The heritage of the Celts turns up from Portugal to Romania, from Scotland to Spain. Yet debate continues about who exactly were the Celts, where ultimately they came from, and whether the modern Celtic-speakers of the British Isles and Brittany are related to the Continental Celts we know from ancient history. So a fresh approach is needed. Blood of the Celts meets this challenge, pulling together evidence from genetics, archaeology, history and linguistics in an accessible and illuminating way, taking the reader on a voyage of discovery from the origins of the ancient Celts to the modern Celtic Revival, with some startling results.

Who are the Europeans? Where did they come from? In recent years scientific advances have yielded a mass of new data, turning cherished ideas upside down. The idea of migration in prehistory, so long out of favour, is back on the agenda. Visions of continuity now have to give way to a more dynamic view of Europe's past, with one wave of migration followed by another, from the first human arrivals to the Vikings. This pioneering book brings together for the first time the latest genetic evidence and combines it with archaeology and linguistics to produce a new history of Europe.

Who are the English? Their language and culture have had an impact on the modern world out of all proportion to the size of their homeland. But what do we really understand about their ancestry? Traditionally they have been seen as the descendants of those Germanic peoples who poured into Britain after the Roman legions departed, today known as the Anglo-Saxons. Alternative interpretations have questioned this picture, or suggested complications. At last, the astonishing progress made in extracting and analysing ancient DNA means that theories can be tested empirically, shedding new light on the movement and migrations of peoples in the past. Skilfully and accessibly blending together results from this cutting-edge DNA technology with new research from archaeology and linguistics, Jean Manco reveals a long and adventurous journey before a word of English was spoken. Going beyond a narrow focus on the Anglo-Saxon period, she probes into the deep origins of the Germani and their kin, and extends the story to the language of Shakespeare, taken to the first British colony in America. The result is an exciting new history of the English people, and a ground-breaking analysis of their development.

Decoding the ancestry of the English

Aimee Joubert is a drop-dead gorgeous femme fatale with a penchant for bloody murder. Ever on the lookout for opportunities for self-enrichment, she finds plenty to like as a newcomer to the detestable backwater town of Bleville: small-minded parochialism, self-interested parish politics, rampant corruption, dormant grudges, scandals just waiting to be uncovered - yes, there's a killing to be made here. So Aimee starts to wreak her stylish mayhem on Bleville's despicable bourgeoisie. But just when she's ready to take them all to the cleaners, something snaps, and the master manipulator falls prey to her wayward passions.A legend of the genre, Jean-Patrick Manchette transformed the modern crime thriller into something slick, chic and riotously enjoyable. A tornado of redemptive murder and a gleeful satire of small-town life, Fatale is Manchette's bloodiest, funniest and most brilliantly cathartic thriller yet.

In the aftermath of the efflorescence of experimental literature and theory that characterized the Trente Glorieuses (1945-75), `contemporary' French literature is often said to embrace more traditional or readable novelistic forms. This rejection of the radical aesthetics of mid-century French literature, this rehabilitation of fictional forms that have been called sub-literary, regressive, or outdated, has been given a name: the `return to the story.' In Beyond Return, Lucas Hollister proposes new perspectives on the cultural politics of such fictions. Examining adventure novels, radical noir, postmodernist mysteries, war novels, and dystopian fictions, Hollister shows how authors like Jean Echenoz, Jean-Patrick Manchette, Jean Rouaud, and Antoine Volodine develop radically dissimilar notions of the aesthetics of `return,' and thus redraw in different manners the boundaries of the contemporary, the French, and the literary. In the process, Hollister argues for the need to move beyond the nostalgic, anti-modernist rhetoric of the `return to the story' in order to appreciate the potentialities of innovative contemporary genre fictions.

Aim e is a beautiful young widow - she's also a killer. Driven by a deep-rooted desire for revenge, she sets about uncovering the secrets of the inhabitants of the sleepy rural town of Bleville, before ruthlessly murdering them. Faced with corruption of a kind she had scarcely imagined, she discovers a deeply moral core under her murderous instincts.

International Law as a Belief System considers how we construct international legal discourses and the self-referentiality at the centre of all legal arguments about international law. It explores how the fundamental doctrines (such as sources, responsibility, statehood, personality, interpretation and jus cogens) constrain legal reasoning by inventing their own origin and dictating the nature of their functioning. In this innovative work, d'Aspremont argues that these processes constitute the mark of a belief system. This book invites international lawyers to temporarily suspend some of their understandings about the fundamental doctrines they adhere to in their professional activities. It aims to provide readers with new tools to reinvent the thinking about international law and combines theory and practice to offer insights that are valuable for both theorists and practitioners.

This fascinating selection of photographs traces some of the many ways in which Central Manchester has changed and developed over the last century.

Explore the fascinating history of Manchester in this fully illustrated A-Z guide to the city's people and places.

Reaching an apogee of 6,000 members in the years just before the Civil War, the Shaker movement was the most extensive, enduring, and successful utopian society ever established in America. Leaving Manchester, England, in 1776 to avoid persecution, the Shakers crossed the Atlantic and during the next 50 years established 19 villages from Maine to Kentucky. The Shakers were guided by the principles of utility, honesty, and order in both their work and worship, and this belief system influenced the physical expression of the goods they produced for use at home and for sale outside their communities. This lovely book presents a wide array of extraordinarily fine examples of Shaker furniture, household objects, textiles, religious drawings, and items made to sell to the "world's people" (non-Shakers). The book's expert contributors discuss Shaker design in relation to the furniture they constructed, the products they sold, their gift drawings and spirituality, and their rejection of American Fancy design.The book also considers the powerful inspiration Shaker design has provided for diverse modern and contemporary designers, including George Nakashima, Roy McMakin, Thomas Moser, and Scandinavian furniture makers.

In a series of columns published in the African American newspaper The Christian Recorder, the young, charismatic preacher Henry McNeal Turner described his experience of the Civil War, first from the perspective of a civilian observer in Washington, D.C., and later, as one of the Union army's first black chaplains. In the halls of Congress, Turner witnessed the debates surrounding emancipation and black enlistment. As army chaplain, Turner dodged ""grape"" and cannon, comforted the sick and wounded, and settled disputes between white southerners and their former slaves. He was dismayed by the destruction left by Sherman's army in the Carolinas, but buoyed by the bravery displayed by black soldiers in battle. After the war ended, he helped establish churches and schools for the freedmen, who previously had been prohibited from attending either. Throughout his columns, Turner evinces his firm belief in the absolute equality of blacks with whites, and insists on civil rights for all black citizens. In vivid, detailed prose, laced with a combination of trenchant commentary and self-deprecating humor, Turner established himself as more than an observer: he became a distinctive and authoritative voice for the black community, and a leader in the African Methodist Episcopal church. After Reconstruction failed, Turner became disillusioned with the American dream and became a vocal advocate of black emigration to Africa, prefiguring black nationalists such as Marcus Garvey and Malcolm X. Here, however, we see Turner's youthful exuberance and optimism, and his open-eyed wonder at the momentous changes taking place in American society. Well-known in his day, Turner has been relegated to the fringes of African American history, in large part because neither his views nor the forms in which he expressed them were recognized by either the black or white elite. With an introduction by Jean Lee Cole and a foreword by Aaron Sheehan-Dean, Freedom's Witness: The Civil War Correspondence of Henry McNeal Turner restores this important figure to the historical and literary record.<br>

Team Foundation Server is now for everyone! Team Foundation Server is an integral part of Microsoft's Application Lifecycle Management suite for managing and delivering software projects. The 2013 update has opened up TFS for everyone by expanding capabilities to support iOS, MacOS, Android, and Java development.

Drinking to excess has been a striking problem for industrial and post-industrial societies - who is responsible when an individual opts for a slow suicide? The causes of such drinking have often been blamed on genes, moral weakness, 'disease' (addiction), hedonism, and Romantic illusion. Yet there is another reason: the drinker may act with sincere philosophical intent, exploring the edges of self, consciousness, will, ethics, authenticity and finitude. Beginning with Jack London's John Barleycorn: alcoholic memoirs the book goes on to cover novels such as Jean Rhys's Good morning, midnight, Malcolm Lowry's Under the volcano, Charles Jackson's The lost weekend and John O'Brien's Leaving Las Vegas, and less familiar works such as Frederick Exley's A fan's notes, Venedikt Yerofeev's Moscow-Petushki, and A. L. Kennedy's Paradise. -- .

A Place in the Country is a window into the brilliant mind of W. G. Sebald'The greatest writer of our time' Peter CareyWhen W. G. Sebald travelled to Manchester in 1966, he packed in his bags certain literary favourites which would remain central to him throughout the rest of his life and during the years when he was settled in England. In A Place in the Country, he reflects on six of the figures who shaped him as a person and as a writer, from Jean-Jacques Rousseau to Jan Peter Tripp. Fusing biography and essay, and finding, as ever, inspiration in place - as when he journeys to the Ile St. Pierre, the tiny, lonely Swiss island where Jean-Jacques Rousseau found solace and inspiration - Sebald lovingly brings his subjects to life in his distinctive, inimitable voice.'A fascinating volume that confirms Sebald as one of Europe's most mysterious and best-loved literary imaginations' Evening Standard'Sebald was in possession of the uncanny ability to make his own intellectual obsessions, immediately, compulsively his reader's' Observer'Irresistible . . . an intimate anatomy of the pathos, absurdity and perverse splendour of trying to find patterns in the chaos of the world' IndependentW . G. Sebald was born in Wertach im Allgau, Germany, in 1944 and died in December 2001. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1996 he took up a position as an assistant lecturer at the University of Manchester and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia and is the author of The Emigrants, The Rings of Saturn, Vertigo, Austerlitz, After Nature, On the Natural History of Destruction, Campo Santo, Unrecounted and a selection of poetry, Across the Land and the Water.Jo Catling taught German for a number of years alongside W. G. Sebald at the University of East Anglia, where she is currently a senior lecturer in the School of Literature, Drama and Creative Writing.

Born into folk music's first family, Peggy Seeger has blazed her own trail artistically and personally. Jean Freedman draws on a wealth of research and conversations with Seeger to tell the life story of one of music's most charismatic performers and tireless advocates.Here is the story of Seeger's multifaceted career, from her youth to her pivotal role in the American and British folk revivals, from her instrumental virtuosity to her tireless work on behalf of environmental and feminist causes, from wry reflections on the U.K. folk scene to decades as a songwriter. Freedman also delves into Seeger's fruitful partnership with Ewan MacColl and a multitude of contributions which include creating the renowned Festivals of Fools, founding Blackthorne Records, masterminding the legendary Radio Ballads documentaries, and mentoring performers in the often-fraught atmosphere of The Critics Group. Bracingly candid and as passionate as its subject, Peggy Seeger is the first book-length biography of a life set to music.

This second volume of a collection of papers offers new perspectives and challenges in the study of logic. It is presented in honor of the fiftieth birthday of Jean-Yves Beziau. The papers touch upon a wide range of topics including paraconsistent logic, quantum logic, geometry of oppositions, categorical logic, computational logic, fundamental logic notions (identity, rule, quantification) and history of logic (Leibniz, Peirce, Hilbert).The volume gathers personal recollections about Jean-Yves Beziau and an autobiography, followed by 25 papers written by internationally distinguished logicians, mathematicians, computer scientists, linguists and philosophers, including Irving Anellis, Dov Gabbay, Ivor Grattan-Guinness, Istvan Nemeti, Henri Prade.These essays will be of interest to all students and researchers interested in the nature and future of logic.

Known internationally and variously described as the Godfather of Streetwear and one of the founding fathers of Tokyo's Harajuku scene, Hiroshi Fujiwara exerts a disproportionate influence over contemporary design culture. Fujiwara, who had collaborated with the likes of Malcolm McLaren and Vivienne Westwood as a teenager in the early 1980s, merged a seminal interest in punk with hip-hop and skate culture to become one of Japan's principal tastemakers. A musician and producer, Fujiwara is also one of the most prolific of sneaker designers, and his kicks are some of the most sought-after collectibles. In addition to his very visible and longstanding collaborations with Nike, he has authored a number of fashion lines, and is at the head of the Tokyo-based Fragment Design. Maintaining his reign as the arbiter of hip for over 30 years, this book presents the breadth of his career, including sections on his highly sought after artwork and graphics, sneakers, product design, and curated personal effects.With an introduction by Eric Clapton and contributions by Takashi Murakami, Mark Parker, Jean Touitou, Nigo, Sarah Lerfel, this graphically inspired book provides a unique glimpse into one of the most influential tastemakers of our time.