Møt Clara og Haavard, et vellykket ektepar i en arvet villa på Oslos vestkant. Han er barnelege fra en rik hovedstadsfamilie, hun er en ambisiøs vestlending med toppjobb i Justisdepartementet. På kort tid rystes et sommerlig Oslo av to brutale drap. Snart kaster drapene lange skygger over ekteparets liv. Både samfunnselitens maktspill og sykehusets intriger er i ferd med å bli farlige, samtidig som hovedpersonenes samliv slår alvorlige sprekker. For hvem er Clara og Haavard? Og hvor godt kjenner de egentlig hverandre? «Utspekulert og raffinert spenningsforfatter» AFTENPOSTEN «Effektiv thriller ... fengende og velkomponert debut.» VG

THE RUNAWAY SUNDAY TIMES NO.1 BESTSELLER AND THRILLER OF THE YEAR, NOW A MAJOR FILM STARRING EMILY BLUNT. "Really great suspense novel. Kept me up most of the night. The alcoholic narrator is dead perfect". (Stephen King). Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. 'Jess and Jason', she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Now Rachel has a chance to become a part of the lives she's only watched from afar. Now they'll see; she's much more than just the girl on the train...

I dagene før hun døde ringte Nel Abbott søsteren. Jules tok ikke telefonen, og ignorerte søsterens bønn om hjelp. Nå er Nel død. De sier at hun hoppet. Og Jules har kommet tilbake til det ene stedet hun hadde sverget på at hun aldri skulle komme tilbake til. Hun er redd, veldig redd. Hun er redd for sine fortrengte minner, for det gamle Møllehuset, fordi hun vet at Nel aldri ville ha hoppet. Men mest av alt frykter hun vannet og stedet de kaller Døvika ... En ny og intens leseopplevelse fra forfatteren av Piken på toget.

<b>The #1<i> New York Times </i>Bestseller, <i>USA Today</i> Book of the Year, now a major motion picture starring Emily Blunt. <br></b><br><b>The debut psychological thriller that will forever change the way you look at other people's lives, from the author of <i>Into the Water.</i></b> <p><b>"Nothing is more addicting than <i>The Girl on the Train.</i>"--<i>Vanity Fair <p></i>"<i>The Girl on the Train</i> has more fun with unreliable narration than any chiller since <i>Gone Girl</i>. . . . It] is liable to draw a large, bedazzled readership."--<i>The New York Times</i></b> <p><b>"Marries movie noir with novelistic trickery. . . hang on tight. You'll be surprised by what horrors lurk around the bend."--<i>USA Today</i></b> <p><b>"Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages."--<i>The Boston Globe <p></i>"<i>Gone Girl </i>fans will devour this psychological thriller."--<i>People</i> </b> <p> <br>EVERY DAY THE SAME<br>Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life--as she sees it--is perfect. Not unlike the life she recently lost. <p>UNTIL TODAY<br>And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Unable to keep it to herself, Rachel goes to the police. But is she really as unreliable as they say? Soon she is deeply entangled not only in the investigation but in the lives of everyone involved. Has she done more harm than good?

THE RUNAWAY SUNDAY TIMES NO.1 BESTSELLER AND THRILLER OF THE YEAR, NOW A MAJOR FILM STARRING EMILY BLUNT'Really great suspense novel. The alcoholic narrator is dead perfect' STEPHEN KINGRachel catches the same commuter train every morning. Now Rachel has a chance to become a part of the lives she's only watched from afar.

Storpocket av den internasjonale thrillersensasjonen. Rachel tar det samme toget hver dag. Fra toget ser hun det samme paret spise frokost på verandaen sin. Hun kaller dem Jason og Jess, og de virker så glade. En dag ser hun en annen person i hagen. Kort tid etter er Jess på nyhetene. Hun har forsvunnet. Rachel trekkes mot etterforskningen og prøver å bidra. I stedet blir hun selv mistenkt. Kastet ut i en verden full av svik, hemmeligheter og bedrageri, må hun konfrontere fortiden sin. Tre kvinner, tre menn, knyttet sammen gjennom ekteskap eller utroskap. Hver av dem kan klandres for noe. Men bare en av dem er en morder i denne psykologiske thrilleren om sårbarhet og besettelse. Piken på toget er en illevarslende og sammenfiltret historie om jakten etter sannheten.

In the last days before her death, Nel called her sister. Jules didn't pick up the phone, ignoring her plea for help. Now Nel is dead. They say she jumped. And Jules has been dragged back to the one place she hoped she had escaped for good, to care for the teenage girl her sister left behind. But Jules is afraid. So afraid. Of her long-buried memories, of the old Mill House, of knowing that Nel would never have jumped. And most of all she's afraid of the water, and the place they call the Drowning Pool.

From the acclaimed author of Her Every Fear and The Kind Worth Killing comes a diabolically clever tale of obsession, revenge, and cold-blooded murder-a sly and brilliant guessing game of a novel in the vein of Ruth Ware, Paula Hawkins, and Patricia Highsmith. Harry Ackerson has always considered his stepmother Alice to be sexy and beautiful, in an "otherworldly" way. She has always been kind and attentive, if a little aloof in the last few years. Days before his college graduation, Alice calls with shocking news. His father is dead and the police think it's suicide. Devastated, Harry returns to his father's home in Maine. There, he and Alice will help each other pick up of the pieces of their lives and uncover what happened to his father. Shortly after he arrives, Harry meets a mysterious young woman named Grace McGowan. Though she claims to be new to the area, Harry begins to suspect that Grace may not be a complete stranger to his family. But she isn't the only attractive woman taking an interest in Harry. The sensual Alice is also growing closer, coming on to him in an enticing, clearly sexual way. Mesmerized by these two women, Harry finds himself falling deeper under their spell. Yet the closer he gets to them, the more isolated he feels, disoriented by a growing fear that both women are hiding dangerous-even deadly-secrets . . . and that neither one is telling the truth.

Please make a list of every possession you consider essential to your life. The request seems odd, even intrusive-and for the two women who answer, the consequences are devastating. EMMA Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant-and it does. JANE After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space-and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before.

Över 18 miljoner sålda ex i USA. #1 på amerikanska och engelska topplistorna! "Det är en tät sträckläsningsbok där spänningen stegras obönhörligt mot det fruktansvärda slutet." - Lotta Olsson, Dagens Nyheter "Är det någon vi kommer att se folk läsa på bussar, tåg, stränder i sommar så är det den här." - Jessica Gedin, Babel "Fruktansvärt bra" - Yukiko Duke, SVT God morgon Sverige "Paula Hawkins thriller har det mesta - psykologisk insikt, framåtdriv i intrigen och stark personteckning. Det är en imponerande debut." - Rikard Flyckt, Jönköpingsposten "Hitchkockvibbar" - Ulla Strängberg, P4 Jönköping "Den är suverän" - C-G Karlsson, SVT Go'kväll "Paula Hawkins driver berättelsen rappt och säkert framåt. Ett extra plus för de sammansatta personerna där läsaren aldrig kan veta vem som är god eller ond." - Cecilia Gustavsson, Aftonbladet "Hawkins har skrivit vårens rysligaste thriller." - Tara Mohizi, ELLE Sverige "Fascinerande, nervkittlande och betvingande -försök sluta läsa om du kan."- Ingalill Mosander, Aftonbladet "En beroendeframkallande bladvändare."- Metro Rachel har inget jobb och ingenstans hon behöver vara. Ändå tar hon tåget samma tid, varje dag. Varje dag ser hon ett ungt par i huset intill spåret. Jason och Jess kallar hon dem. I Rachels ögon är deras liv lika perfekt som hennes eget en gång var. Men en dag ser hon något från tågfönstret som skakar om henne. Nu ska hon visa alla att hon är så mycket mer än bara kvinnan på tåget.

Topplistemiraklet med filmomslag! Frånskilda, alkoholiserade och arbetslösa Rachel tar tåget samma tid, varje dag. Varje dag betraktar Rachel paret i huset intill spåret. I Rachels ögon är deras liv perfekt. Men en dag ser Rachel något omskakande. Nu är hennes chans. Nu kan hon gripa in och bli en del av det perfekta parets liv. "Fruktansvärt bra" - Yukiko Duke, SVT Gomorron Sverige

The #1 New York Times Bestseller, USA Today Book of the Year, now a major motion picture starring Emily Blunt. Don't miss Paula Hawkins' new novel, Into the Water , coming May 2017. The debut psychological thriller that will forever change the way you look at other people's lives. "Nothing is more addicting than The Girl on the Train. "-- Vanity Fair " The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl . . . . It] is liable to draw a large, bedazzled readership."-- The New York Times "Marries movie noir with novelistic trickery. . . hang on tight. You'll be surprised by what horrors lurk around the bend."-- USA Today "Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages."-- The Boston Globe " Gone Girl fans will devour this psychological thriller."-- People EVERY DAY THE SAME Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life--as she sees it--is perfect. Not unlike the life she recently lost. UNTIL TODAY And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed. Unable to keep it to herself, Rachel goes to the police. But is she really as unreliable as they say? Soon she is deeply entangled not only in the investigation but in the lives of everyone involved. Has she done more harm than good?

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THE SCORCHING NEW THRILLER FROM THE AUTHOR OF THE GIRL ON THE TRAIN and INTO THE WATER 'What is wrong with you?' Laura has spent most of her life being judged. She's seen as hot-tempered, troubled, a loner. Some even call her dangerous. Miriam knows that just because Laura is witnessed leaving the scene of a horrific murder with blood on her clothes, that doesn't mean she's a killer. Bitter experience has taught her how easy it is to get caught in the wrong place at the wrong time. Carla is reeling from the brutal murder of her nephew. She trusts no one: good people are capable of terrible deeds. But how far will she go to find peace? Innocent or guilty, everyone is damaged. Some are damaged enough to kill. Look what you started.