This book offers an analysis and summary of the uses, abuses and limitations of attachment theory in contemporary child welfare practice. Analysing the primary science and drawing on the authors’ o...

Examining the implications of the emotional experiences of shame and pride in the context of professional practice and the relationship between the individual, the family and the state, the book calls for a more humane form of practice, rooted in more informed policies that take in to consideration the realities and frailties of the human experience.

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Scott Gibson and Matthew Kim, both experienced preachers and teachers, have brought together four preaching experts--Bryan Chapell, Kenneth Langley, Abraham Kuruvilla, and Paul Scott Wilson--to present and defend their approaches to homiletics. Reflecting current streams of thought in homiletics, the book offers a robust discussion of theological and hermeneutical approaches to preaching and encourages pastors and ministry students to learn about preaching from other theological traditions. It also includes discussion questions for direct application to one's preaching.

Rediscovering Renaissance Witchcraft is an exploration of witchcraft in the literature of Britain and America from the 16th and 17th centuries through to the present day. As well as the themes of history and literature (politics and war, genre and intertextuality), the book considers issues of national identity, gender and sexuality, race and empire, and more. The complex fascination with witchcraft through the ages is investigated, and the importance of witches in the real world and in fiction is analysed. The book begins with a chapter dedicated to the stories and records of witchcraft in the Renaissance and up until the English Civil War, such as the North Berwick witches and the work of the `Witch Finder Generall' Matthew Hopkins. The significance of these accounts in shaping future literature is then presented through the examination of extracts from key texts, such as Shakespeare's Macbeth and Middleton's The Witch, among others. In the second half of the book, the focus shifts to a consideration of the Romantic rediscovery of Renaissance witchcraft in the eighteenth century, and its further reinvention and continued presence throughout the nineteenth, twentieth and twenty-first centuries, including the establishment of witchcraft studies as a subject in its own right, the impact of the First World War and end of the British Empire on witchcraft fiction, the legacy of the North Berwick, Hopkins and Salem witch trials, and the position of witchcraft in culture, including filmic and televisual culture, today. Equipped with an extensive list of primary and secondary sources, Rediscovering Renaissance Witchcraft is essential reading for all students of witchcraft in modern British and American culture and early modern history and literature.

This volume is a collection of some of the best of the hundreds of Preaching Points that the Haddon W. Robinson Center for Preaching at Gordon-Conwell Theological Seminary has produced. Preaching Points is a weekly podcast on iTunes U that features conversations on preaching by Haddon Robinson, Jeffrey Arthurs, Matthew Kim, and Patricia Batten all members of the preaching faculty of Gordon-Conwell Theological Seminary, South Hamilton campus. This book offers diverse topics based upon on how they relate to preaching the preacher's spiritual life, the way to preach, the way to live life as preachers, their role as a preacher, considerations for listeners, and so forth."

<b>Part of the acclaimed 'Documents of Contemporary Art' series of anthologies</b>. <br><br> This collection of writings examines the pervasive and influential role of the Gothic in contemporary art, providing the first comprehensive overview of its uses within contemporary visual culture. The Gothic includes artists' writings by Mike Kelley, Damien Hirst, Tacita Dean, Jonathan Meese and Catherine Sullivan, complemented by literary extracts from Horace Walpole, William Gibson, Bret Easton Ellis and Stephen King, and theoretical writings by such key thinkers as Carol Clover, Beatriz Colomina, Julia Kristeva, Eve Kosofsky Sedgwick, Marina Warner and Slavoj Zizek. <br><br><b>Artists surveyed include</b> Matthew Barney, Louise Bourgeois, Tacita Dean, Sue de Beer, Janet Cardiff, Mark Dion, Stan Douglas, Robert Gober, Douglas Gordon, Dan Graham, Damien Hirst, Mike Kelley, Paul McCarthy, Teresa Margolles, Jonathan Meese, Raymond Pettibon, Paul Pfeiffer, Gregor Schneider, Cindy Sherman, Catherine Sullivan, Andy Warhol, and Jane and Louise Wilson. <br><br><b>Writers include</b> Jean Baudrillard, Elizabeth Bronfen, Edmund Burke, Carol Clover, Beatriz Colomina, Douglas Crimp, Jacques Derrida, Richard Dyer, Umberto Eco, Bret Easton Ellis, Trevor Fairbrother, Alex Farquharson, Hal Foster, Michel Foucault, Sigmund Freud, William Gibson, Christoph Grunenberg, Bruce Hainley, Judith Halberstam, Amelia Jones, Jonathan Jones, Mike Kelley, Julia Kristeva, Jacques Lacan, Patrick McGrath, Kobena Mercer, James Meyer, Edgar Allan Poe, Andrew Ross, Jerry Saltz, Eve Kosofsky Sedgwick, Mary Shelley, Nancy Spector, Robert Louis Stevenson, Anthony Vidler, Jeff Wall, Horace Walpole, Marina Warner, Anne Williams and Slavoj Zizek.

It is the dawn of the new year 1861. After two centuries of isolation, Japan has been forced to open its doors to the west. A small group of American has chosen this time to spread the word of their God. Among them, Emily Gibson, a woman seeking redemption from a tormented past, and Matthew Stark, a cold-eyed killer with one more death on his mind.

An encyclopedia of more than 100 guitars and the musicians who have mastered them. Guitars & Heroes is organized by era, from the rockabilly pioneers to the guitar heroes of the future. Each chapter contains portraits of guitarists (past and present) and their favourite instruments. The authoritative text describes the musician's favoured guitar or guitars and why they are preferred, often revealing a hidden facet of the musician's artistic approach. Special photo spreads include The Beatles, The Rolling Stones, Van Halen, Prince, Billie Joe Armstrong, AC/DC, Les Paul, anatomy of a Stratocaster, 5 Replica Guitars; Burst, the world's most expensive guitar; 5 Most Desirable Amplifiers, 5 Pedals That Changed the World, 5 Groundbreaking Sounds, The Chicago Blues in 5 Albums, 5 Essential Hard Rock Albums and 5 Design Gibson Mistakes. The book is organized into three sections (Birth of an Art, The Golden Age, Modern Times) and nine chapters, each with a selection of artists and their guitars, including these: Delta Blues & Rockabilly Robert Johnson, Jimmie Rogers, Johnny Cash, Willie Nelson, Buddy Holly; Chicago Blues & Jazz Muddy Waters, Chuck Berry, Sister Rosetta Tharpe, Trini Lopez, George Benson; British Blues Boom Dave Davies, Pete Townshend, Jimmy Page, Eric Clapton, Peter Green; Surf, Garage Rock & Psychedelic Jimi Hendrix, Frank Zappa, Santana, Ry Cooder, Duane Allman; Birth of Hard Rock Ritchie Blackmore, Neil Young, Brian May, Peter Frampton, Joan Jett; Arena Rock, Shred & New Wave Bruce Springsteen, Stevie Ray Vaughan, The Edge, Joe Satriani, Slash; Grunge & Alternative Rock Kurt Cobain, Buzz Osborne, Sonic Youth, Rivers Cuomo, John 5; Metal to Djent Dimebag Darrell, John 5, Buckethead, Meshuggah, Tosin Abasi; Guitar Heroes of the Future St. Vincent, Joe Bonamassa, Jack White, Ron Thal, Matthew Bellamy. Guitars & Heroes is a sensational encyclopedia for all guitarists, guitar geeks, collectors and avid listeners, and an essential purchase for all collections.

This volume addresses questions of communication in several media, from the oral, printed, and visual to the physical. It encompasses essays featuring France, Germany, Early America, Scotland, and Britain more generally.The first section, "Manuscript Communications," opens with Dena Goodman's presidential address on the secret history of learned societies. It is followed by a panel on manuscript and print circulation introduced by Colin Ramsey, which includes essays by Ryan Whyte, Chiara Cillerai, and Jurgen Overhoff. This section concludes with an essay by Carla J. Mulford on Benjamin Franklin's electrification of London politics.The second section, "Arts and Manufactures," opens with David Shields's Clifford Lecture on the flavors of the eighteenth century. It contains essays by Hanna Roman on Buffon's language of heat and Jason Pearl on the perspective of aerostatic bodies and concludes with essays by Matthew Mauger and Michael C. Amrozowicz on the languages of physical disciplines and social organization.The final section, "Devotion and Other Passions," begins with essays on silence and spectacle as means of convening the passions, by Adam Schoene and Anne Vila respectively, and it concludes with a forum introduced by Laura M. Stevens on Enlightenment representations of devotion. This section includes presentations by Clare Haynes, Penny Pritchard, Jennifer L. Airey, Sabine Volk-Birke, Megan E. Gibson, Laura Davies, and Theresa Schoen and an afterword by Emma Salgard Cunha.

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The voice of modern women is back! Perfect for fans of Milly Johnson and Carole Matthews. 'More than funny, it's true!' Elle. After sixteen years of marriage, Nate and Sinead Turner have a nice life. They like their jobs, they like their house and they love their son Flynn. Yes, it's a very nice life. Or, at least Nate thinks so. Until, one morning, he wakes to find Sinead gone and a note lying on the kitchen table listing all the things he does wrong or doesn't do at all. Nate needs to show Sinead he can be a better husband fast. But as he works through Sinead's list, his life changes in unexpected ways. And he starts to wonder whether he wants them to go back to normal after all. Could there be more to life than nice?

The literature of the contemporary South might best be understood for its discontinuity with the literary past. At odds with traditions of the Southern Renascence, southern literature of today sharply refutes the Nashville Agrarians and shares few of Faulkner's and Welty's concerns about place, community, and history. This sweeping study of the literary South's new direction focuses on nine well established writers who, by breaking away from the firmly ensconced myths, have emerged as an iconoclastic generation--Harry Crews, Dorothy Allison, Bobbie Ann Mason, Larry Brown, Kaye Gibbons, Randall Kenan, Richard Ford, Cormac McCarthy, and Barry Hannah. Resisting the modernist methods of the past, they have established their own postmodern ground beyond the shadow of their predecessors. This shift in authorial perspective is a significant indicator of the future of southern writing. Crews's seminal role as a ground-breaking ""poor white"" author, Mason's and Crews's portrayals of rural life, and Allison's and Brown's frank portrayals of the lower class pose a challenge to traditional depictions of the South. The dissenting voices of Gibbons and Kenan, who focus on gender, race, and sexuality, create fiction that is at once identifiably ""southern"" and also distinctly subversive. Gibbons's iconoclastic stance toward patriarchy, like the outsider's critique of community found in Kenan's work, proffers a portrait of the South unprecedented in the region's literature. Ford, McCarthy, and Hannah each approach the South's traditional notions of history and community with new irreverence and treat familiar southern topics in a distinctly postmodern manner. Whether through Ford's generic consumer landscape, the haunted netherworld of McCarthy's southern novels, or Hannah's riotous burlesque of the Civil War, these authors assail the philosophical and cultural foundations from which the Southern Renascence arose. Challenging the conventional conceptions of the southern canon, this is a provocative and innovative contribution to the region's literary study.<br><br>

THE SECRET SERVICE: KINGSMAN is the critically acclaimed comic book series by Kick-Ass writer MARK MILLAR and Watchmen's DAVE GIBBONS. Now a Hollywood blockbuster starring Colin Firth and Taron Egerton, and directed by MATTHEW VAUGHN, KINGSMAN reinvents the spy genre for the 21st century. The story follows a British secret agent who takes his wayward nephew under his wing and trains him to become a gentleman spy. Together, they uncover a plot that links kidnapped celebrities with a plot to eradicate 90 percent of the human race This 2017 edition comes with a limited edition FOX MOVIE COVER and a brand-new cover by DAVE GIBBONS, revealed in August.

The National Political Science Review is the official publication of the National Conference of Black Political Scientists. The Review's purpose, as described by Matthew Holden in his introduction, is to "lead to new information, insights, and findings" into the social and political status of African Americans. The volume is not exclusionist or narrow. It integrates essays that could stand alone, as they initially were written, according to the method and theory of the author in question. As presented here, however, they also lend themselves to a broader treatment of race and the political order. The present volume combines essays expressly focused on African Americans, Africa, and the African diaspora. At the same tune, it contains essays about broad generic subjects such as budgeting and interest groups, written with no explicit racial relevance. Holden integrates these essays under the theme of the changing racial regime.The integrating concept is the old word "regime," which political scientists have used in many situations before to define such more or less persistent, though not necessarily permanent, orders of precedence. If no significant benefits and no significant burdens could be forecast by knowledge of the social identity called race, then the regime could be seen as non-racial. In American experience, the regime was, at one time, purposeful and sustained white advantage. The "white race" and its preferential standing, was central to virtually all institutional practice public and private. The significant contemporary question is the degree of change hi the racial regime. Some proceed with the assumption that a large degree of change has occurred in the American political system. The view of other contributors is that the system still sustains racial stratification. In its very internal dialogue, this volume presents a panorama of current work by political scientists, African American and other, on the character of the American political system.Contributors include: Cedric Robinson, Charles Henry, Edward J. Muller, Marjorie Lewis, Katherine A. Hinckley and Bette S. Hill, Nancy Haggard-Gilson, and Vernon Johnson. The Changing Racial Regime is an essential resource for political scientists, black studies specialists, and scholars and policy analysts of race relations in the United States.

Critical responses to Undressing Cinema by Stella Bruzzi: "One of the year's best scholarly undertakings" Jonathan Romney, The Guardian A must for any serious film course reading list Nick Roddick, Sight and Sound "An important intervention. Meticulous in its research, fascinating in its breadth of approach and elegantly written Pamela Church Gibson, Screen "Fascinating to fashion victims as well as film buffs Tom Dewe Matthews, Independent on Sunday New Documentary: A Critical Introduction provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. This engaging textbook brings the study of documentary up to date by examining critical issues of performance, gender, authorship and spectatorship and suggests how these are important to an understanding of documentary cinema. Areas addressed include: key texts such as Zapruder's film of Kennedy's assassination, Shoah, The Leader, His Driver and the Driver's Wife and The Atomic Café: the work of filmmakers such as Emile de Antonio, Chris Marker, Nicholas Barker, Nick Broomfield, Molly Dineen and Patrick Keiller: → an analysis of key aspects of documentary such as the use of voice-over and archive, American cinéma vérité, docusoaps and political image-making; an innovative examination of the importance of performance to documentary: →interviews with contemporary documentary filmmakers. Stella Bruzzi is Senior Lecturer in Film and Television at Royal Holloway College, London. She is the author of Undressing Cinema: Clothing and Identity in the Movies (Routledge 1997). Critical responses to Undressing Cinema by Stella Bruzzi: "One of the year's best scholarly undertakings Jonathan Romney, The Guardian A must for any serious film course reading list Nick Roddick, Sight and Sound An important intervention. Meticulous in its research, fascinating in its breadth of approach and elegantly written Pamela Church Gibson, Screen Fascinating to fashion victims as well as film butts Tom Dewe Matthews, Independent on Sunday Routledge Taylor & Francis Group La Landon CAPALL Fontes Or Brain Coverage Sil from Unmade Beds Cam Nicholas Barker Courtesy of Nicholas Barker, Cover drag Lisa Dyman. ISBN 0-415-18296-4 9 780415 182966

An authoritative overview of current research on human attention, emphasizing the relation between cognitive phenomena observed in the laboratory and in the real world. Laboratory research on human attention has often been conducted under conditions that bear little resemblance to the complexity of our everyday lives. Although this research has yielded interesting discoveries, few scholars have truly connected these findings to natural experiences. This book bridges the gap between "laboratory and life" by bringing together cutting-edge research using traditional methodologies with research that focuses on attention in everyday contexts. It offers definitive reviews by both established and rising research stars on foundational topics such as visual attention and cognitive control, underrepresented domains such as auditory and temporal attention, and emerging areas of investigation such as mind wandering and embodied attention. The contributors discuss a range of approaches and methodologies, including psychophysics, mental chronometry, stationary and mobile eye-tracking, and electrophysiological and functional brain imaging. Chapters on everyday attention consider such diverse activities as driving, shopping, reading, multitasking, and playing videogames. All chapters present their topics in the same overall format: historical context, current research, the possible integration of laboratory and real-world approaches, future directions, and key and outstanding issues. ContributorsRichard A. Abrams, Lewis Baker, Daphne Bavelier, Virginia Best, Adam B. Blake, Paul W. Burgess, Alan D. Castel, Karen Collins, Mike J. Dixon, Sidney K. D'Mello, Julia Foecker, Charles L. Folk, Tom Foulsham, Jonathan A. Fugelsang, Bradley S. Gibson, Matthias S. Gobel, Davood G. Gozli, Arthur C. Graesser, Peter A. Hancock, Kevin A. Harrigan, Simone G. Heideman, Cristy Ho, Roxane J. Itier, Gustav Kuhn, Michael F. Land, Mallorie Leinenger, Daniel Levin, Steven J. Luck, Gerald Matthews, Daniel Memmert, Stephen Monsell, Meeneley Nazarian, Anna C. Nobre, Andrew M. Olney, Kerri Pickel, Jay Pratt, Keith Rayner, Daniel C. Richardson, Evan F. Risko, Barbara Shinn-Cunningham, Vivian Siu, Jonathan Smallwood, Charles Spence, David Strayer, Pedro Sztybel, Benjamin W. Tatler, Eric T. Taylor, Jeff Templeton, Robert Teszka, Michel Wedel, Blaire J. Weidler, Lisa Wojtowicz, Jeremy M. Wolfe, Geoffrey F. Woodman

Essays discuss the terminology, etymology, and history of key terms, offering a foundation for critical historical studies of games.Even as the field of game studies has flourished, critical historical studies of games have lagged behind other areas of research. Histories have generally been fact-by-fact chronicles; fundamental terms of game design and development, technology, and play have rarely been examined in the context of their historical, etymological, and conceptual underpinnings. This volume attempts to "debug" the flawed historiography of video games. It offers original essays on key concepts in game studies, arranged as in a lexicon-from "Amusement Arcade" to "Embodiment" and "Game Art" to "Simulation" and "World Building." Written by scholars and practitioners from a variety of disciplines, including game development, curatorship, media archaeology, cultural studies, and technology studies, the essays offer a series of distinctive critical "takes" on historical topics. The majority of essays look at game history from the outside in; some take deep dives into the histories of play and simulation to provide context for the development of electronic and digital games; others take on such technological components of games as code and audio. Not all essays are history or historical etymology-there is an analysis of game design, and a discussion of intellectual property-but they nonetheless raise questions for historians to consider. Taken together, the essays offer a foundation for the emerging study of game history. ContributorsMarcelo Aranda, Brooke Belisle, Caetlin Benson-Allott, Stephanie Boluk, Jennifer deWinter, J. P. Dyson, Kate Edwards, Mary Flanagan, Jacob Gaboury, William Gibbons, Raiford Guins, Erkki Huhtamo, Don Ihde, Jon Ippolito, Katherine Isbister, Mikael Jakobsson, Steven E. Jones, Jesper Juul, Eric Kaltman, Matthew G. Kirschenbaum, Carly A. Kocurek, Peter Krapp, Patrick LeMieux, Henry Lowood, Esther MacCallum-Stewart, Ken S. McAllister, Nick Monfort, David Myers, James Newman, Jenna Ng, Michael Nitsche, Laine Nooney, Hector Postigo, Jas Purewal, Renee H. Reynolds, Judd Ethan Ruggill, Marie-Laure Ryan, Katie Salen Tekinbas, Anastasia Salter, Mark Sample, Bobby Schweizer, John Sharp, Miguel Sicart, Rebecca Elisabeth Skinner, Melanie Swalwell, David Thomas, Samuel Tobin, Emma Witkowski, Mark J.P. Wolf

" Kick-Ass "writer Mark Millar, "Watchmen "legend Dave Gibbons, and superstar director Matt hew Vaughn team up to reinvent the spy genre for the 21st century in one of the most brilliant new comics of recent years. A British secret agent feels guilty about never spending time with his deadbeat sister and takes his wayward nephew under his wing aft er he's arrested in the London riots. The boy is heading straight for a jail cell until his uncle steps in and tries to give him a new life, training him up to be a gentleman spy. Gone are the garish street clothes and chunky jewelry, replaced with a Savile Row suit and bulletproof umbrella as he travels the globe to uncover a plot that links the kidnapping of the world's most famous sci-fi actors with a plot to eradicate 90% of the human race. COLLECTING THE SECRET SERVICE 1-6 PLUS BONUS MATERIAL (SKETCHES, COMMENTARY, ETC.)

Inntil helt nylig hadde ikke vitenskapen noen fornuftige svar på hvorfor vi sover, hva godt det gjør eller hvorfor fravær av søvn er så skadelig. Til forskjell fra de andre basale livsfaktorene, som å spise, drikke og reprodusere oss, lå søvnens hensikt og mening liksom innhyllet bak et slør. Dette er den første boken i sitt slag, skrevet på bakgrunn av 20 års grunnforskning på søvn, der professor Matthew Walker avslører søvnens betydning for våre liv. Hvorfor vi sover tar for seg en omfattende tematikk; fra hva som i virkeligheten foregår i hjernen og kroppen når vi sover, drømmenes betydning, hva koffein og alkohol gjør med vår søvn og om hvordan vårt søvnmønster endrer seg gjennom livet. For å nevne noe. Dette er en bok som totalt endrer vår oppfattelse av hva søvn er - en ekstraordinær vokter av hele vår eksistens.