Morag Gunn is a writer in her mid-forties who lives in a riverside farm in East Ontario. Her eighteen-year-old daughter is suffering from a profound loneliness that she is struggling to understand, causing Morag to contemplate her own past. Through a series of flashbacks she reviews the painful and exhilarating moments from her earlier life: her childhood on the social margins of the small prairie town of Manawaka; her escape from a demeaning marriage into writing fiction; and her travels to England, Scotland and finally back to Canada, where she faces her most difficult challenge - the necessity to understand, and let go of, the daughter she loves. First published in 1974, The Diviners is an evocative, moving exploration of one woman's search for identity.

Stacey Cameron, on the cusp of her forties, feels it's time for a change. Her marriage has worn threadbare and the children no longer need her. Should she have an affair? Take to drink? Or finally confront the woman in the mirror? Written in Margaret Laurence's distinctive style, this is a vivid portrait of a woman convinced that life has more to offer her than the tedious routine of her days.

As she approaches her death, Hagar Shipley - an irascible, independent nonagenarian - rages against the dying of the light.

'An almost perfect book' MARGARET ATWOOD. Whenever I find myself thinking in a brooding way, I must simply turn it off and think of something else. God forbid that I should turn into an eccentric. Rachel Cameron is a shy, retiring schoolmistress, tethered to her overbearing invalid mother. Thirty-four and unmarried, she feels herself edging towards a lonely spinsterhood. But then she falls in love for the first time, and embarks upon an affair that will change her life in unforeseen ways.

Månedens Bok nr. 1260 Juni 1982 Margaret Laurence: MARMORENGELEN Canadisk litteratur er på offensiven og med denne romanen stifter vi bekjent- skap med et av de beste eksemplene på dens kvaliteter. Forfatterinnen Margaret Laurence er av Nobelpris-klasse og Mar- morengelen har gjort hennes navn kjent verden over. Det er en roman som til fulle engasjerer, en av dem som man blir glad for å ha lest. Med menneskekunnskap og skrivekunst skildres hovedpersonen Hagar. Det er et spennende menneske, seiglivet, stri og oppvakt. Boken er en «jeg»-roman der den 92 år gamle Hagar forteller om sitt liv fra dag til dag, med tilbakeblikk til yngre dager. Vi lærer om hvordan det er å bli gammel, om nedverdigelsen av å være avhengig av andre og om det raseri en tiltagende hjelpesløshet utløser i denne kraftfulle kvinnen. Når livet blir for ille, ler hun den barskes muntre latter og gir boken det nødvendige streif av lys og varme. ISBN: 82-525-0663-1 Marmorengelen stod på bakkekammen ovenfor byen. Undres om den står der ennå, til minne om henne som oppgav sin svake and da jeg fikk min gjenstridige -min mors engel som far stolt kjøpte for å vise hvor hun lå begravd og -som han trodde- for å hevde sitt dynasti, for all evighet.

The author focuses on the imaginative mystique of the wilderness of the Canadian North. She discusses the 'Grey Owl Syndrome' of white writers going native; the folklore arising from the mysterious - and disastrous - Franklin expedition of the nineteenth century; the myth of the dreaded snow monster, the Wendigo; the relations between nature writing and new forms of Gothic; and how a fresh generation of women writers in Canada have adapted the imagery of the Canadian North for the exploration of contemporary themes of gender, the family and sexuality. Writers discussed include Robert Service, Robertson Davies, Alice Munro, E.J. Pratt, Marian Engel, Margaret Laurence, and Gwendolyn MacEwan.

Bringing together Margaret Laurence's writing about Africa and Canada, Davis offers a unique contribution to the study of Canadian literature. The book is an original interpretation of Laurence's work and reveals how she displaces the simple notion that Canada is a sum total of different cultures and conceives Canada as a mosaic that is in flux.

Margaret Laurence and Jack McClelland--one of Canada's most beloved writers and one of Canada's most significant publishers--enjoyed an unusual rapport. In this collection of annotated letters, readers gain rare insight into the private side of these literary icons. Their correspondence reveals a professional relationship that evolved into deep friendship over a period of enormous cultural change. Both were committed to the idea of Canadian writing; in a very real sense, their mutual and separate work helped bring "Canadian Literature" into being. With its insider's view of the book business from the late 1950s to the mid-1980s, Margaret Laurence and Jack McClelland, Letters presents a valuable piece of Canadian literary history curated and annotated by Davis and Morra. This is essential reading for all those interested in Canada's literary culture.

Cohen critiques Timothy Findley's broad anti-censorship position; he traces Margaret Atwood's evolution from implicit support for the censorship of pornography in Bodily Harm to the rejection of censorship in The Handmaid's Tale; and he provides the first detailed study of the draft of Margaret Laurence's unfinished novel, showing the degree to which her final silence was a result of her censorship ordeal. Finally, an analysis of the writing of Beatrice Culleton and Marlene Nourbese Philip shows how different kinds of socio-cultural censorship - from gate-keepers to self-censorship - silence Native and black Canadian voices. Cohen's re-definition of censorship as essentially a practice of judgment takes us beyond the traditional Enlightenment delineation of censorship as an oppressive government practice and the consequent neutralist liberal condemnation of censorship on principle. Since judgment is enmeshed in the fabric of human endeavour, censorship is inevitable; since censorship is inevitable, Cohen concludes, debate over whether censorship itself is desirable should give way to a search for censorship practices that are more just.Censorship in Canadian Literature is an essential text for scholars of Canadian literature as well as for anyone concerned with contemporary debates about censorship and civil rights.

Designed by G.J. Churchward, no. 40 was constructed at Swindon in April 1906\. It was Swindons first 4 cylinder simple engine and was the forerunner of Churchwards famous 4 cylinder Star Class 4-6-0s. Initially built as a 4-4-2 Atlantic, no. 40 was named North Star in September 1906, rebuilt as a 4-6-0 in 1909, and renumbered 4000 in 1913. Including no. 40, the Star class eventually numbered seventy-three locomotives, all built at Swindon in batches between 1906 and 1923. In service the Stars proved to be both free-running and reliable locomotives, and for many years were used to haul the Great Westerns top link services, including the world-famous Cornish Riviera Express. The introduction of the Collett Castle Class 4-6-0s in 1923, and the King Class 4-6-0s in 1927, saw the Stars relegated to secondary passenger, freight and parcels services. A number of Stars were rebuilt by Collett as Castles, including the prototype no. 4000 North Star, but the remaining Stars continued to give good service. At Nationalisation in 1948, no less than forty-seven of these fine locomotives passed into Western Region ownership, the last example, no. 4056 Princess Margaret, being withdrawn in October 1957. In this book, Laurence Waters charts the history of the class from the prototype, right through to the final workings in October 1957. Using many previously unpublished photographs from the Great Western Trust photographic collection, accompanied by informative captions, every member of the Class is illustrated. This book should appeal to those interested in the history of Great Western locomotive development as well as modellers of the Great Western and Western Region.

Some of the best known African American poems are sonnets: Claude McKay's ""If We Must Die,"" Countee Cullen's ""Yet Do I Marvel,"" Gwendolyn Brooks's ""First fight. Then fiddle."" Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets.Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Muller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry.In this book, Muller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.

The study of the adolescent period is a field of increasing interest among developmental scientists and their graduate students.

Sanikiluaq, a small Inuit community in the Belcher Islands region of the Far North, has a long history of artistic output. But as the demand for stone carvings grew, grass basket sewingaonce a traditional skill for Inuit womenafaded from the community consciousness. That was until a group of women, including educator and artist Margaret Lawrence, came together to renew the lost art of basket sewing. In Our Hands Remember: Recovering Sanikiluaq Basket Sewing, Lawrence guides readers through creating their own grass baskets in the unique style of the Sanikiluaq region with step-by-step instructions and photographs. From tips on preparing the grass and forming even coils to the different types of embellishments, this book is accessible to all skill levels.

Rufford, New England 1786. Hannah Trevor kan bli nødt til å inngå et kjærlighetsløst ekteskap for å redde dattra si, men hjertet hennes lengter etter den mannen hun ikke kan få. Under et midtsommerselskap blir et lik oppdaget i rosehagen, og likets identitet ryster Hannah helt inn til margen.

This collection of essays by a distinguished Canadian novelist, poet, and critic concentrates on the age-old act of storytelling and its significance to individuals and society in Canada. The essays, some never before published, examine such issues as silence, violence, and eroticism in the works of Sinclair Ross, Malcolm Lowry, Margaret Lawrence, Michael Ondaatje, Alice Munro, and Willa Cather. They also deal with the long poem in relation to the uncertainty of the modern storytelling impulse, the criticism of Northrop Frye, the Canadian writer and the American literary tradition, women in Prairie fiction, nationalism and literature, and Canadian literary strategies.

Reflective Teaching in Further, Adult and Vocational Education is the definitive textbook for reflective professionals in further, adult and vocational education, drawing on the experience of the author team and the latest research, including that of the Teaching and Learning Research Programme (TLRP) findings. It offers extensive support for trainee and practising teachers in further, adult and vocational settings, for both practice-based training and career-long professionalism.Now in its fourth edition, written by a collaborative author team of further, adult and vocational education experts led by Yvonne Hillier and Margaret Gregson, Reflective Teaching in Further, Adult and Vocational Education offers two levels of support:- practical guidance for practitioner success with a focus on the key issues including individual and collaborative approaches to reflective practice, a systematic approach to educational improvement based upon Joint Practice Development; and - evidence-informed `principles' to aid understanding of how theories can effectively inform teaching practices and offer ways to develop deeper understanding of effective practices.The new edition is also enhanced by improved navigation and updated pedagogical features, including a revised chapter structure and text design, all-new case studies, activities, figures and diagrams.The team includes: Margaret Gregson (University of Sunderland, UK) | Yvonne Hillier (University of Brighton, UK) | Gert Biesta (University of Luxembourg, Luxembourg) | Sam Duncan (Institute of Education, University College London, UK) | Lawrence Nixon (University of Sunderland, UK) | Trish Spedding (University of Sunderland, UK) | Paul Wakeling (Havering Sixth Form College, UK)Reflective Teaching in Further, Adult and Vocational Education directly compliments and extends the chapters of this book. It has been designed to provide convenient access to key texts, working as a compact and portable library.The associated website, www.reflectiveteaching.co.uk offers supplementary resources including reflective activities, research briefings and advice on further readings. It also features a glossary of educational terms, links to useful websites and showcases examples of excellent research and practice.This book forms part of the Reflective Teaching series, edited by Andrew Pollard and Amy Pollard, offering support for reflective practice in early, primary, secondary, further, vocational, university and adult sectors of education.

In the 1890's Ellen Miller and Margaret Whiting discovered some samples of blue and white woolen colonial needlework in the local museum. This colonial craft is revived here with charming patterns for pillows, quilts, towels, wall hangings and more

Between January and July 1919, after "the war to end all wars", men and women from all over the world converged on Paris for the Peace Conference. At its heart were the leaders of the three great powers - Woodrow Wilson, Lloyd George and Clemenceau. Kings, prime ministers and foreign ministers with their crowds of advisers rubbed shoulders with journalists and lobbyists for a hundred causes - from Armenian independence to women's rights. Everyone had business in Paris that year - T.E. Lawrence, Queen Marie of Romania, Maynard Keynes, Ho Chi Minh. There had never been anything like it before, and there never has been since.For six extraordinary months the city was effectively the centre of world government as the peacemakers wound up bankrupt empires and created new countries. They pushed Russia to the sidelines, alienated China and dismissed the Arabs, struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; failed above all to prevent another war. Margaret MacMillan argues that they have unfairly been made scapegoats for the mistakes of those who came later.