En stemme kaller på Elsa! Sammen med Anna, Kristoffer, Svein og Olaf reiser hun mot nord, gjennom tåken og inn i det mystiske ukjente. Hun møter nye venner på sin søken etter svar på det eldgamle mysteriet i kongedømmet Arendell, og opprinnelsen til de magiske evnene sine ... svar som nå kan true kongedømmet!

Det er spillkveld på slottet i Arendell. Anna, Elsa, Kristoffer og Olaf koser seg med stiv heks, sjakk og mange andre spill og leker.

Teknikk, konsentrasjon, besluttsomhet, hardt arbeid og god sportsånd - dette er fundamentet Lynet McQueen har bygd sin suksess på. Den ubestridte racerkongen går løs på en ny utfordring på banen, men denne gangen er motstanderne noen imponerende, nye biler. For første gang må den legendariske vinneren spørre seg selv om han virkelige er så rask som han tror. Er det plass til ham i den nye, høyteknologiske racingverdenen? For å bli en å regne med igjen, må han lære seg noen nye triks. Bli med Lynet McQueen på en heidundrende fartsfest!

Etter mange års erfaring med billøp, syv Piston Cup-seirer og en udødelig lidenskap for motorsport, har Lynet McQueen fortjent ryktet som en sann mester verden rundt. Men når en ny generasjon lynraske biler kommer på banen, begynner den legendariske seierherren å tvile på om han fremdeles er god nok. Denne Piston Cup-en setter Lynet McQueens hjerte på prøve i det største billøpet av dem alle! Gjør deg klar - et berg-og-dal-bane-løp venter på deg!

Hvert år holder Beste-Pabel en spesiell krystallseremoni for de småtrollene som skal få førsteklassekrystallene sine.

Boken er oversatt til Lulesamisk. En stemme kaller på Elsa! Sammen med Anna, Kristoffer, Svein og Olaf reiser hun mot nord, gjennom tåken og inn i det mystiske ukjente. Hun møter nye venner på sin søken etter svar på det eldgamle mysteriet i kongedømmet Arendell, og opprinnelsen til de magiske evnene sine ... svar som nå kan true kongedømmet! Jiedna tjuorvvu Elsaj! Aktan Annajn, Kristoffajn, Svenajn ja Olafijn vuolggá nuortas, murko tjadá amás bájkijda. Sån ådå rádnajt gávnná gå la åhtsåmin vásstádusáv Arendella gånågisvielde ibmahij birra ja ietjas giejddemfámoj birra ... valla vásstádusá dálla gånågisvieldev ájtti!

Bli med Olaf, så får du se hvorfor Anna & Elsa er så glad i hverandre!

Her får du to spennende, nye historier fra Arendell. I La det lyse følger vi vennene fra Arendell det siste stykket på ferden til krystallseremonien. Vil Lille Knut rekke det, og vil de få nordlyset til å skinne sterkt igjen? I Ekens oppfinnelse er det tid for Ekens årlige familiestevne, der det er tradisjon at alle viser fram nye oppfinnelser. Men Eken kommer ikke på en eneste ide!

Tre Frost-historier: Et jubileum for Arendell, Noe å feire, Skreddersydd overraskelse

This book offers a new framework for the study of political elites and an empirically rich interrogation of the realization, accumulation and exercise of institutionalized political power by political elites in the African context of the Provincial Legislature of KwaZulu-Natal.

Rikholdig og avansert ordbok for engelsk

Hemingway's two extended African safaris, the first in the 1930s and the second in the 1950s, gave rise to two of his best-known stories ("The Snows of Kilimanjaro" and "The Short Happy Life of Francis Macomber"), a considerable amount of journalism and correspondence, and two nonfiction books, Green Hills of Africa (1935), about the first safari, and True at First Light (1999; longer version, Under Kilimanjaro 2005), about the second. Africa also figures largely in his important posthumous novel The Garden of Eden (1986). The variety and quantity of this literary output indicate clearly that Africa was a major factor in the creative life of this influential American author. But surprisingly little scholarship has been devoted to the role of Africa in Hemingway's life and work. To start the long-delayed conversation on this topic, this book offers historical, theoretical, biographical, theological, and literary interpretations of Hemingway's African narratives. It also presents a wide-ranging introduction, a detailed chronology of the safaris, a complete bibliography of Hemingway's published and unpublished African works, an up-to-date, annotated review of the scholarship on the African works, and a bibliography of Hemingway's reading on natural history and other topics relevant to Africa and the world of the safari. Contributors: Silvio Calabi, Suzanne del Gizzo, Beatriz Penas Ibanez, Jeremiah M. Kitunda, Kelli A. Larson, Miriam B. Mandel, Frank Mehring, Philip H. Melling, Erik G. R. Nakjavani, James Plath, and Chikako Tanimoto. Miriam B. Mandel is retired as Senior Lecturer in the Department of English and American Studies at Tel Aviv University.

In The Americas Revealed, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA's mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the "American exceptionalism" of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors' own point of view.In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-L pez, Ronda Kasl, Gabriel P rez-Barreiro, Berit Potter, Mari Carmen Ram rez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.

Before Gertrude Stein became the twentieth century's preeminent experimental writer, she spent a decade conducting research in both the leading psychological laboratory and the leading medical school in the United States. This book unearths the turn-of-the-century scientific and philosophical worlds in which the young Stein was immersed, demonstrating how her extensive scientific training continued to exert a profound influence on the development of her extraordinary literary practices.As an undergraduate, Stein worked with the philosopher William James and the psychologist Hugo Munsterberg at the Harvard Psychological Laboratory, investigating secondary personalities and automatic writing. Later, at Johns Hopkins Medical School, she was involved in cutting-edge neuroanatomical research in the laboratory of Franklin Mall, the leading anatomist and embryologist of the day, and his assistant Lewellys Barker, the author of the first English-language textbook to describe the nervous system from the standpoint of the newly established neuron doctrine. Just as scientists reconceived relations among neurons as a function of contact or contiguity, rather than of organic connection, Stein radically reconceptualized language to place equal weight on the conjunctive and disjunctive relations among words.In the course of a broad reevaluation of Stein's career, the author situates this major postromantic thinker in the lineage of poet-scientists such as Wordsworth, Goethe, and Shelley, as well as in an important line of speculative thinkers that extends from Emerson to William James, Alfred North Whitehead, and Ludwig Wittgenstein, and emerges today in figures as disparate as the bioaesthetician Suzanne Langer, the technoscience theorist Donna Haraway, and the neuroscientists Francisco Varela, Gerald Edelman, and J. Allan Hobson. These two lines share the perspective that William James designated radical empiricism.A groundbreaking interdisciplinary study, Irresistible Dictation aims both to explicate Stein's radically experimental compositions and to bring the radical empiricist philosophical tradition into focus through the lens of her writing.

Livre de poche

In a society where split-second decisions about the value of things are grounded on how they look, museum visitors are often drawn to visually striking or iconic objects. This book investigates the question of the treatment of items on display in museums which are less conspicuous but potentially just as important as the striking objects, arguing that it is important to show that all objects illustrate potentially interesting cultural contexts and content. The authors explore the disciplines of architecture, design, cognitive science and museology and offer a methodology by which the quality of museum exhibitions can be judged from a visitor-centred perspective. They provide new insights into the visitor-object encounter and the relationship between visitors, objects and museums. In addition the book offers a set of useful practical tools for museum professionals - for audience research, evaluating museum displays, and for designing new galleries and striking exhibitions. Richly illustrated with photos and diagrams, and based on studies of famous galleries in world-renowned museums, the book will be essential reading for all those concerned with creating effective exhibitions in museum.

Obsessive compulsive disorder is a disabling and distressing mental health problem. This accessible introduction examines OCD's causes, symptoms, diagnosis and treatment, and is richly illustrated with case studies, making it engaging reading for anyone wishing to understand this complex mental health problem.

A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success. Suzanne Cusick argues that Caccini's career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany's de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine's power, thereby also supporting the sexual and political aims of its women.In bringing Caccini's surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.