Stanislavsky In Focus: An acting master for the twenty-first century

Acting Professionally

James Calleri

The Working Actor

Paul Clayton

Theory/Theatre

Canada) Fortier Mark (University of Guelph

Realisme og teatralitet

Kjell Helgheim

Dramaturgy in the Making

Katalin Trencsenyi

The Complete Stanislavsky Toolkit

Bella Merlin

Voice into Acting

Christina Gutekunst

The Complete Brecht Toolkit

Stephen Unwin

Performance Studies

Richard Schechner

The Director's Craft

Katie Mitchell

An Actor's Work A Student's Diary

Konstantin Stanislavsky

The Cambridge Introduction to Theatre Studies

Christopher B.

Different Every Night

Mike Alfreds

Impro

Keith Johnstone

Staging the Screen The Use of Film and Video in Theatre

Greg Giesekam

Staging the screen : the use of film and video in theatre

Greg Giesekam

The Method Manual

Ed Kovens

No acting please

Eric Morris

Building a Character

Constantin Stanislavski

Experimantal Theatre

James Roose-Evans

How to Stop Acting

Harold Guskin

Stanislavskij for begyndere

David Allen

The actor speaks: Voice and the Performer

Patsy Rodenburg

Theory/theatre : an introduction

Mark Fortier

Theatre, Theory, Theatre The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel

Daniel Gerould

Directing actors

Judith Weston

A dream of passion

Lee Strasberg

Sanford Meisner on Acting

Sanford Meisner

Att vara äkta på scen : om skådespelarens arbetsmoral och teknik : valda texter

Konstantin Stanislavskij

En skådespelares arbete med sig själv : i inlevelsens skapande process

Konstantin Stanislavskij

Film Technique and Film Acting

V. I. Pudovkin

The Theory of the modern Stage

Antonin Artaud

Stanislavskij systemet

Sonia Moore

Creating a role

Konstantin Stanislavskij

On the Technique of Acting

Michael Chekhov

Theatre in Practice

Nick O'brien

Theatre and Phenomenology

Daniel Johnston

Future Theatre Research

Eli Rozik