Relevanse
En liten verdenshistorie: den forunderlige historien om oss
E. H. Gombrichs er kjent for "Verdenskunsten" som har solgt i flere millioner eksemplarer og oversatt til over 30 språk. I 1935 var han ukjent for de fleste. På oppdrag fra et forlag i Wien skrev han verdenshistorien for ungdom på seks uker. Boka står fremdeles som en klassiker. En liten verdenshistorie er skrevet med stort engasjement og smittende begeistring. Boka er senere redigert flere ganger og de siste kapitlene er forfatteren selv øyenvitne til kanskje den mest dramatiske delen av vår historie så langt. Historieboken alle bør begynne med, og ha med seg videre i livet.
5.0 av 5
Norsk Bokmål
Norsk Bokmål
Verdenskunsten
Boka er en gjennomillustrert kunsthistorie, preget av en forfatters helhetssyn og skrivekunst. Praktisk talt alle hovedverker i verdenskunsten er avbildet i denne boka. Har register.
5.0 av 5
Norsk Bokmål
Norsk Bokmål
The story of art
Boka er en gjennomillustrert kunsthistorie, preget av en forfatters helhetssyn og skrivekunst. Praktisk talt alle hovedverker i verdenskunsten er avbildet i denne boka. Har register.
4.0 av 5
Engelsk
A little history of the world
E. H. Gombrich's bestselling history of the world for young readers tells the story of mankind from the Stone Age to the atomic bomb, focusing not on small detail but on the sweep of human experience, the extent of human achievement, and the depth of its frailty. The product of a generous and humane sensibility, this timeless account makes intelligible the full span of human history. In forty concise chapters, Gombrich tells the story of man from the stone age to the atomic bomb. In between emerges a colorful picture of wars and conquests, grand works of art, and the spread and limitations of science. This is a text dominated not by dates and facts, but by the sweep of mankind's experience across the centuries, a guide to humanity's achievements and an acute witness to its frailties.
3.8 av 5
Engelsk
The Story of art
Engelsk- tar for seg kunstens historie. Første publikasjon gjort i 1950
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Engelsk
Kunstens historie
Ny revideret og udvidet udgave af den kunsthistoriske klassiker. E. H. Gombrich har overblikket og fører læseren igennem det omfangsrige stof - fra hulemalerier til eksperimenterende kunst af i dag - så der kommer orden i ismer, stilarter og perioder. Næsten alle illustrationer er i farver.
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Norsk Bokmål
Bokslottet : lese og skrivestart : Ole Ole sine leikar : bokstavleik
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Norsk Bokmål
ART AND ILLUTION: A study in The psychology of pictorial representation
B62. 450 sider.
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Engelsk
Meditations on a Hobby Horse: and other essays
Hylle 239
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Engelsk
Kunstens historie : med 398 illustrationer
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Dansk
Die Geschichte der Kunst
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Norsk Bokmål
Meditations on a hobby horse
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Engelsk
Levende kunst gjennom alle tider
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A little history of the world
Ei velkjend bok der forfattaren fortel verdenshistorien på ein enkel måte.
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Engelsk
Verdens Kunsten
Klassikeren! Denne er en av verdens mest leste bøker over kunsthistorie. den utgitt i 16. utgaver og oversatt til 30 språk. Boken kom til Norge i 1979. Boken har etterhvert kommet i farger og med masse bilder. Tekstene er forandret gjennom tiden og er mer oppdatert og bedre. Boken er preget av et helhetssyn der kunnskap og kommunikasjon går hånd i hånd.
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Norsk Bokmål
ART & ILLUSION: A study in the psychology of pictorial representation
Sixth edition
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Engelsk
Antony Gormley
Sir Antony Mark David Gormley OBE RA (born 30 August 1950) is a British sculptor. His works include the Angel of the North, a public sculpture in Gateshead in the north of England, commissioned in 1994 and erected in February 1998; Another Place on Crosby Beach near Liverpool; and Event Horizon, a multipart site installation which premiered in London in 2007, then subsequently in Madison Square in New York City (2010), São Paulo, Brazil (2012), and Hong Kong (2015–16). Gormley then turned his attention to the human body, creating moulds of his own body in plaster that he would then encase in lead. These works, such as the three-part sculptures Three Ways: Mould Hole and Passage and Land Sea and Air II, as well as the single body-case works Plateau, Night and Peer, attempt to investigate the body as a space. In Gormley's words, "How to make bodies into vessels that both contain and occupy space? The early three-piece lead works are the first works in which I used my own body. I was trying to map out the phenomenology of the body and to find a new way of evoking it as being less a thing, more a place; a site of transformation, and an axis of physical and spatial experience." Throughout the 1980s, Gormley's lead body-cases were extended, suspended, sealed, pierced and also doubled into two joined forms.
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Engelsk
The Story of time
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Engelsk
Engelsk
Historical and Philosophical Issues in the Conservation of Cultural Heritage
This first volume of the Getty Conservation Institute's "Readings in Conservation" series presents a comprehensive collection of texts on the conservation of art and architecture. Designed for students of art history as well as conservation, the book consists of 46 texts, many originally published in obscure or foreign journals. The 30 art historians and scholars represented raise questions such as when to restore, what to preserve and how to maintain aesthetic character. Excerpts have been selected from the following books and essays: John Ruskin "The Seven Lamps of Architecture"; Bernard Berenson "Aesthetics and History in the Visual Arts"; Clive Bell "The Aesthetic Hypothesis"; Cesare Brandi "Theory of Restoration"; Kenneth Clark "Looking at Pictures"; Erwin Panofsky "The History of Art as a Humanistic Discipline"; E.H. Gombrich "Art and Illusion"; Marie Cl. Berducou "The Conservation of Archaeology: and Paul Philipott "Restoration from the Perspective of the Social Sciences".
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Engelsk
The Story og Contemporary Art
<i>What does it mean?<br> Is it really art?<br> Why does it cost so much?</i><br> While these questions are perpetually asked about contemporary art, they are not the questions that E. H. Gombrich set out to answer in his seminal book <i>The Story of Art</i>. Contemporary art is very different from what came before. From the 1960s, where Gombrich’s account concludes, artists began to abandon traditional forms of art and started to make work that questioned art’s very definition. This is where Godfrey picks up the story. <br><br>Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, <i>The Story of Contemporary Art</i> traces a history in terms of drastic changes in social and political life over the last sixty years. <br><br>How do we experience being human in a world that seems to change so quickly? In exploring art’s relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how.
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Engelsk
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