Hun er en ung amerikansk spion på oppdrag et sted ved Middelhavet. Skjønnhet er hennes kamuflasje. Hun glir inn blant de andre skjønnhetene som mektige menn omgir seg med. Gjennom underkastelse oppnår hun kontroll. Hun skal være både uimotståelig og usynlig for sin Tildelte Partner - mannen hun skal avlytte og uskadeliggjøre.

THE WORLDWIDE BESTSELLER If you're lost, they'll find you... Evie Boyd is fourteen and desperate to be noticed. It's the summer of 1969 and restless, empty days stretch ahead of her. Until she sees them. The girls. Hair long and uncombed, jewelry catching the sun. And at their centre, Suzanne, black-haired and beautiful. If not for Suzanne, she might not have gone. But, intoxicated by her and the life she promises, Evie follows the girls back to the decaying ranch where they live. Was there a warning? A sign of what was coming? Or did Evie know already that there was no way back? `A coming-of-age tale like no other ... the book of the summer' Grazia

<p><b>One of the BBC's '100 Novels That Shaped Our World'</b></p><p><b>The Penguin English Library Edition of <i>Middlemarch </i>by George Eliot</b><br><b></b><br><b>'She did not know then that it was Love who had come to her briefly as in a dream before awaking, with the hues of morning on his wings - that it was Love to whom she was sobbing her farewell as his image was banished by the blameless rigour of irresistible day'</b></p><p>George Eliot's most ambitious novel is a masterly evocation of diverse lives and changing fortunes in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfillment leads her into a disastrous marriage to the pedantic scholar Casaubon; the charming but tactless Dr Lydgate, whose marriage to the spendthrift beauty Rosamund and pioneering medical methods threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his past. As their stories interweave, George Eliot creates a richly nuanced and moving drama, hailed by Virginia Woolf as 'one of the few English novels written for adult people'.</p><p>The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.</p>

Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa. We first meet Sasha in her mid-thirties, on her therapist's couch in New York City, confronting her longstanding compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We meet Bennie Salazar at the melancholy nadir of his adult life-divorced, struggling to connect with his nine-year-old son, listening to a washed up band in the basement of a suburban house-and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco's punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang-who thrived and who faltered-and we encounter Lou Kline, Bennie's catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou's far flung sexual conquests and meteoric rise and fall. A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to Powerpoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both-and escape the merciless progress of time-in the transporting realms

These eleven masterful stories - the first collection from acclaimed author Jennifer Egan - deal with loneliness and longing, regret and desire. Egan's characters, models and housewives, bankers and schoolgirls, are united by their search for something outside their own realm of experience. They set out from locations as exotic as China and Bora Bora, as cosmopolitan as downtown Manhattan, or as familiar as suburban Illinois to seek their own transformations. Elegant and poignant, the stories in Emerald City are seamless evocations of self-discovery.

Reconstructive facial surgery after a car crash so alters Manhattan model Charlotte that, within the fashion world, where one's look is oneself, she is unrecognizable. Seeking a new image, Charlotte engages in an Internet experiment that may both save and damn her. As her story eerily converges with that of a plain, unhappy teenager - another Charlotte - it raises tantalizing questions about identity and reality in contemporary Western culture.Jennifer Egan's bold, innovative novel, demonstrating her virtuosity at weaving a spellbinding, ambitious tale with language that dazzles, captures the spirit of our times and offers an unsettling glimpse of the future.

Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an ageing former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa. We first meet Sasha in her mid-thirties, on her therapist's couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We meet Bennie Salazar at the melancholy nadir of his adult life-divorced, struggling to connect with his nine-year-old son, listening to a washed up band in the basement of a suburban house-and then revisit him in 1979, at the height of his youth, shy and tender, revelling in San Francisco's punk scene as he discovers his ardour for rock and roll and his gift for spotting talent. We learn what became of his high school gang-who thrived and who faltered-and we encounter Lou Kline, Bennie's catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou's far flung sexual conquests and meteoric rise and fall. A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to Powerpoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both-and escape the merciless progress of time-in the transpo

New Yorker Danny is running from something. A loner who cannot bear to be apart from his Wi-Fi connection, he is in need of refuge. His cousin Howie is an enigmatic and successful former drug addict who just happens to own a castle. As they turn the castle from crumbling ruin to luxury hotel, Howie and Danny must navigate their uncomfortable relationship. And the castle has some surprises of its own: a sinister baroness, a tragic accident in a fathomless pool, a treacherous labyrinth, and through all of this, a story within a story . . . An unnerving, haunting and unforgiving tale of modern life and modern man, the novel before A Visit from the Goon Squad is filled with Egan's breathtaking style and remarkable voice.

In Jennifer Egan's highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O'Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith's life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith's lost generation. This spellbinding novel introduced Egan's remarkable ability to tie suspense with deeply insightful characters and the nuances of emotion.

A LOS ANGELES TIMES, NEWSWEEK, CHICAGO TRIBUNE, AND PHILADELPHIA INQUIRER BEST BOOK OF THE YEAR "Comic, richly imagined, and stunningly written... An energetic, unorthodox, quintessentially American vision of America." -THE NEW YORKER AT THE START of this edgy and ambitiously multi layered novel, a fashion model named Charlotte Swenson emerges from a car accident in her Illinois hometown with her face so badly shattered that it takes eighty titanium screws to reassemble it. She returns to New York still beautiful but oddly unrecognizable, a virtual stranger in the world she once effortlessly occupied. With surreal authority like that of David Lynch, Jennifer Egan interweaves Charlotte's story with those of other casualties of our infatuation with image. There's a deceptively plain teenage girl embarking on a dangerous secret life, an alcoholic private eye, and an enigmatic stranger who changes names and accents as he prepares an apocalyptic blow against American society. As these narratives inexorably converge, Look at Me becomes a coolly mesmerizing intellectual thriller of identity and imposture. "Egan goes deeper, surprising us again and again. [She] limns the mysteries of human identity and the stranglehold our image-obsessed culture has on us all in this complicated and wildly ambitious novel." -NEWSWEEK "Arresting.... Look at Me is the real thing-brave, honest, unflinching. [It] is itself a mirror in which we can clearly see the true face of the times in which we live." -Francine Prose, THE NEW YORK OBSERVER

The American Short Story Cycle' spans two centuries to tell the history of a genre that includes both major and marginal authors, from Washington Irving through William Faulkner to Jhumpa Lahiri.

Med temadel om den litterære kanon, samt tekster om Tomas Tranströmer, Jennifer Egan, Alfred Kazin, amerikanske tegneserier og Bibelen. Og Todd Rundgren, naturligvis.

What if our homes could tell the stories of others who lived there before us?'Sweeping, suspenseful, rich with surprises and eerie atmosphere' Jennifer Egan'Riveting . . . [the] stories, related in spare but evocative prose, offer fresh looks at human appetites - sex, love, money, art, culture - while exploring the ups and downs of childhood, family, friendship and aging . . . a compelling saga' Daily MailTo those who have ventured past it over the years, this small estate in a village outside Paris has always seemed calm and poised. But should you open the gates and enter inside, you will find rooms which have become the silent witnesses to a century of human drama: from the young American au pair who developed a crush on her brilliant employer to the ex-courtesan who shocked the servants, and the Jewish couple who hid from the Gestapo to the housewife who began an affair while renovating the rooms downstairs.The house has kept its inhabitants secrets for a hundred years. Now, they are ready to be brought to the light. . .'In lucid prose, the author weaves together deeply involving stories centring on the house, moving back and forth in time, through war and other human catastrophes, rendering a very real France.' Saga

In this brilliant collection, the follow-up to her New York Times bestseller Reading Like a Writer, the distinguished novelist, literary critic, and essayist celebrates the pleasures of reading and pays homage to the works and writers she admires above all others, from Jane Austen and Charles Dickens to Jennifer Egan and Roberto Bolano.In an age defined by hyper-connectivity and constant stimulation, Francine Prose makes a compelling case for the solitary act of reading and the great enjoyment it brings. Inspiring and illuminating, What to Read and Why includes selections culled from Prose's previous essays, reviews, and introductions, combined with new, never-before-published pieces that focus on her favorite works of fiction and nonfiction, on works by masters of the short story, and even on books by photographers like Diane Arbus.Prose considers why the works of literary masters such as Mary Shelley, Charles Dickens, George Eliot, and Jane Austen have endured, and shares intriguing insights about modern authors whose words stimulate our minds and enlarge our lives, including Roberto Bolano, Karl Ove Knausgaard, Jennifer Egan, and Mohsin Hamid. Prose implores us to read Mavis Gallant for her marvelously rich and compact sentences, and her meticulously rendered characters who reveal our flawed and complex human nature; Edward St. Aubyn for his elegance and sophisticated humor; and Mark Strand for his gift for depicting unlikely transformations. Here, too, are original pieces in which Prose explores the craft of writing: "On Clarity" and "What Makes a Short Story."Written with her sharp critical analysis, wit, and enthusiasm, What to Read and Why is a celebration of literature that will give readers a new appreciation for the power and beauty of the written word.

This book proposes an extension of Cognitive Grammar (Langacker 1987, 1991, 2008) towards a cognitive discourse grammar, through the unique environment that literary stylistic application offers. Drawing upon contemporary research in cognitive stylistics (Text World Theory, deixis and mind-modelling, amongst others), the volume scales up central Cognitive Grammar concepts (such as construal, grounding, the reference point model and action chains) in order to explore the attenuation of experience - and how it is simulated - in literary reading. In particular, it considers a range of contemporary texts by Neil Gaiman, Jennifer Egan, Jonathan Safran Foer, Ian McEwan and Paul Auster. This application builds upon previous work that adopts Cognitive Grammar for literary analysis and provides the first extended account of Cognitive Grammar in contemporary fiction.

MUST A CHILD'S PAST DEFINE THEIR FUTURE?'Luminous . . . heartbreaking . . . I haven't read anything this good in a long time' Rachel Joyce, author of The Unlikely Pilgrimage of Harold Fry'Deeply involving . . . rich, shimmering, sensuous' Jennifer Egan, author of A Visit From the Goon SquadIn 1960s rural America two siblings grow up in a place of love and turmoil. Rene is the apple of her father's eye: an over-achiever, athletic, clever, the best brain in class, and the best dancer in school. Her older brother Leon, doted on by his mother, is shy, a stutterer, but also a brilliant dancer. Rene and Leon share a talent, but it is a gift their father adores in his daughter, and loathes in his son, and that could make all the difference. These two children may be best friends, but life promises to take them down very different paths . . . The Distance Home is the story of two children growing up side by side - the one given opportunities the other just misses - and the fall-out in their adult lives. Funny and tragic, both intimate and universal, Paula Saunders' debut is about how our parents shape the adults we become. It is a hugely moving story of devotion and neglect, impossible to put down - these are characters you will forever hold close to your heart.

'Love is, of course, a central preoccupation of literature...' Victoria Hislop, bestselling author and champion of the short story, has chosen her favourite short stories by women writers. Here are prizewinners, famous wits, well-known feminists, national treasures and rising stars. Love is represented in this volume in all its guises - romantic, maternal, happy and haunting. CONTRIBUTORS: Katherine Mansfield, Dorothy Parker, Doris Lessing, Margaret Drabble, Angela Carter, Margaret Atwood, Ellen Gilchrist, Alice Walker, Mavis Gallant, Carol Shields, Anne Enright, Elspeth Davie, Alison Lurie, Jennifer Egan, Jeanette Winterson, Claire Boylan, Maggie Gee, Colette Paul, Rachel Seiffert, Yiyun Li, Nadine Gordimer, Miranda July, Chimamanda Ngozi Adichie, Carys Davies, Alison MacLeod, Emma Donoghue, Roshi Fernando, M. J. Hyland and Avril Joy.