Theatre, performance, and the historical avant-garde

The Applied Theatre Reader

Tim Prentki

Performance Studies An Introduction

Richard Schechner

Performance, Movement and the Body

Mark Evans

Experimental Theatre

James Roose-Evans

Theory/Theatre

Canada) Fortier Mark (University of Guelph

Theatre Histories

USA) McConachie Bruce (University of Pittsburgh

Dramaturgy in the Making

Katalin Trencsenyi

Theatre and Photography

Joel Anderson

Theatre and Social Media

Patrick Lonergan

The Theatrical Event

Willmar Sauter

Performance Studies

Richard Schechner

The Avant Garde: A Very Short Introduction

David Cottington

The Theatre

Phyllis Hartnoll

Performance Art - Froom Futurism to the Present

Roselee Goldberg

Research Methods in Theatre and Performance

Baz Kershaw

How to Do Things with Art The Meaning of Art's Performativity

Dorothea von Hantelmann

Making Contemporary Theatre International Rehearsal Processes

Jen Harvie

Devising Theatre: A practical and theoretical handbook

Alison Oddey

Dramaturgy and performance

Cathy Turner and Synne K. Behrndt

The Cambridge Introduction to Theatre Studies

Christopher B.

Postdramatic Theatre

Lehmann, Hans-Thies

Drama/theatre/performance

Simon Shepherd

Experimantal Theatre

James Roose-Evans

Theory/theatre : an introduction

Mark Fortier

The Moving Body Teaching Creative Theatre

Jacques Lecoq

Theatre, Theory, Theatre The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel

Daniel Gerould

Theaterspiele Spontaneität, Improvisation und Theatersport

Keith Johnstone

A History of the Theater

Wickham, Glynne

Meyerhold

Edward Braun

Theory of the Avant-Garde

Peter Bürger

An Anatomy of Drama

Martin Esslin

The Theory of the modern Stage

Antonin Artaud

Brecht on theatre

Bertolt Brecht

Critical Perspectives on Applied Theatre

Future Theatre Research

Eli Rozik

The Theatre of the Absurd

Martin Esslin