David Cronenberg : Author or Film-maker?

The film experience

Timothy Corrigan

Digital fiction and the unnatural

Astrid Ensslin

Alternative Criminologies

Consumed

David Cronenberg

Besides the Screen Moving Images through Distribution, Promotion and Curation

V. Crisp

Film Authorship Auteurs and Other Myths

C. Paul Sellors

A short guide to writing about film

Timothy Corrigan

Stephen King goes to the movies

Stephen King

Horror films

Colin Odell

The horror film : an introduction

Rick Worland

Federico Fellini

Tullio Kezich

Rough guide to film

Film histories

Paul Grainger

Art by film directors

Karl French

Film Noir

Alain Silver

The Film Spectator

Associate Professor of Film Studies Warren Buckland

Cinemas of the mind : a critical history of film theory

The Directors Take One

Robert J. Emery

Sound Design

David Sonnenschein

Paul de Man

Martin McQuillan

Film/Genre

Rick Altman

The cinema of Martin Scorsese

Lawrence S. Friedman

Movies and Methods: Volume 1

Bill Nichols

A history of film

Jack C. Ellis

Engaging Characters Fiction, Emotion, and the Cinema

Murray Stuart Smith

The films of Alfred Hitchcock

Neil Sinyard

Incredibly Strange Films

V. Vale

Hollywood Legend and Reality

Michael Webb

The Cinema Book

Pam Cook

Psychoanalysis and Cinema

Christian Metz

How to read a film

James Monaco

Film Theory and Criticism

Gerald Mast

The cinema. A history

Keith Reader

film as film

v. f. Perkins

The Major Film Theories

J. Dudley

Essays in Criticism

Ingmar Bergman

Cinema in Revolution

Luda Schnitzer

Literature and Film

Robert Richardson

What Is Cinema?

André Bazin

the contemporary cinema

penelope houston