Om boken

In May 2000, on assignment chronicling camera old-timers, Cartier-Bresson decided to shoot his subject, friend and colleague David Douglas Duncan, at the Picasso museum in Paris. Upon arriving at the shoot, Duncan decided to seize a rare opportunity. He spontaneously borrowed his wife's zoom-lens camera and asked Cartier-Bresson for a roll of film. And then, without a word between them, Duncan reversed the roles and began to photograph Cartier-Bresson."--the publisher