Christas datter Jennie dør ved en drukningsulykke, fem år gammel. Men marerittet er ikke over med det.

For tyve år siden feiret de dobbeltbryllup. De har holdt sammen i alle disse årene - tilsynelatende venner og vel forlikte. Nå planlegger parene en ny seremoni for å feire tyveårsjubileet. Alt skal være som den gangen; samme sted, samme prest,samme restaurant. Men to av dem forbereder en overraskelse på den store dag: å myrde de to andre. Og den enes hustru er overbevist om at mannen har et forhold til en kollega. Hun vet ikke hvor livsfarlig feil hun tar. For når fire mennesker legger sine separate planer, kan det få uhyggelige følger.

Bra holdt bok, men med et stempel fra tidligere eier

En sjøoffiser leder en gruppe som kaprer en atomubåt for å starte en krig ... og han har en masterplan for verdensherredømme.

This is the first academic treatment of the life and work of Henry William Katz (1906-1992) who has been forgotten by scholars and critics for fifty years although his first novel won him the Heinrich-Heine-Prize in exile in 1937. From a combined literary, historical, biographical and sociological perspective, Ena Pedersen analyses Katz's depiction on the Eastern European Jews in Galicia, Weimar Germany and in exile, focusing on the problems of anti-Semitism, assimilation, German-Jewish symbiosis, and Jewish identity. The book further provides a first biography of Katz and places him in the context of German exile literature through comparisons with contemporary Jewish and non-Jewish writers in exile.

First published in 1976, this beautiful, interactive collaboration is a unique work of book art in which Marisol's monumental pop-art sculptures face the blocks of Creeley's prose poems. The new introduction by Creeley scholar Stephen Fredman describes how the poet's autobiographical prose poetry arose in conversation with images of Marisol's equally autobiographical sculptures.In addition to the introduction, this edition features an appendix of newly discovered material, much of it found in Creeley's own copy of the original edition of Presences. These include postcards and letters from Marisol, designer William Katz (who brought the poet and artist together), Mexican poet Octavio Paz, and several university professors. The material in the appendix allows the editor to reveal the genesis of Presences as a collaborative work of art involving three creators: artist, designer, and poet.

This entirely new edition of a famous classic has glorious new photographs-many never before seen-as well as revised and expanded text that deepens our understanding of the vital role played by African American men and women on America's early frontiers. This revised volume includes an exciting new chapter on the Civil War and the experiences of African Americans on the western frontier. Among its fascinating accounts are those explaining how thousands of enslaved people in Arkansas, Missouri and Texas successfully escaped into the neighboring Indian Territory in Oklahoma. These runaways inspired the idea eventually adopted as the Emancipation Proclamation, which freed slaves within the states that were in rebellion. Inspired by a conversation that William Loren Katz had with Langston Hughes, The Black West presents long-neglected stories of daring pioneers like Nat Love, a.k.a. Deadwood Dick; Mary Fields, a.k.a. Stagecoach Mary; Cranford Goldsby, a.k.a. Cherokee Bill-and a host of other intrepid men and women who marched into the wilderness alongside Chief Osceola, Billy the Kid, and Geronimo.

Seeing the America of Tomorrow in Las Vegas Today.With more than 2 million people in one corner of an otherwise mostly rural state, Greater Las Vegas represents the most extreme mismatch in the country between a large-scale metro area and the rest of its state. The city and its sprawling suburbs are now a majority-minority metropolis, while the rest of Nevada is much less diverse. This disparity in population carries over into economics, politics, and virtually every other aspect of modern life.The demographic characteristics of Las Vegas also represent the future of the United States. By 2060 the nation overall will mirror the demography of Las Vegas of 2018. To understand and meet the public policy challenges facing the nation's growing Sunbelt metro regions in future generations, it's necessary to study today's Las Vegas-not just the faux glitter of the famed casinos but the hard, everyday realities of a working, and still-growing, metropolis.This book, edited by three urban experts who live and work in Las Vegas, examines the city and its region through the lens of a previous, influential Brookings book. The Metropolitan Revolution: How Cities and Metros Are Fixing Our Broken Politics and Fragile Economy, by Bruce Katz and Jennifer Bradley, which argues that urban areas can be more capable of solving some of the nation's pressing policy problems than are the politicians ensnared in the gridlock of Washington and in state capitals. Following that theme, Damore, Danielsen, and Brown highlight several areas where Southern Nevada has used coalitional politics to advance its social and economic interests, as well as instances when intraregional factions have undermined critical priorities.Las Vegas and the Metropolitan Revolution will appeal to a broad audience: students and scholars of public policy; readers in the American West;, urban planners, policymakers, politicians, and appointed officials; and political, business, and community leaders in large metropolitan areas throughout the country.

`Stephan Collishaw takes your hand and leads you into a world of tragic beauty, inspiring strength and delicate kindness in the midst of horror' Aiste DirziuteFifteen-year-old Yael is on the run. The Jewish girl seeks shelter from the Germans on the farm of the village outcast. Aleksei is mute and solitary, but as the brutal winter advances, he reluctantly takes her in and a delicate relationship develops.As her feelings towards Aleksei change, the war intrudes and Yael is forced to join a Jewish partisan group fighting in the woods.Torn apart and fighting for her life, The Song of the Stork is Yael's story of love, hope and survival. It is the story of one woman finding a voice as the voices around her are extinguished.What Reviewers and Readers Say:'An elegantly crafted, beautifully written novel about love, survival and hope against all the odds- The Song of the Stork is a reading experience to savour.' William Ryan'At once tightly written and suspenseful, Collishaw's historical novel is a darkly compassionate fable of human endurance in absolute extremity' Stevie Davies'The subtle melody of The Song of the Stork caught my soul with its first notes and didn't leave me until the very last ones. Stephen Collishaw takes your hand and leads you into a world of tragic beauty, inspiring strength and delicate kindness in the midst of horror and through this journey he reminds you of the sound of hope.' Aiste Dirziute'A harrowing novel about a Jewish girl abandoned in World War 2 and forced to fend for herself in a landscape crawling with sexual ambiguity and brutal violence. It's a dark jewel that holds up for examination the proximity of terror and savagery to innocence and love. Yet The Song of The Stork is as much about the future as the past. Stephan Collishaw warns us how the times we live in might end up: with an oafish peasantry drunk on Brexit chasing children through the woods, just because their parents voted Remain.' Guy Kennaway' ...a masterly work of condensed fiction that synthesises the art of a great writer with the knowledge of a keen researcher who has become immersed in the first-hand sources of the period... A beautiful book that will go down as one of the classics of the literature of the anti-Nazi partisans in the forests around Vilna during the Holocaust.' David Katz'The prose is sparse and understated and it reminded me at times of The Secret Diary of Anne Frank, which hints at the barbaric events going on in the world without ever displaying them in all their technicolour horror... The writing is hauntingly beautiful and poetic.' Madhouse Family Reviews'It is a refreshing read that is full of so much love and hope... I really loved this book, and is one that I have already been recommending.' The Reading Lodge'There are so many beautiful moments in the story, acts of kindness and small mercies that show human nature at its best... he gets under the skin of his characters and brings them fully to life on the page.' One More Page blog'The Song of the Stork is a beautifully written and poignant novel about a young girl in Poland during the Second World War... a moving read about an awful period in history, which is in fact troublingly relevant in the current political climate.' A View from the Balcony blog'Collishaw has done a fine job of balancing historical reality with the license of fiction, the grim facts of the holocaust with the poignancy of love, and through all it, he manages to offer a sense of optimism.' Words and Leaves blog

In Contributions to Automorphic Forms, Geometry, and Number Theory, Haruzo Hida, Dinakar Ramakrishnan, and Freydoon Shahidi bring together a distinguished group of experts to explore automorphic forms, principally via the associated L-functions, representation theory, and geometry. Because these themes are at the cutting edge of a central area of modern mathematics, and are related to the philosophical base of Wiles' proof of Fermat's last theorem, this book will be of interest to working mathematicians and students alike. Never previously published, the contributions to this volume expose the reader to a host of difficult and thought-provoking problems.Each of the extraordinary and noteworthy mathematicians in this volume makes a unique contribution to a field that is currently seeing explosive growth. New and powerful results are being proved, radically and continually changing the field's make up. Contributions to Automorphic Forms, Geometry, and Number Theory will likely lead to vital interaction among researchers and also help prepare students and other young mathematicians to enter this exciting area of pure mathematics.Contributors: Jeffrey Adams, Jeffrey D. Adler, James Arthur, Don Blasius, Siegfried Boecherer, Daniel Bump, William Casselmann, Laurent Clozel, James Cogdell, Laurence Corwin, Solomon Friedberg, Masaaki Furusawa, Benedict Gross, Thomas Hales, Joseph Harris, Michael Harris, Jeffrey Hoffstein, Herve Jacquet, Dihua Jiang, Nicholas Katz, Henry Kim, Victor Kreiman, Stephen Kudla, Philip Kutzko, V. Lakshmibai, Robert Langlands, Erez Lapid, Ilya Piatetski-Shapiro, Dipendra Prasad, Stephen Rallis, Dinakar Ramakrishnan, Paul Sally, Freydoon Shahidi, Peter Sarnak, Rainer Schulze-Pillot, Joseph Shalika, David Soudry, Ramin Takloo-Bigash, Yuri Tschinkel, Emmanuel Ullmo, Marie-France Vigneras, Jean-Loup Waldspurger.

<p>The philosophy of deep ecology originated in the 1970s with the Norwegian philosopher Arne Naess and has since spread around the world. Its basic premises are a belief in the intrinsic value of nonhuman nature, a belief that ecological principles should dictate human actions and moral evaluations, an emphasis on noninterference into natural processes, and a critique of materialism and technological progress. This book approaches deep ecology as a philosophy, not as a political, social, or environmental movement. In part I, the authors compare deep ecology's philosophical ideas with other positions and debates in environmental philosophy and to other schools of thought such as social ecology, ecofeminism, and moral pluralism. In part II, they investigate the connections between deep ecology and other contemporary world views, such as continental philosophy, postmodernism, and non-Western philosophical traditions. The first anthology on deep ecology that is not primarily the work of the movement's followers, <i>Beneath the Surface</i> offers a rigorous assessment of deep ecology's strengths and weaknesses as a philosophical position.</p><p><b>Contributors<br></b>John Clark, Deane Curtin, Arran Gare, William Grey, Mathew Humphrey, Knut Jacobsen, Eric Katz, Andrew Light, Jonathan Maskit, Val Plumwood, David Rothenberg, Ariel Salleh, Bron Taylor, Michael Zimmerman</p>

Outside the classic frames of war and peace, these all-too-human tales - funny, tragic and fateful - tell a wider story of the exuberant dreams, dark fears, grubby ambition and sheer chance which marked Europe's post-war metamorphosis, and the century to come.

On paper Steve Katz's career rivals anyone's except the 1960s' and '70's biggest stars: the Monterey Pop Festival with the legendary Blues Project, Woodstock with Blood, Sweat & Tears, and even producing rock's most celebrated speed addict, Lou Reed. There were world tours, and his resume screams "Hall of Fame" - it won't be long before BS&T are on that ballot. He has three Grammies (ten nominations), three Downbeat Reader's Poll Awards, three gold records, one platinum record, and one quadruple platinum platter (the second Blood, Sweat & Tears album), not to mention three gold singles with BS&T. All together, he's sold close to 29 million records. He had affairs with famous female folk singers, made love to Jim Morrison's girlfriend Pam when Jim was drunk and abusive, partied with Elizabeth Taylor and Groucho Marx, dined with Rudolf Nureyev, conversed with Martin Luther King, Jr. and Tennessee Williams, hung out with Andy Warhol, jammed with everyone from Mose Allison to Jimi Hendrix, and was told to get a haircut by both Mickey Spillane and Danny Thomas. But his memoir is more Portnoy's Complaint than the lurid party-with-your-pants-down memoir that has become the norm for rock 'n' roll books. It's an honest and personal account of a life at the edge of the spotlight-a privileged vantage point that earned him a bit more objectivity and earnest outrage than a lot of his colleagues, who were too far into the scene to lay any honest witness to it. Set during the Greenwich Village folk/rock scene, the Sixties' most celebrated venues and concerts, and behind closed doors on international tours and grueling studio sessions, this is the unlikely story of a rock star as nerd, nerd as rock star, a nice Jewish boy who got to sit at the cool kid's table and score the hot chicks.