Boken inneholder 38 oppskrifter på thailandsk mat. Her er både klassiske og moderne oppskrifter med ingredienser som er lette å få tak i. Boken er inndelt i fire kapitler: forretter, hovedretter, vegetarretter og ris- og nudelretter. Har register.

Boka inneholder oppskrifter fra alle verdenshjørner der tomater er en viktig ingrediens. Den har oppskrifter på både supper, pastaretter, kjøtt- og fiskeretter og grønnsakretter. Har register.

Boken inneholder oppskrifter på sunne, varierte og raske retter. Oppskriftene gir også et innblikk i Thailands kulinariske historie. Boken har oppskrifter på forretter, supper, vegetarretter, hovedretter, rørestekte retter, nudler, ris, salater og desserter. Med register.

Bokens utsökta recept speglar den fräschör, mångfald och enkelhet som kännetecknar thailändsk matlagning, och inbjuder dessutom till en utforskning av Thailandsk kulinariska historia. För in thailändska dofter, smaker och konsistenser i ditt eget kök med hjälp av originella, exotiska och spännande ingredienser. De aromatiska under som utgör grunden för det thailändska köket kommer att förändra dina kostvanor för alltid!

Chili: Oppskriftene i denne boka viser hvordan chili brukes i matlaging fra Marokko til Singapore. Den har bl.a. oppskrifter på guacamole, chili con carne, thaigryte og vodka chili. Hvitløk: Hvitløk : lekre retter med hvitløk til enhver anledning. Tomat: Boka inneholder oppskrifter fra alle verdenshjørner der tomater er en viktig ingrediens. Den har oppskrifter på både supper, pastaretter, kjøtt- og fiskeretter og grønnsakretter. Sopp: Boka inneholder oppskrifter fra alle verdenshjørner der både fersk og tørket sopp er en viktig ingrediens. Den har oppskrifter på bl.a. forskjellige soppsupper, salater, pizza og risotto.

No Better Friend tells the remarkable story of Royal Air Force technician Frank Williams and Judy, a purebred pointer, who met in an internment camp during WWII. Judy was a fiercely loyal animal who sensed danger and instinctively mistrusted anyone in enemy uniform. Their relationship deepened throughout their imprisonment. The prisoners suffered severe beatings which Judy would interrupt with her barking. The dog became a beacon for the men, who saw in her survival a flicker of hope for their own. Judy was the war's only canine POW, and when she passed away in 1950, she was buried in her Air Force jacket. Williams would never own another dog. Their story--of an unbreakable bond forged in the worst circumstances--is one of the great undiscovered sagas of World War II.

"A canine version of Unbroken."--Maureen Corrigan, Fresh Air with Terry Gross NO BETTER FRIEND tells the story of Air Force technician Frank Williams and Judy, a purebred pointer, who met in WWII and were POWs in a camp in the Pacific. Judy was loyal, with a keen sense for who was friend and who was foe, and the pair's relationship deepened throughout their captivity. When the prisoners suffered beatings, Judy would interrupt by barking. She survived bombings and other near-death experiences and became a beacon for the men, who saw in her survival a flicker of hope for their own. Judy was WWII's only canine POW, and when she passed away in 1950, she was buried in her Air Force jacket. Williams would never own another dog. Their story--of an unbreakable bond forged in the worst circumstance--is one of the great undiscovered sagas of WWII.

An extraordinary tale of the remarkable bond between one man and his dog during the Second World War.The two friends huddled close together, each of them the other's saving grace in a world gone to hell . . . There was nothing terribly unusual about POWs suffering horribly at the hands of their Japanese captors. All across the Pacific theatre, Allied captives were experiencing similar punishment. But there was one thing unusual about this particular duo of prisoners.One of them was a dog.Flight technician Frank Williams and Judy, a purebred pointer, met in the most unlikely of places: a World War II internment camp. Judy was a fiercely loyal dog, with a keen sense for who was friend and who was foe, and the pair's relationship deepened throughout their captivity. When the prisoners suffered beatings, Judy would repeatedly risk her life to intervene. She survived bombings and other near-death experiences and became a beacon not only for Frank but for all the men, who saw in her survival a flicker of hope for their own. Using a wealth of new material including interviews with those who knew Frank and Judy, letters and firsthand accounts, Robert Weintraub expertly weaves a narrative of an unbreakable bond forged in the worst circumstances. Judy's devotion to the men she was interned with, including a host of characters from all around the world, from Australia to the UK, was so powerful that reports indicate she might have been the only dog spared in these camps - and their care for her helped keep them alive. At one point, deep in despair and starvation, Frank contemplated killing himself and the dog to prevent either from watching the other die. But both were rescued, and Judy spent the rest of her life with Frank. She became the war's only official canine POW, and after she died at the age of fourteen, Frank couldn't bring himself to ever have another dog. Their story of friendship and survival is one of the great sagas of World War II.

Designed to ensure that every medical assisting graduate can quickly trade a cap and gown for a set of scrubs, Lippincott Williams & Wilkins' Clinical Medical Assisting , 5e is more than just a textbook-it's an engaging, dynamic suite of learning resources designed to train medical assisting students in the clinical skills they'll need in today's rapidly changing health care environment.The Fifth Edition includes a full chapter on Emergency Preparedness, new in-book role playing activities, and an expanded array of online resources. We're pleased to continue to offer case studies, skills videos, and animations.

Designed to ensure that every medical assisting graduate can quickly trade a cap and gown for a set of scrubs, Lippincott Williams & Wilkins' Comprehensive Medical Assisting , 5e is more than just a textbook-it's an engaging, dynamic suite of learning resources designed to train medical assisting students in the administrative and clinical skills they'll need in today's rapidly changing health care environment.The Fifth Edition includes a full chapter on Emergency Preparedness, new in-book role playing activities, and an expanded array of online resources. We're pleased to offer case studies, skills videos, and animations as part of our ancillary suite.

Master your course with the practice and hands-on-activities that will help you get ready for the medical office. In this new edition of Study Guide for Lippincott Williams & Wilkins' Clinical Medical Assisting , the exercises and activities align with the American Association of Medical Assistants (AAMA) curriculum standards.The Study Guide aligns to the textbook and includes exercises that reinforce the knowledge and skills required of all Medical Assistants. Take advantage of the following when you add this guide as a study tool:Practice Questions in A Variety of Formats- No matter your learning style, you can reinforce you learning and get ready for course success. These formats will help you retain new information, reinforce previously learned content, and build confidence.Case Studies for Critical Thinking-These scenarios and questions are designed with real-world situations in mind and are intended to promote conversation about possible responses, not just one correct answer! In short, these studies can help you get ready for what you will face in the real world.Procedure Skill Sheets-Every procedure in the textbook has a procedure skill sheet in the Study Guide to help you practice and evaluate your learning.

That Was Entertainment: The Golden Age of the MGM Musical traces the development of the MGM musical from The Broadway Melody (1929) through its heyday in the 1940s and 1950s and its decline in the 1960s, culminating in the notorious 1970 MGM auction when Judy Garland's ruby slippers from The Wizard of Oz, Charlton Heston's chariot from Ben-Hur, and Fred Astaire's trousers and dress shirt from Royal Wedding vanished to the highest bidders.That Was Entertainment uniquely reconstructs the life of Arthur Freed, whose unit at MGM became the gold standard against which the musicals of other studios were measured. Without Freed, Judy Garland, Gene Kelly, Fred Astaire, Ann Miller, Betty Garrett, Cyd Charisse, Arlene Dahl, Vera-Ellen, Lucille Bremer, Gloria DeHaven, Howard Keel, and June Allyson would never have had the signature films that established them as movie legends.MGM's past is its present. No other studio produced such a range of musicals that are still shown today on television and all of which are covered in this volume, from integrated musicals in which song and dance were seamlessly embedded in the plot (Meet Me in St. Louis and Seven Brides for Seven Brothers) to revues (The Hollywood Revue of 1929 and Ziegfeld Follies); original musicals (Singin' in the Rain, Easter Parade, and It's Always Fair Weather); adaptations of Broadway shows (Girl Crazy, On the Town, Show Boat, Kiss Me Kate, Brigadoon, Kismet, and Bells Are Ringing); musical versions of novels and plays (Gigi, The Pirate, and Summer Holiday); operettas (the films of Jeanette MacDonald and Nelson Eddy); mythico-historical biographies of composers (Johann Strauss Jr. in The Great Waltz and Sigmund Romberg in Deep in My Heart); and musicals featuring songwriting teams (Rodgers and Hart in Words and Music and Kalmar and Ruby in Three Little Words), opera stars (Enrico Caruso in The Great Caruso and Marjorie Lawrence in Interrupted Melody), and pop singers (Ruth Etting in Love Me or Leave Me). Also covered is the water ballet musical--in a class by itself--with Esther Williams starring as MGM's resident mermaid. This is a book for longtime lovers of the movie musical and those discovering the genre for the first time.

James Agee brought to bear all his moral energy, slashing wit, and boundless curiosity in the criticism and journalism that established him as one of the commanding literary voices of America at mid-century. In 1944 W. H. Auden called Agee's film reviews for <i>The Nation</i> "the most remarkable regular event in American journalism today." Those columns, along with much of the movie criticism that Agee wrote for <i>Time</i> through most of the 1940s, were collected posthumously in <i>Agee on Film: Reviews and Comments</i>, undoubtedly the most influential writings on film by an American. This Library of America volume supplements the classic pieces from <i>Agee on Film</i> with previously uncollected writings on Ingrid Bergman, the Marx Brothers, Alfred Hitchcock's <i>Lifeboat</i>, Vittorio De Sica's <i>Shoeshine</i>, and a wealth of other cinematic subjects. <p> Whether reviewing a Judy Garland musical or a wartime documentary, assessing the impact of Italian neorealism or railing against the compromises in a Hollywood adaptation of Hemingway, Agee always wrote of movies as a pervasive, profoundly significant part of modern life, a new art whose classics (Chaplin, Dovzhenko, Vigo) he revered and whose betrayal in the interests of commerce or propaganda he often deplored. If his frequent disappointments could be registered in acid tones, his enthusiasms were expressed with passionate eloquence. <p> Agee's own work as a screenwriter is represented by his script for Charles Laughton's unique and haunting masterpiece of Southern gothic, <i>The Night of the Hunter</i>, adapted from the novel by Davis Grubb. This collection also includes examples of Agee's masterfully probing reporting for <i>Fortune</i>--on subjects as diverse as the Tennessee Valley Authority, commercial orchids, and cockfighting--and a sampling of his literary reviews, among them appreciations of William Faulkner, Virginia Woolf, S. J. Perelman, and William Carlos Williams. <p><b>LIBRARY OF AMERICA</b> is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Fresca: A Life in the Making is a detective story, cultural history, and love story. For Francesca Allinson (1902-1945), life and making art were synonymous, though both were cut short by suicide. Her story captures the topsy-turvy quality of a life singularly led; it shows how biography gets turned upside down in the making, and how the story of a single individual can throw the literary and social perspective of a time period into relief. British-German Jewish Allinson's fictional autobiography, A Childhood, made it onto Leonard and Virginia Woolf's The Hogarth Press list in 1937. Writer, musicologist, puppeteer, and pacifist, Allinson published with the Woolfs, dueled with Ralph Vaughan Williams over the origins of folk song, and was psychoanalyzed by Adrian Stephen, younger brother of Virginia. Her connections register the cultural ferment of the Interwar years: a rich collaboration and unconsummated romance with homosexual composer Michael Tippett; an affair with Arts League of Service founder Judy Wogan; a friendship with designer Enid Marx; and an infatuation with poet Den Newton, 18 years her junior. Her life of promise, tragically cut short by suicide by drowning in 1945, is an eerie echo of Virginia Woolf's suicide. Allinson's story spans the 20th century, closing with Michael Tippett weeping on stage at the Wigmore Hall during a 1992 performance of The Heart's Assurance, the song cycle he dedicated to Francesca's memory forty years earlier. In parallel, Allinson's own A Childhood makes a second journey: a gift for a young woman living in recently liberated Belgium in 1942, the book comes alive again when she transforms it into an artist's book. Subject: Literary & Musical Biography, British History, Art History]

'Heart-stopping and wonderful . . . an epic, sweeping, romantic story told brilliantly' Sophie KinsellaIt begins and ends with Keepsake, the house that holds its shadows too tightly.From Harriet Evans, the author of Richard and Judy Summer Book Club pick The Wildflowers and Sunday Times bestseller A Place For Us, The Butterfly Summer is the IDEAL book to curl up with as the nights draw in. Nina Parr's mother has lied to her for most of her life. But when Nina inherits Keepsake, a long-forgotten house in Cornwall, she pieces together a sad truth that reaches back to the outbreak of war in the 1930s. A must-read for fans of Kate Morton and Santa Montefiore. What magic is this?You follow the hidden creek towards a long-forgotten house.They call it Keepsake, a place full of wonder . . . and danger. Locked inside the crumbling elegance of its walls lies the story of the Butterfly Summer, a story you've been waiting all your life to hear. This house is Nina Parr's birthright. It holds the truth about her family - and a chance to put everything right at last.Harriet Evans. She brings you home.Two things happen when you are a Parr girl: when you are ten, you are told about your future role. The second thing that a Parr girl at some point must learn is harder to tell of.It is a dark work indeed, the business of this house, hidden from the world. READERS LOVE HARRIET EVANS.Praise for The Butterfly Summer:'Loved it' Gill Hornby'A delightfully engrossing read' Red magazine'Moving, gripping, heartbreaking' Kate Williams'Great characters, gorge house, intriguing mystery, what's not to love?!' Lucy Diamond'Multi-layered, heartbreaking and as beautiful as a butterfly wing' Veronica Henry'A crumbling house in Cornwall and a family with lots of secrets are brought to life by the evocativewriting in Harriet Evans' novel The Butterfly Summer' Good Housekeeping'Gorgeous' Stylist'Harriet Evans' writing is just perfect' Linda's Book BagTHE WILDFLOWERS, Harriet Evans's latest breathtaking novel, is available now

Hugh Cornwell talks about killing keyboard players.John Drumbo French describes life under Captain Beefheart...Pete Best talks about getting sacked from The Beatles...Ian Anderson tells us why he chose the flute for his instrument in Jethro Tull...Anton Fig talks about drumming for both Madonna and Bob Dylan...Dave Davies of The Kinks talks sci-fi and far out electronica...Norman Watt Roy summarises what it was to be a Blockhead with Ian Dury Nik Turner, Terry Ollis, Graham Forbes, Mike Heron, Ray Jackson, Ray Laidlaw, Rod Clements, Hugh Cornwell, Bruce Gaitsch, Anton Fig, Malcolm McNab, Scott Thunes, Astrid Young, Denny Freeman, Don Meehan, John Drumbo French, Robert Williams, Art Tripp, Glenn Cornick, Ian Anderson, John Lissauer, Anjani Thomas, Pete Best, Bill Harry, Doug Yule, Moe Tucker, Dave Davies, John Gosling, Celia Humphris, Alison O Donnell, Judy Dyble, Wilko Johnson, Norman Watt Roy, Donovan, Krzysztof Juszkwiewicz, Elephants Memory, Scarlet Rivera, Keith Hale, Martin Rushent, Chris Difford

This book focuses on the emerging and expanding areas of research on ASD and their potential to lead to better diagnosis and more effective therapies. These areas include innovative and integrative approaches to genetic/genomic analyses and investigations of epigenetic contributions, including the role of noncoding RNAs, DNA methylation, alternative splicing, RNA editing, and faulty translation in gene regulation and expression, metabolic and immune dysfunction, co-morbidities, as well as hormonal and gene-environment interactions that may increase risk for ASD.Within each chapter, experts review cutting-edge research as well as provide their perspective on the future of research in their respective areas, including the challenges involved and the types of studies or advances that are necessary to move the field forward to achieve predicted translational goals.Contributors: Argel Aguilar-Valles, Evdokia Anagnostou, Emma Ashwin, Bonnie Auyeung, Kelly M Bakulski, Simon Baron-Cohen, Margaret L Bauman, Donna Betts, Chad A Bousman, Daniel B Campbell, Manuel F Casanova, Bhismadev Chakrabarti, Gursharan Chana, Abha Chauhan, Ved Chauhan, Jessica DeWitt, Keith W Dunaway, Alal Eran, Ian P Everall, M Daniele Fallin, Richard E Frye, Piers Gillett, Matthew Ginsberg, Christos G Gkogkas, Rhonda J Greenhaw, Simon G Gregory, Elena L Grigorenko, Feng Gu, Rebecca Harmer, Martha Herbert, Valerie W Hu, Karen L Jones, Petra Kern, Arkady Khoutorsky, Rebecca Knickmeyer, Isaac S Kohane, Louis M Kunkel, Janine M LaSalle, Michael V Lombardo, Deepali Mankad, Marvin Natowicz, Laura Nicholls, Christos Pantelis, Natalia Rakhlin, Radhika Ramadas, Daniel A Rossignol, Tewarit Sarachana, Stephen W Scherer, Gabriela Schmulevich, Ayten Shah, Frank R Sharp, Alison B Singer, Efstratios Skafidas, Estate M Sokhadze, Nahum Sonenberg, Boryana Stamova, Zohreh Talebizadeh, Renee Testa, Judy Van de Water, Irina Voineagu, Daniel Williams, Ryan K C Yuen, Daniela Zantomio.

A Year in Mississippi presents a collection of forty essays, ten per season, celebrating significant events and traditions throughout the state. Writersshowcase the background, history, and emotions of these events and traditions with special meaning. Each event shines in the spotlight, observed not only to ascertain its impact, but also to discover why it succeeds, how it contributes to and shapes a unique culture, and how it functions to bind people together.Well-known contributors and essays of special interest in the collection include Willie Morris's "The Glory of the Game," Julia Reed's "Green Day,"Lawrence "Larry" Wells's "Always on My Mind-A Blues and Civil Rights Tour of the Mississippi Delta," Donald M. Kartiganer's "Faulkner and Yoknapatawpha1974-2016," Margaret McMullan's "Christmas in the Pass," Sid Salter's "The Neshoba County Fair: Porches, Politicians, and Pie," Patti Carr Black's "Whiskey Christmases," Carolyn Haines's "Camp Meeting," David Sheffield's "The Blessing of the Fleet," and Seetha Srinivasan's "Diwali: Hindu Festival of Lights."With contributions by: Walter Biggins, Patti Carr Black, Lottie Brent Boggan, Donald H. Butts, Bob Carskadon, Rebecca Lauck Cleary, David Creel, Sylvia Nettles Dickson, Pat Flynn, Chris Gilmer, Peggy Gilmer-Piasecki, Carolyn Haines, Ann Tyrone Hebert, C. C. Henley, Alice Jackson, Donald M. Kartiganer, Janice Marie Kraft, Francis X. Kuhn, Bill Luckett, Johnnie Mae Maberry, Debbie Campbell Matthews, Charline R. McCord, Jo McDivitt, Cheri Thornton McHugh, Thomas McIntyre, Margaret McMullan, Willie Morris, Julia Reed, Ronnie Riggs, Sid Salter, David Sheffield, Mary Sue Slagle, Seetha Srinivasan, Brenda Trigg, Judy H. Tucker, Cynthia Walker, Lawrence "Larry" Wells, Jacqueline Freeman Wheelock, Malcolm White, Diane Williams, and Richard Wiman.

In Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound, Alfred Green tells the story of his father, rhythm guitarist Freddie Green, whose guitar work served as the pulse of the Count Basie Band. A quiet but key figure in big band jazz, Freddie Green took a distinct pride in his role as Basie s rhythm guitarist, redefining the outer limits of acoustic rhythm guitar and morphing it into an art form. So distinct was Green s style that it would eventually give birth to notations on guitar charts that read: Play in the style of Freddie Green. This American jazz icon, much like his inimitable sound, achieved stardom as a sideman, both in and out of Basie s band. Green s signature sound provided lift to soloists like Lester Young and vocalist Lil Jimmy Rushing, a reflection of Green s sophisticated technique, that produced, in Green s words, his rhythm wave. Billie Holiday, Ruby Braff, Benny Goodman, Gerry Mulligan, Teddy Wilson, Ray Charles, Judy Carmichael, Joe Williams and other recording artists all benefited from the relentless fours of the man who came to be known as Mr. Rhythm. The mystique surrounding Freddie Green s technique is illuminated through generous commentary by insightful interviews with other musicians, guitar professionals and scholars, all of whom offer their ideas on Freddie Green s sound. Alfred Green throughout demystifies the man behind the legend. This work will interest jazz fans, students, and scholars; guitar enthusiasts and professionals; music historians and anyone interested not only in the history of jazz but of the African American experience in jazz."