Impersonal Enunciation, or the Place of Film

The film experience

Timothy Corrigan

Understanding Film Theory

Christine Etherington-Wright

Analyzing Digital Discourse New Insights and Future Directions

Patricia Bou-Franch

The Poetics of Digital Media

Paul Frosh

Film Theory: The Basics

Kevin McDonald

Surveillance and Film

USA) Wise J. Macgregor (Arizona State University

Film Theory

Thomas Elsaesser

Movies and Meaning An Introduction to Film

Stephen Prince

The Ecstasy of Communication

Jean Baudrillard

Critical terms for media studies

Mark A'Bear

Film studies

Ed Sikov

War and Cinema The Logistics of Perception

Paul Virilio

L'énonciation de la subjectivité dans le langage

Catherine Kerbrat-Orecchioni

Toward a New Film Aesthetic

Bruce Isaacs

Enjoy Your Symptom!

Slavoj Zizek

How to Read Lacan

Slavoj Žižek

Mimesis

Matthew Potolsky

McQuail’s Mass Communication Theory

Denis McQuail

What Is Cinema

Andre Bazin

The Film Spectator

Associate Professor of Film Studies Warren Buckland

The Language of New Media

Lev Manovich

Cinemas of the mind : a critical history of film theory

Gramophone, Film, Typewriter

Friedrich A. Kittler

Postmodernism in the Cinema

Movies and Methods: Volume 1

Bill Nichols

Audiovision -sound on screen

Michel Chion

Downcast Eyes

Martin Jay

The Aesthetics of Film

Jacques Aumont

Interpreting Films Studies in the Historical Reception of American Cinema

Janet Staiger

Making Meaning

David Bordwell

Film Sound: Theory and Practice

Elisabeth Weis

Psychoanalysis and Cinema

Christian Metz

Film Cinema Movie

Gerald Mast

Mindscreen: Bergman, Godard, and First-Person Film

Bruce F. Kawin

The Major Film Theories

J. Dudley

Grammar of the Film Language

Daniel Arijon

Cinema in Revolution

Luda Schnitzer

Film Form

Sergei Eisenstein

What Is Cinema?

André Bazin