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Now a global bestseller, the remarkable life of Rigoberta Menchu, a Guatemalan peasant woman, reflects on the experiences common to many Indian communities in Latin America. Menchu suffered gross injustice and hardship in her early life: her brother, father and mother were murdered by the Guatemalan military. She learned Spanish and turned to catechistic work as an expression of political revolt as well as religious commitment. Menchu vividly conveys the traditional beliefs of her community and her personal response to feminist and socialist ideas. Above all, these pages are illuminated by the enduring courage and passionate sense of justice of an extraordinary woman. This new edition is introduced by Greg Grandin, who places Menchu's account into a contemporary political context, and assesses revisionist arguments about Rigoberta Menchu and Guatemalan history.

Den Norske Nobelkomite har besluttet at Nobels fredspris for 1992 skal tildeles Rigoberta Menchu fra Guatemala for hennes arbeid for sosial rettferdighet og etnisk-kulturell forsoning basert på respekt for urbefolkningens rettigheter. Her er hennes livshistorie fortalt til Burgos Debray.

This book proffers a new theory of the radical possibilities of contemporary postcolonial feminist writings from Africa, the Middle East, the Americas, and the Caribbean, against what can be described as "actually-existing colonialisms." These writers include prominent and other less-known postcolonial women writers such as Tsitsi Dangarembga, Louise Erdrich, Aurora Levins Morales, Rosario Morales, Esmeralda Santiago, Raymonda Tawil, Michelle Cliff, and Rigoberta Menchu. Negotiating the contradictions among gender, nation, and globalization, postcolonial women writers construct extimate subjectivities that mark their excessive locations in the social field through the dialectical relation between the intimate and the external, the intimately or internally external, articulating these contradictions within the larger history and narratives of anti-colonial internationalist struggle for liberation and emancipation. Grounded in a commitment to the future of the postcolonial nation and the project of decolonization and liberation within the ever-encroaching, neocolonial global capitalist system, postcolonial women's narratives of displacing offer not only an alternative mode of ideological critique of scripted and commonly-inherited discourses of identity, home, culture that obfuscate the fundamental social antagonism, but also ways of changing them through practices of radical politics. The book thus charts four intersecting, dialogic strategies, by which postcolonial women writers produce extimate subjectivities: travel, unhomeliness, multiple and shifting subject positions, and transnational alliances. First, specific strategies of travel, voluntary and involuntary, within glocal networks of dispossession, displacement, and labor migration that foreground their extimate locations as internally external. Second, tactics of unhomeliness that uncover traces of the foreign, and elsewhere, in the edifice of the familiar that serve as the basis for interrogating dominant discourses of belonging. Third, techniques of multiple and shifting subject positions that recognize the excessive location of the extimate subject, in order to unravel not only the contingency of the subject's ontic properties, but also her locations in the interplay of oppression and privilege. And fourth, strategies for building political solidarity with transnational and transethnic communities of struggle that are grounded in the concrete Universality of the excluded communities. This book bears witness to the radical possibility in contemporary postcolonial feminist writing, and promises a way out of the impasse of the current culturalization of politics in the humanities that has resulted from the uncritical celebration of hybridity and the concomitant emphasis on diaspora, postnationalism, and cosmopolitanism in dominant discourses of postcolonial, ethnic, and transnational studies.

Written from a cultural studies point of view, thirteen original essays analyse literary accounts of historically famous sites of conversion. Beginning with the Renaissance and extending to the present, authors under discussion include: Beaumont and Fletcher, Lope de Vega, Guamam Poma, Thomas Nashe, Daniel Defoe, Chateaubriand, Salvation Army pamphleteers, Chinese missionaries, Stephen Riggs, Samson Occom, Shusaku Endo, Mongo Beti, and Rigoberta Menchu. What were the missionaries' intentions, and how were they perceived?

By analyzing testimonial writing, works of fiction, and critical theory, Joanna R. Bartow examines the self-representation of testimonial subjects. She questions limits on reading testimonio that until recently have delegitimated the testimonial subject's autonomy. In addition, Bartow shows the importance of a feminist perspective on testimonio, a perspective met with some resistance. In specific ways, feminist theory sheds light on the construction of the testimonial subject, and testimonial writing highlights questions of agency across differences in feminist theory. Subject to Change does not approach testimonial writing as raw material for theory, but rather reads Latin American testimonio - and the testimonial speaking subject - as an equally sophisticated interlocutor in debates on difference. Bartow explores theories of violence, sacrifice, displacement, nomadism, and female identity through works by Rigoberta Menchu, Carolina Maria de Jesus, Elena Poniatowska, Clarice Lispector, and Diamela Eltit.

What ails people at the present time in Western and especially American society is an inexhaustible subject. Discussion of these discontents in the United States in the last decade of the twentieth century leads to an obvious question: How much and what kind of discontents are possible in a society that has experienced over a decade of economic growth, close to full employment, hardly any inflation, falling crime rates, declining teenage pregnancies, and other good things? Is there anything to worry about in a country that has become the undisputed superpower of the world and no longer faces another hostile superpower such as the Soviet Union used to be? Paul Hollander wrestles with these and other questions in seeking to understand conditions and developments within American culture and society in the context of their relationship to political systems, movements and ideas critical of the United States and Western values. Hollander examines disparate phenomena, such as the O.J. Simpson case, the banning of West Side Story in Amherst, Massachusetts, the popularity and exposu of Rigoberta Menchu, and the appeal of sports utility vehicles, which shed light on the major themes of the volume. Topics include conflicts among American intellectuals (including disputes over the Kosovo intervention), the impact of postmodernism on higher education, the persisting appeal of victimhood in American society, the flaws of American sociology, academic specialists' failure to anticipate the collapse of the Soviet Union, and the new anti-Americanism in postcommunist societies. Among topics of historical interest are a survey of Western judgments and misjudgments of the communist systems; examination of the relative neglect of political violence in communist states, and analysis of officially enforced, secular-religious cult of communist rulers. Many of these writings are linked to the author's longstanding interest in why people accept or reject particular political systems and in the contradictory human needs and desires which condition and limit the pursuit of social and political ends. Sociologists, political scientists, and the general reader will find this book of great interest.

<p>How does an artist respond to the horrors of war and the genocide of his or her people? Can art play a role in the fight for justice? These are key questions for understanding the work of Guatemalan photographer Daniel Hernandez-Salazar. Since the 1980s, Hernandez-Salazar has created both documentary and aesthetic works that confront the state-sponsored terrorism and mass killings of Guatemala's long civil war (1962-1996). His photographic polyptych (4-panel image) "Clarification" became the icon for the Recovery of Historical Memory project of the Archbishopric of Guatemala, as well as a rallying symbol for Guatemalans. Broadening his crusade for justice in the twenty-first century, Hernandez-Salazar is now also using the shouting angel of his polyptych (entitled "So That All Shall Know") to challenge the forgetting and/or erasure of painful history in many parts of the world, including Mexico, Japan, the United States, Canada, and Argentina.</p><p>So That All Shall Know is a powerful, comprehensive overview of the work of Daniel Hernandez-Salazar on recent Guatemalan history. Portfolios of images present his early photojournalistic work documenting the Guatemalan genocide; his Eros + Thanatos series that responds aesthetically to the destruction of war; and his Street Angel project, which uses his image "So That All Shall Know" to protest against injustice and historical forgetting around the world. Accompanying the images are bilingual English-Spanish essays by four scholars who discuss the development of Hernandez-Salazar's art in the context of contemporary photography, the social and political conditions that inspire his work, and the broader questions that arise when artists engage in social struggle.</p><p>Introduced by Nobel Peace Laureate Rigoberta Menchu Tum, So That All Shall Know is a moving testament to the horrors of genocide and the power of art to give voice to the silenced and presence to the disappeared.</p>

<p>What ails people at the present time in Western and especially American society is an inexhaustible subject. Discussion of these discontents in the United States in the last decade of the twentieth century leads to an obvious question: How much and what kind of discontents are possible in a society that has experienced over a decade of economic growth, close to full employment, hardly any inflation, falling crime rates, declining teenage pregnancies, and other good things? Is there anything to worry about in a country that has become the undisputed superpower of the world and no longer faces another hostile superpower such as the Soviet Union used to be? Paul Hollander wrestles with these and other questions in seeking to understand conditions and developments within American culture and society in the context of their relationship to political systems, movements and ideas critical of the United States and Western values. Hollander examines disparate phenomena, such as the O.J. Simpson case, the banning of West Side Story in Amherst, Massachusetts, the popularity and exposu of Rigoberta Menchu, and the appeal of sports utility vehicles, which shed light on the major themes of the volume. Topics include conflicts among American intellectuals (including disputes over the Kosovo intervention), the impact of postmodernism on higher education, the persisting appeal of victimhood in American society, the flaws of American sociology, academic specialists' failure to anticipate the collapse of the Soviet Union, and the new anti-Americanism in postcommunist societies. Among topics of historical interest are a survey of Western judgments and misjudgments of the communist systems; examination of the relative neglect of political violence in communist states, and analysis of officially enforced, secular-religious cult of communist rulers. Many of these writings are linked to the author's longstanding interest in why people accept or reject particular political systems and in the contradictory human needs and desires which condition and limit the pursuit of social and political ends. Sociologists, political scientists, and the general reader will find this book of great interest.</p>

While there are differences between cultures in different places and times, colonial representations of indigenous peoples generally suggest they are not capable of literature nor are they worthy of being represented as nations. Colonial representations of indigenous people continue on into the independence era and can still be detected in our time. The thesis of this book is that there are various ways to decolonize the representation of Amerindian peoples. Each chapter has its own decolonial thesis which it then resolves. Chapter 1 proves that there is coloniality in contemporary scholarship and argues that word choices can be improved to decolonize the way we describe the first Americans. Chapter 2 argues that literature in Latin American begins before 1492 and shows the long arc of Mayan expression, taking the Popol Wuj as a case study. Chapter 3 demonstrates how colonialist discourse is reinforced by a dualist rhetorical ploy of ignorance and arrogance in a Renaissance historical chronicle, Agustin de Zarate's Historia del descubrimiento y conquista del Peru. Chapter 4 shows how by inverting the Renaissance dualist configuration of civilization and barbarian, the Nahua (Aztecs) who were formerly considered barbarian can be "civilized" within Spanish norms. This is done by modeling the categories of civilization discussed at length by the Friar Bartolome de las Casas as a template that can serve to evaluate Nahua civil society as encapsulated by the historiography of Fernando de Alva Ixtlilxochitl, a possibility that would have been available to Spaniards during that time. Chapter 5 maintains that the colonialities of the pre-Independence era survive, but that Criollo-indigenous dialogue is capable of excavating their roots to extirpate them. By comparing the discussions of the hacienda system by the Peruvian essayist Manuel Gonzalez Prada and by the Mayan-Quiche eye-witness to history Rigoberta Menchu, this books shows that there is common ground between their viewpoints despite the different genres in which their work appears and despite the different countries and the eight decades that separated them, suggesting a universality to the problem of the hacienda which can be dissected. This book models five different decolonizing methods to extricate from the continuities of coloniality both indigenous writing and the representation of indigenous peoples by learned elites.

Dreamers, leaders, fighters for our rights... meet 40 amazing activists for peace! Learn how Martin Luther King, Gandhi, Eleanor Roosevelt, Nelson Mandela and many others dedicated their lives to making the world a better place in this fact-packed book from the 40 Inspiring Icons series. Meet Albert Einstein, a Nobel Prize-winning physicist who used his fame to speak out against nuclear weapons; Pakistani activist Malala Yousafzai, who stood up for the right to education and survived a gunshot wound to her head; and Pablo Picasso, who created extraordinary paintings to promote peace and raise awareness of the atrocities of war. These 40 incredible people each changed the world in their own unique, and peaceful, way: Immanuel Kant; Victor Schoelcher; Victor Hugo; Henry David Thoreau; Henri Dunant; Lejzer Ludwik Zamenhof; Bertha von Suttner; Jean Jaures; Rosa Luxemburg; Woodrow Wilson; Otto Dix; Aristide Briand; Erich Maria Remarque; Pablo Picasso; Dalton Trumbo; Charlie Chaplin; Sophie Scholl; Raoul Wallenberg; Albert Einstein; Gandhi; Eleanor Roosevelt; Martin Luther King; Joan Baez; Muhammad Ali; John Lennon; Adolfo Perez Esquivel; Mairead Corrigan and Betty Williams; Wangari Maathai; Ikuo Hirayama; Tenzin Gyatso; Mikhail Gorbachev; Vaclav Havel; Nelson Mandela; Rigoberta Menchu; Jody Williams; Daniel Barenboim; Kim Dae-Jung; Michael Moore; Tegla Loroupe; Malala Yousafzai. Each spread presents a single peacemaker, highlighting key facts about their identity, actions and works, along with a fun, illustrated depiction of them that calls out elements of their life and style. With so many icons to admire, who will you choose as your hero? Each book in the 40 Inspiring Icons series introduces readers to a fascinating non-fiction subject through its 40 most famous people or groups. Explore these other great topics through their most interesting icons: Black Music Greats, Super Scientists, Soccer Stars, Fantastic Footballers, Music Legends and Greek Gods and Heroes.

Celebrate equality with this beautiful book of biographies featuring fifty historical figures awarded prizes to celebrate their famous (and less-well-known) achievements. Roll up, roll up! The People Awards are about to begin. Who will win the X-ray Award? Who will be named Most Magical Muggle? Who will win the prize for Shaking Up Art? Celebrate with 50 famous people from around the world who made history and changed the world for the better in this beautiful book of biographies with stunning art from award-winning artist Ana Albero. Featuring: Albert Einstein - Wangari Maathai - Abraham Lincoln - Valentina Tereshkova - Leonardo da Vinci - Marie Curie - Mahatma Gandi - Trischa Zorn - Pablo Picasso - J. K. Rowling - Vincent Lingiari - Tim Berners-Lee - Ellen de Generes - Nelson Mandela - Mary Anning - Alfred Nobel - Frida Kahlo - Louis Pasteur - Gabriel Garcia Marquez - Olaudah Equiano - David Bowie - Anne Frank - Confucius - Cleopatra - Pele - Beethoven - Maria Montessori - Tegla Louroupe - Malala Yousefsai - Isaac Newton - Erno Rubik - Sejong the Great - Jan Amos Komensky - Katherine Johnson - Roald Amundsen - Hanae Mori - Eva Peron - Joan of Arc - Sir Donald Bradman - Queen Anna Nzinga - Rosa Parks - Muhammed Ali - Antonia Rodrigues - Simon Bolivar - Rigoberto Munchu - Antoni Gaudi -Wolfgang Amadeus Mozart - Hans Christian Andersen - Sappho

Historien om don Rigoberto, hans nye hustru dona Lucrezia og den ganske unge sønnen Fonchito er en hyllest til sansenes muligheter og lystens gåtefulle verden, - et overraskende og eminent fra en av de store forfatterne i samtiden.

Homogeneidad dentro de la heterogeneidad: Un estudio tematico del Modernismo poetico latinoamericano estudia detalladamente la poesia modernista latinoamericana de mas de dos decenas de poetas y con mas de una centena de poemas ilustra tanto las similitudes como las vastas diferencias entre la tematica modernista. Con este enfoque se combate la tan persistente actitud critica de reducir a un par de frases lo que fue en realidad una amplia produccion artistica encaramada entre el tumultuoso crucero de los siglos diecinueve y veinte. Nuestro detallado enfoque en el texto poetico, ademas, vuelve a lo que muy recientemente estaba en boga rechazar: el texto en si. En terminos de la religion y la divinidad, el amor, la existencia, la sociedad, el poeta y el arte, los modernistas siguieron en buena parte las mismas vetas tematicas que en muchos casos se contradecian; contradicciones que en realidad permean el Modernismo porque era una crisis de los artistas que buscaban expresar en el mejor verso posible una realidad que les tormentaba.Aqui encontramos a los modernistas preocupados por su realidad: la impureza del amor, la corrupcion social, la injusticia economica, la indiferencia hacia el arte (especialmente la poesia), la identidad hispanica en peligro, la perdida de la fe, la distancia entre los hombres y la divinidad, y sobre todo, una crisis existencial que los llevo a la desesperacion y la busqueda de refugio donde en muchos casos acudian a lo mismo que repudiaban: la sociedad podrida, el amor impuro, el dios menguo, el anhelo a lo material; y en fin, al escapismo.

Pivotal Voices, Era of Transition gathers Rigoberto Gonzalez's most important essays and book reviews that consider the work of emerging poets whose identities and political positions are transforming what readers expect from contemporary poetry. Many of these voices represent intersectional communities, such as queer writers of color like Natalie Diaz, Danez Smith, Ocean Vuong, and Eduardo C. Corral, and many writers, such as Carmen Gimenez Smith and David Tomas Martinez, have deep connections to their Latino communities. Collectively these writers are enriching American poetry to reflect a more diverse, panoramic, and socially conscious literary landscape. This much needed look at diverse voices also features essays on the poets' literary ancestors including Juan Felipe Herrera, Alurista, Francisco X. Alarcon, and speeches that address the need for poetry as agency.This book fills a glaring gap in contemporary literary scholarship. Very little existing poetry scholarship focuses exclusively on writers of color, particularly Latino poetry - a field in which Gonzalez is considered an authority. The book makes important observations about the relevance and urgency of the work coming from writers representing marginalized communities, many of whom will undoubtedly become the most influential voices of their generation. Gonzalez is the first to identity them as such and to illustrate why their work is as exquisitely crafted as it is socially resonant. He also makes important connections between the Latino, African American, Asian American and Native American literatures by positioning them as a collective movement critiquing, challenging, and reorienting the direction of American poetry with their nuanced and politicized verse. Gonzalez's inclusive vision covers a wide landscape of writers, opening literary doors for sexual and ethnic minorities.

Burdened by poverty, illiteracy, and vulnerability as Mexican immigrants to California's Coachella Valley, three generations of Gonzalez men turn to vices or withdraw into depression. As brothers Rigoberto and Alex grow to manhood, they are haunted by the traumas of their mother's early death, their lonely youth, their father's desertion, and their grandfather's invective. Rigoberto's success in escaping-first to college and then by becoming a writer-is blighted by his struggles with alcohol and abusive relationships, while Alex contends with difficult family relations, his own rocky marriage, and fatherhood.Descending into a dark emotional space that compromises their mental and physical health, the brothers eventually find hope in aiding each other. This is an honest and revealing window into the complexities of Latino masculinity, the private lives of men, and the ways they build strength under the weight of grief, loss, and despair.

Don Rigoberto - by day a grey insurance executive, by night a pornographer and sexual enthusiast - misses Lucrecia, his estranged second wife. The pair separated following a sexual encounter between Lucrecia and Alfonso, Rigoberto's son. To compensate for her absence, Rigoberto fills his notebooks with memories, fantasies and unsent letters. Meanwhile, Alfonso visits Lucrecia, determined to win her love. In The Notebooks of Don Rigoberto, Mario Vargas Llosa keeps the reader guessing which episodes are real and which issue from Rigoberto's imagination. The novel, a wonderful mix of reality and fantasy, is sexy, funny, disquieting, and unfailingly compelling. If you enjoyed The Notebooks of Don Rigoberto, you might also like Mario Vargas Llosa's In Praise of the Stepmother.