Performing Live

Becoming the instrument

Kenny Werner

Performance, Movement and the Body

Mark Evans

Performance Lighting Design

UK) Moran Nick (Royal Central School of Speech and Drama

Playing to the Crowd

Nancy K. Baym

The Music Management Bible

Music Managers Forum

Music and Knowledge A Performer's Perspective

Per Dahl

The Art of Songwriting

UK) West Andrew (Professor and Head of Postgraduate Studies at Leeds College of Music

The Inner Game of Music

W. Timothy Gallwey

Performance Psychology

Theatre and Social Media

Patrick Lonergan

Improvisation in Drama, Theatre and Performance

Anthony Frost

The Performance Studies Reader

Modern recording techniques

David Miles Huber

Performance Studies

Richard Schechner

All you need to know about the music business

Donald S. Passman

How musicals work and how to write your own

Julian woolford

Performance Art - Froom Futurism to the Present

Roselee Goldberg

The Musician's Way

Gerald Klickstein

Rehearsing the Band

John E. Williamson

Dramaturgy and performance

Cathy Turner and Synne K. Behrndt

Bands on the Road The Tour Sketchbook

Silke Leicher

Seventeen

Bill Drummond

This business og concert promotion and touring

Ray D. Waddell

Making a Performance

Emma Govan

Live photo

Crispin Gurholt

Performativity

James (EDT) Loxley

Performance Studies An Introduction

Richard Schechner

New Digital Musical Instruments : Control and Interactions Beyond the Keyboard

Eduardo Reck. Mirando

Electric Guitar Handbook

Alan Ratcliffe

Producing Music with Digital Performer

Ben Newhouse

Drama/theatre/performance

Simon Shepherd

The Lance Armstrong Performance Program

Lance Armstrong

Site-Specific Art: Performance, Place and Documentation

Nick Kaye

Lighting and sound

A phaidon

Skuespillerkunst

Helge Reistad

Regikunst

Helge Reistad

Drum Programming

Ray F.B adnes

The musican's guide to home recording

Peter McIan

For open scene

Jon Eikemo

Impro : improvisation and the theatre

Keith Johnstone