both typical and atypical of their time, and invites readers to venture beyond the usual discussion about this country at the very heart of Europe.

Focuses on the diverse ways in which Shakespeare, Spenser, Marlowe, Dekker, Jonson, Milton and Herrick incorporated the carnivalesque in their works. This title demonstrates how these texts were used - and misused - by later writers, performers, and inventors of spectacles, notably Mardi Gras krewes organizing parades in the American Deep South.

Including authoritative texts of poems by twenty-three major and minor poets -- from John Donne, Edmund Spenser, William Shakespeare, and Ben Jonson to George Gasciogne and Fulke Greville -- and Williams' critical preface, English Renaissance Poetry remains an invaluable introductory anthology of short poems from our first modem poetry.

Lucy Munro presents a wide-ranging study of literary style, exploring the conscious use of archaic language by poets and dramatists including Shakespeare, Spenser, Jonson and Milton. The book provides innovative ways of reading linguistic and poetic style, and assessing early modern attitudes towards the past.

Ranging widely across the visual and textual artifacts of mapping, from the literature of Shakespeare, Spenser, Marlowe and Jonson, to representations of body, city, nation and empire, this 2001 book argues for a re-evaluation of the impact of cartography on social and political identities in early modern Britain.

Spanning the literary renaissance from the reign of Henry VIII to James I, this study addresses how generations of male and female, courtly and non-courtly writers including Shakespeare, Spenser, Donne and Jonson engaged in the vibrant debate in the sixteenth and seventeenth centuries concerning the status and function of memory.

Sixty-sixth annual volume, taking in a range of topics relating to the literature of the period, from the power of naming to Shakespeare and Spenser, Herbert, Margaret Tyler and Margaret Cavendish, and Ben Jonson.

A study of numerology in Elizabethan poetry, with some background studies which base the subject in classical learning, the works of Dante and Petrarch, and the esoteric traditions of the humanists. Dr Fowler demonstrates numerology's persistence in the works of Spenser, Sidney, Chapman, Shakespeare, Donne, Jonson, Dryden and others.

Kollisionen mellan personbilen och tåget är oundviklig. Krystyna omkommer omedelbart. För mannen Eddie, som är vaktmästare i kyrkan och den intilliggande klosterskolan, och döttrarna Anne och Lucy har Krystyna betytt allt. Människorna i den lilla staden ställer dock upp för familjen ¿ alla utom en: flickornas lärare syster Regina.   LaVyrle Spencer är en högt uppskattad amerikansk underhållningsförfattare.Hennes böcker har sålts i över trettio miljoner exemplar. Påsvenska finns följande titlar: Kärlek för frusna hjärtan, kärleksgåvan,November i mitt hjärta, Familjeband, Ett löfte om kärlek, Sommaren vid havet och Bara en gång blommar hjärtat.