Hvordan dyrke og bruke urtene fra hagen. Overs. og bearbeidet av Ansof Christophersen. Lukter litt gammelt

Hvordan dyrke og bruke urtene fra hagen

Boken om krydderurter viser både hvordan urtene dyrkes og brukes i nye spennende retter. Ansof Christophersen.

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"En inspirasjonskilde for alle som er glad i og liker å omgi seg med blomster. Den forteller om hvordan vi skal behandle blomstene for å få størst mulig glede av dem og om hvordan vi kan sette dem sammen i en uendelighet av vakre buketter og dekorasjoner -" Boken har knapt vært åpnet, hel og pen. Aftenpostens Sirkelserie. Chr. Schibsteds Forlag.

'Instantly the spirit of hell awoke in me and raged...I was suddenly struck through the heart by a cold thrill of terror.' Stevenson's short novel, published in 1886, became an instant classic. It was a Gothic horror that originated in a feverish nightmare, whose hallucinatory setting in the murky back streets of London gripped a nation mesmerized by crime and violence. The respectable doctor's mysterious relationship with his disreputable associate is finally revealed in one of the most original and thrilling endings in English literature. In addition to Jekyll and Hyde, this edition also includes a number of short stories and essays written by Stevenson in the 1880s, minor masterpieces of fiction and comment: 'The Body Snatcher', 'Markheim', and 'Olalla' feature grave-robbing, a sinister double, and degeneracy, while 'A Chapter on Dreams' and 'A Gossip on Romance' discuss artistic creation and the 'romance' form. Appendixes provide extracts from contemporary writings on personality disorder, which set Stevenson's tale in its full historical context.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In the summer of 1914 Europe exploded into a frenzy of mass violence. The war that followed had global repercussions, destroying four empires and costing millions of lives. Even the victorious countries were scarred for a generation, and we still today remain within the conflict's shadow. In this major new analysis, published ninety years after the First World War began, David Stevenson re-examines the causes, course, and impact of this 'war to end war', placing it in the context of its era and exposing its underlying dynamics. His book provides a wide-ranging international history, drawing on insights from the latest research. It offers compelling answers to the key questions about how this terrible struggle unfolded: questions that remain disturbingly relevant for our own time.

Alistair Langford, a high-powered lawyer, has at long last achieved almost all his immense ambitions. But in the course of just one evening, he recklessly destroys it all. The scandal threatens his marriage and his family and even his own identity. Quite suddenly a secret he has kept hidden all his adult life is exposed. Meanwhile his son Luke is obsessed with a beautiful actress and refuses to believe that love has ended. His ideals in tatters, he seeks a kind of redemption by helping two Kosovan asylum seekers. But illegal night shifts merge uneasily with the parties of the young and wealthy and the collision of the two worlds proves dangerous. Desperate and in the unlikely possession of a gun, Luke is being led down a dark and violent path.

Discover the mesmerizing tale of two personalities in a war over the soul of one man. The Strange Case of Dr. Jekyll and Mr. Hyde is a tale of Victorian horror. The personalities of the pleasant Dr. Jekyll and the violent Mr. Hyde vie for control over a single body. This gothic horror novel is presented alongside five short stories by author Robert Louis Stevenson, including "A Lodging for the Night" and "The Isle of Voices." This elegantly designed clothbound edition features an elastic closure and a new introduction by Allen Grove. The Knickerbocker Classics bring together the essential works of classic authors from around the world in stunning editions to be collected and enjoyed.

In this powerful deconstruction of Calvinist belief and the hypocrisy at the heart of Victorian society, Stevenson creates a gothic icon in the divided self that is Dr Jekyll and Mr Hyde. Born from a nightmare and anticipating Freud’s theory of the unconscious, Stevenson literalises the concepts of the supernatural doppelgänger and the split personality in a timeless tale of guilt, desire, and violence by which all subsequent ‘double’ stories must be judged. In seeking to cleanse his soul of sin, Dr Henry Jekyll instead unleashes a monster. First published in 1886, this tragic study of the duality of man established Stevenson’s international reputation as an author. This volume also contains Stevenson’s 1887 collection of short stories, The Merry Men and Other Tales and Fables, which includes a further exploration of the mind of a murderer, ‘Markheim’, and the occult tales of terror, ‘The Merry Men’, ‘Olalla’, and ‘Thrawn Janet’.

Discover the mesmerizing tale of two personalities in a war over the soul of one man. The Strange Case of Dr. Jekyll and Mr. Hyde is a tale of Victorian horror. The personalities of the pleasant Dr. Jekyll and the violent Mr. Hyde vie for control over a single body. This gothic horror novel is presented alongside five short stories by author Robert Louis Stevenson: A Lodging for the Night The Suicide Club The Body-Snatcher The Bottle Imp The Isle of Voices This elegantly designed jacketed hardcover edition features a new introduction by English scholar and professor Allen Grove and a timeline of the life and times of Robert Louis Stevenson.

HarperCollins is proud to present its range of best-loved, essential classics.

Forms of Empire shows how the modern state's anguished relationship to violence pushed writers to expand the capacities of literary form. The Victorian era is often imagined as an 'age of equipoise,' but the period between 1837 and 1901 included more than 200 separate wars. What is the difference, though, between peace and war? The much-vaunted equipoise of the nineteenth-century state depended on physical force to guarantee it. But the sovereign violencehidden in the shadows of all law shuddered most visibly into being at the edges of law's reach, in the Empire, where emergency was the rule and death perversely routinized. George Eliot, Charles Dickens, Wilkie Collins, A. C. Swinburne, H. Rider Haggard, and Robert Louis Stevenson, among others, all generatednew formal techniques to account for the sometimes sickening interplay between order and force in their liberal Empire. In contrast to the progressive idealism we have inherited from the Victorians, these writers moved beyond embarrassment and denial in the face of modernity's uncanny relation to killing. They sought aesthetic effects-free indirect discourse, lyric tension, and the idea of literary 'character' itself-able to render thinkable the conceptual vertigoes of liberalviolence. In so doing, they touched the dark core of our post-Victorian modernity. Archival work, literary analyses, and a theoretical framework that troubles the distinction between 'historicist' and 'formalist' approaches helps this book link the Victorian period to the present and articulate a forceful vision ofwhy literary thinking matters now.

BASED ON THE LONG-RUNNING BBC RADIO 4 McLEVY DRAMA SERIES...WHILE THE STREETS OF LONDON HAD SHERLOCK HOLMES, THE DARK ALLEYS OF EDINBURGH HAD INSPECTOR JAMES McLEVYELEGANT AND CONVINCING' The Times | 'ASHTON IS THE DIRECT HEIR TO ROBERT LOUIS STEVENSON' Brian Cox | 'EXCELLENT' The Sherlock Holmes Society | 'DRIPPING WITH MELODRAMA AND DERRING-DO' HeraldA burglary and murder at the home of Sir Thomas Bouch, the enigmatic architect of the ill-fated Tay Bridge, sets Inspector James McLevy off on a train of brutal killings, lethal liaisons, and double suicide which leads to a violent encounter with an old enemy, Hercules Dunbar.Caught up in a terrifying storm as he tracks his foe to Dundee, McLevy watches the rail bridge collapse and plunge into the icy depths of the Tay. The aftermath brings the destruction of reputation and love as the inspector uncovers the secret passions which have led to murder.THE INSPECTOR MCLEVY SERIES1 - Shadow of the Serpent2 - Fall from Grace3 - A Trick of the Light4 - Nor Will He Sleep

In Forms of Empire, Nathan K. Hensley shows how the modern state's anguished relationship to violence pushed writers to expand the capacities of literary form. The Victorian era is often imagined as an "age of equipoise," but the period between 1837 and 1901 included more than two hundred separate wars. What is the difference, though, between peace and war? Forms of Empire unpacks the seeming paradoxes of the Pax Britannica's endless conflict, showing that the much vaunted equipoise of the nineteenth-century state depended on physical force to guarantee it. But the violence hidden in the shadows of all law -the violence of sovereign poweritself-shuddered most visibly into being at the edges of law's reach, in the Empire, where emergency was the rule and death perversely routinized. This book follows some of the nineteenth century's most astute literary thinkers-George Eliot, Charles Dickens, Wilkie Collins, A.C. Swinburne, H. Rider Haggard, and Robert Louis Stevenson among them-as they wrestled with the sometimes sickening interplay between order and force, and generated new formal techniques to account for fact that an Empire built on freedom had death coiled at its very heart. In contrast to the progressive idealism we have inherited from the Victorians, the writersat the core of Forms of Empire moved beyond embarrassment and denial in the face of modernity's uncanny relation to killing. Instead they sought effects-free indirect discourse, lyric tension, and the idea of literary "character" itself-that might render thinkable the conceptual vertigoes of liberalviolence. In the process, they touched up to the dark core of our post-Victorian modernity. Drawing on archival work, literary analyses, and a theoretical framework that troubles the distinction between "historicist" and "formalist" approaches, Forms of Empire links the Victorian period to the present and articulates a forceful vision of why literary thinking matters now.

BASED ON THE LONG-RUNNING BBC RADIO 4 McLEVY DRAMA SERIES...WHILE THE STREETS OF LONDON HAD SHERLOCK HOLMES, THE DARK ALLEYS OF EDINBURGH HAD INSPECTOR JAMES McLEVYELEGANT AND CONVINCING' The Times | 'ASHTON IS THE DIRECT HEIR TO ROBERT LOUIS STEVENSON' Brian Cox | 'EXCELLENT' The Sherlock Holmes Society | 'DRIPPING WITH MELODRAMA AND DERRING-DO' HeraldHalloween 1881, Edinburgh, and the dead are restless.In respectable Edinburgh society, beautiful young American spiritualist, Sophia Adler, is causing a furore with her dramatic seances. But the ghosts of the past seem hell-bent on retribution.Inspector James McLevy finds his investigations distracted by more earthly concerns when Muriel Grierson, an outwardly genteel widow is robbed at home. Her knight in shining armour - one Arthur Conan Doyle, recently graduated from medical school - is keen to learn from such a master of detection as the renowned inspector, but McLevy is less sure that he requires a new acolyte.A vicious murder occurs with evidence of supernatural strength and violence. Treachery revenged from a battle long ago. All roads lead to Sophia Adler and the inspector becomes involved with one of the most dangerous women he has ever encountered. THE INSPECTOR MCLEVY SERIES1 - Shadow of the Serpent2 - Fall from Grace3 - A Trick of the Light4 - Nor Will He Sleep

This study investigates the overlaps between political discourse and literary and cinematic fiction, arguing that both are informed by, and contribute to, the cultural imaginary of terrorism. Whenever mass-mediated acts of terrorism occur, they tend to trigger a proliferation of threat scenarios not only in the realm of literature and film but also in the statements of policymakers, security experts, and journalists. In the process, the discursive boundary between the factual and the speculative can become difficult to discern. To elucidate this phenomenon, this book proposes that terror is a halfway house between the real and the imaginary. For what characterizes terrorism is less the single act of violence than it is the fact that this act is perceived to be the beginning, or part, of a potential series, and that further acts are expected to occur. As turn-of-the-century writers such as Stevenson and Conrad were the first to point out, this gives terror a fantastical dimension, a fact reinforced by the clandestine nature of both terrorist and counter-terrorist operations. Supported by contextual readings of selected texts and films from The Dynamiter and The Secret Agent through late-Victorian science fiction to post-9/11 novels and cinema, this study explores the complex interplay between actual incidents of political violence, the surrounding discourse, and fictional engagement with the issue to show how terrorism becomes an object of fantasy. Drawing on research from a variety of disciplines, The Cultural Imaginary of Terrorism will be a valuable resource for those with interests in the areas of Literature and Film, Terrorism Studies, Peace and Conflict Studies, Trauma Studies, and Cultural Studies.

New York Times bestseller - Member of Oprah's SuperSoul 100 - one of World Economic Forum's "Most Recommended Books of 2016" Now in paperback, the harrowing, * inspiring**, and unforgettable+ memoir of redemption and second chances amidst America's mass incarceration epidemic. Shaka Senghor was raised in a middle class neighborhood on Detroit's east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctor--but at age 11, his parents' marriage began to unravel, and the beatings from his mother worsened, sending him on a downward spiral that saw him run away from home, turn to drug dealing to survive, and end up in prison for murder at the age of 19, fuming with anger and despair. Writing My Wrongs is the story of what came next. During his nineteen-year incarceration, seven of which were spent in solitary confinement, Senghor discovered literature, meditation, self-examination, and the kindness of others--tools he used to confront the demons of his past, forgive the people who hurt him, and begin atoning for the wrongs he had committed. Upon his release at age thirty-eight, Senghor became an activist and mentor to young men and women facing circumstances like his. His work in the community and the courage to share his story led him to fellowships at the MIT Media Lab and the Kellogg Foundation, membership in Oprah Winfrey's SuperSoul 100, and invitations to speak at events like TED and the Aspen Ideas Festival. In equal turns, Writing My Wrongs is a page-turning portrait of life in the shadow of poverty, violence, and fear; an unforgettable story of redemption, reminding us that our worst deeds don't define us; and a compelling witness to our country's need for rethinking its approach to crime, prison, and the men and women sent there. * the New York Times** Bryan Stevenson+ Michelle Alexander