Hylle 223. Two essential books in one. 71,000 Dictionary references, 250,000 Thesaurus synonyms. The ideal companion book.

As Christopher Columbus surveyed lush New World landscapes, he eventually concluded that he had rediscovered the biblical garden from which God expelled Adam and Eve. Reading the paradisiacal rhetoric of Columbus, John Smith, and other explorers, English immigrants sailed for North America full of hope. However, the rocky soil and cold winters of New England quickly persuaded Puritan and Quaker colonists to convert their search for a physical paradise into a questfor Eden's less tangible perfections: temperate physiologies, intellectual enlightenment, linguistic purity, and harmonious social relations. Scholars have long acknowledged explorers' willingness to characterize the North American terrain in edenic terms, but Inventing Eden pushes beyond thisgeographical optimism to uncover the influence of Genesis on the iconic artifacts, traditions, and social movements that shaped seventeenth- and eighteenth-century American culture. Harvard Yard, the Bay Psalm Book, and the Quaker use of antiquated pronouns like thee and thou: these are products of a seventeenth-century desire for Eden. So, too, are the evangelical emphasis of the Great Awakening, the doctrine of natural law popularized by the Declaration of Independence, and the first UnitedStates judicial decision abolishing slavery. From public nudity to Freemasonry, a belief in Eden affected every sphere of public life in colonial New England and, eventually, the new nation. Spanning two centuries and surveying the work of English and colonial thinkers from William Shakespeare andJohn Milton to Anne Hutchinson and Benjamin Franklin, Inventing Eden is the history of an idea that shaped American literature, identity, and culture.

INDEX Architecture documents the extensive cross-fertilization of ideas that can occur between architectural practice and education. Through work developed by students and faculty at Columbia University's School of Architecture, it offers not only an archive of avant-garde work but a record of architectural discourse at a time when the design studio has been radically altered by digital technology.Writings, interviews, and images are organized according to an alphabetical "index" of key terms. Cross-referencing allows for a rich reading of concepts currently discussed in the field. The contributing critics and theorists include Stan Allen, Karen Bausman, Lise Anne Couture, Kathryn Dean, Evan Douglis, Kenneth Frampton, Leslie Gill, Thomas Hanrahan, Laurie Hawkinson, Steven Holl, Jeffrey Kipnis, Sulan Kolatan, Greg Lynn, William MacDonald, Reinhold Martin, Mary Mcleod, Victoria Meyers, Hani Rashid, Jesse Reiser, Bernard Tschumi, Nanako Umemoto, and Mark Wigley.

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A superb souvenir of this exotic terrain, Big Bend Vistas takes you on five journeys that begin at Panther Junction and travel to Study Butte; then on to the Chisos Basin, Santa Elena Canyon, Boquillas Canyon, and finally to Persimmon Gap. Easy to read and understand, Big Bend Vistas describes how volcanoes millions of years ago created some of the most striking scenery in Texas. The author includes vivid photographs, maps, and diagrams that explain the landscape and geology of Big Bend National Park in layman's terms. This is the third edition of Big Bend Vistas in the acclaimed "Vista" series dedicated to making Texas geology interesting for everyone.

There must be very few corners left in the British Isles against whose picturesque and historical background so many dramas and epic taleshave been played, but yet which so little has been documented. Such a place is Morvern - a roughly triangular-shaped peninsula lying westof Fort William and at the foot of the Great Glen. Immortalised by James MacPherson (as the home of Ossian, the Heroic Fingalian warrior),Tennyson and Scott, it is now a remote and little known part of what was Argyll lost in the anonymity of the Highland region.Morvern: A Highland Parish (first published as Reminiscences of a Highland Parish) was so popular from its first appearance in 1867 that itwent through many editions.The value of Norman Macleod's book today lies in its encapsulation of the past, its humour, its evocation of the scenery of Morvern andsurroundings, and its specific appreciation of the remarkable natural intelligence and concern for humanity. It speaks of Morvern, but describesa whole breed of West Highlanders. Even more importantly it clarifies the Highlander's own view of the Clan, a very necessary exercise at atime when notions of what a Clan is are romantically distanced from reality.

The discovery of insulin at the University of Toronto in 1921-22 was one of the most dramatic events in the history of the treatment of disease. Insulin was a wonder-drug with ability to bring patients back from the very brink of death, and it was no surprise that in 1923 the Nobel Prize for Medicine was awarded to its discoverers, the Canadian research team of Banting, Best, Collip, and Macleod. In this engaging and award-winning account, historian Michael Bliss recounts the fascinating story behind the discovery of insulin - a story as much filled with fiery confrontation and intense competition as medical dedication and scientific genius. Originally published in 1982 and updated in 1996, The Discovery of Insulin has won the City of Toronto Book Award, the Jason Hannah Medal of the Royal Society of Canada, and the William H. Welch Medal of the American Association for the History of Medicine.

Until recently the British Labour movement seemed to have lost touch with its Christian roots. Many leading members of the Labour Party were confessedly secular. But the triumph of the New Right and the collapse of Communism forced the Left to redefine socialism. Church leaders also encouraged people to be critical of the prevailing ideology. Some discovered an alternative in the Christian Socialist tradition, which became much better known when Tony Blair and other noted figures described how their political beliefs derived from their Christian faith. This current resurgence of Christian Socialism makes a reassessment of its history particularly timely. In this book, an expanded version of the 1998 Scott Holland Lectures, Alan Wilkinson sketches the nineteenth-century background to the Christian Socialism of F.D. Maurice, analyses the new mutation promoted by Henry Scott Holland and Charles Gore, and shows how this influenced R.H. Tawny and William Temple. He describes how such different figures as Neville Figgis and George MacLeod explored the nature of community and why some Christian Socialists were attracted to Roman Catholic social teaching. He also discusses those who have found the main Christian Socialist tradition too tame, such as Alan Ecclestone, Donald Soper, and Kenneth Leech. The book concludes with a survey of Christian Socialist politicians.

Frederick Layton (1827-1919) was among the very first art collectors in America to fund a purpose-built civic art gallery for the public's use and enjoyment. Second only to the 1874 Corcoran Gallery of Art in Washington, D.C., the 1888 Layton Art Gallery in Milwaukee, Wisconsin, presented a new model for the single-patron art museum in America, one significantly different from the established museums of Boston and New York. Frederick Layton and his British architect George Audsley developed a new vision for a more intimate art museum experience. They drew upon their knowledge of English precedents to create a refined, single-story, top-lit, urban gallery that would influence the development of the American art museum well into the twentieth century. Layton's Legacy draws on a recently discovered archive of Layton family papers, travel journals, and vintage photographs and on five years of extensive archival research in the United States and Great Britain. Historian John C.Eastberg traces the trajectory of the collection's development from its English origins through its grand European acquisitions, Gilded Age art auctions in New York, Progressive-era renovations, postwar deaccessions, and demolition of the original gallery, all leading to a new era of curatorial innovation and major American art acquisitions at the end of the twentieth century. Architect Eric Vogel looks more closely at the architectural history of the original Layton Art Gallery and its influence on the continuing lineage of the single-patron art museum. Together, they tell a fascinating story of significant people and events in the world of art, architecture, art education, exhibit design, and American museum history. Layton's Legacy also includes the first fully illustrated documentation of the entire 125-year history of the Layton Art Collection, demonstrating its formative place in the development of the American art museum.It includes object entries from more than twenty scholars of American and European painting, furniture, and decorative art and features the works of artists Eastman Johnson, Winslow Homer, Frederick Church, Thomas Cole, Bastien Lepage, William Bourguereau, James Tissot, Frederic Leighton, and Alma Tadema, among many others. Eminent scholars of nineteenth-century art, Dianne Macleod and Giles Waterfield, contribute forewords. Distributed for The Layton Art Collection, Inc.

The twenty-eight stories in this collection imaginatively take us far across the universe, into the very core of our beings, to the realm of the gods, and the moment just after now. Included here are the works of masters of the form and of bright new talents, including: * Cory Doctorow * Robert Charles Wilson * Michael Swanwick * Ian McDonald * Benjamin Rosenbaum * Kage Baker * Bruce McAllister * Alastair Reynolds * Jay Lake * Ruth Nestvold * Gregory Benford * Justin Stanchfield * Walter Jon Williams * Greg Van Eekhout * Robert Reed * David D. Levine * Paul J. McAuley * Mary Rosenblum * Daryl Gregory * Jack Skillingstead * Paolo Bacigalupi * Greg Egan * Elizabeth Bear * Sarah Monette * Ken MacLeod * Stephen Baxter * Carolyn Ives Gilman * John Barnes * A.M. Dellamonica Supplementing the stories are the editor's insightful summation of the year's events and a list of honorable mentions, making this book a valuable resource in addition to serving as the single best place in the universe to find stories that stir the imagination and the heart.

In this inspiring collection of essays, a range of award-winning, established and newly published writers offer highly personal accounts of their creative processes. Authors reveal the anxieties, considerations and discoveries that shaped their own first novels, arming new writers with practical advice, focus and inspiration. The book's final section presents the perspectives of an agent, a publisher and an author on the business of publishing a first novel. Writing a First Novel offers an illuminating read for both aspiring and seasoned writers. It contains contributions by: - Hanif Kureishi - Valerie Martin - Johanna Skibsrud - David Vann - Maile Chapman - Edward Hogan - Kishwar Desai - Wena Poon - Alison MacLeod - Andrew Cowan - Jane Rusbridge - Isabel Ashdown - Helon Habila - David Swann - Soumya Bhattacharya - Jane Feaver - Hannah Westland - Helen Garnons-Williams - Lionel Shriver

<strong>Principles of Comparative Politics</strong> offers the most comprehensive and up-to-date introduction to comparative inquiry, research, and scholarship. In this thoroughly revised <strong>Third Edition</strong>, students now have an even better guide to cross-national comparison and why it matters. The new edition retains a focus on the enduring questions with which scholars grapple, the issues about which consensus has started to emerge, and the tools comparativists use to get at the complex problems in the field.<br><br>Updates to this edition include a new intuitive take on statistical analyses and a clearer explanation of how to interpret regression results; a thoroughly-revised chapter on culture and democracy that includes a more extensive discussion of cultural modernization theory and a new overview of survey methods for addressing sensitive topics; and a revised chapter on dictatorships that incorporates a principal-agent framework for understanding authoritarian institutions. Examples from the gender and politics literature have been incorporated into various chapters, and empirical examples and data on various types of institutions have been updated. The authors have thoughtfully streamlined chapters to better focus attention on key topics.<br><br>Explore online resources: https://edge.sagepub.com/principlescp3e<br>

Principles of Comparative Politics offers the most comprehensive and up-to-date introduction to comparative inquiry, research, and scholarship. In this thoroughly revised Third Edition, students now have an even better guide to cross-national comparison and why it matters. The new edition retains a focus on the enduring questions with which scholars grapple, the issues about which consensus has started to emerge, and the tools comparativists use to get at the complex problems in the field.Updates to this edition include a new intuitive take on statistical analyses and a clearer explanation of how to interpret regression results; a thoroughly-revised chapter on culture and democracy that includes a more extensive discussion of cultural modernization theory and a new overview of survey methods for addressing sensitive topics; and a revised chapter on dictatorships that incorporates a principal-agent framework for understanding authoritarian institutions. Examples from the gender and politics literature have been incorporated into various chapters, and empirical examples and data on various types of institutions have been updated. The authors have thoughtfully streamlined chapters to better focus attention on key topics.

Introduksjonsbok for Entreprenørskapstudie.