I 1963 ble Friedan kjent for sin bok "Myten om kvinnen". Her beveger hun seg fra det temaet til "myten om alderdommen". Gjennom sine personlig beskrivelser påpeker hun at alderdommen er et unikt og rikt stadium i livet. Boken er noe forkortet i forhold til originalutgaven.

'What if she isn't happy - does she think men are happy in this world? Doesn't she know how lucky she is to be a woman?'The pioneering Betty Friedan here identifies the strange problem plaguing American housewives, and examines the malignant role advertising plays in perpetuating the myth of the 'happy housewife heroine'.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

When Betty Friedan produced The Feminine Mystique in 1963, she could not have realized how the discovery and debate of her contemporaries' general malaise would shake up society. Victims of a false belief system, these women were following strict social convention by loyally conforming to the pretty image of the magazines, and found themselves forced to seek meaning in their lives only through a family and a home. Friedan's controversial book about these women - and every woman - would ultimately set Second Wave feminism in motion and begin the battle for equality. This groundbreaking and life-changing work remains just as powerful, important and true as it was forty-five years ago, and is essential reading both as a historical document and as a study of women living in a man's world.

Landmark, groundbreaking, classic these adjectives barely do justice to the pioneering vision and lasting impact of The Feminine Mystique. Published in 1963, it gave a pitch-perfect description of the problem that has no name: the insidious beliefs and institutions that undermined women s confidence in their intellectual capabilities and kept them in the home. Writing in a time when the average woman first married in her teens and 60 percent of women students dropped out of college to marry, Betty Friedan captured the frustrations and thwarted ambitions of a generation and showed women how they could reclaim their lives. Part social chronicle, part manifesto, The Feminine Mystique is filled with fascinating anecdotes and interviews as well as insights that continue to inspire. This 50th anniversary edition features an afterword by best-selling author Anna Quindlen as well as a new introduction by Gail Collins."

Betty Friedan's book The Feminine Mystique is possibly the best-selling of all the titles analysed in the Macat library, and arguably one of the most important. Yet it was the product of an apparently minor, meaningless assignment. Undertaking to approach former classmates who had attended Smith College with her, 10 years after their graduation, the high-achieving Friedan was astonished to discover that the survey she had undertaken for a magazine feature revealed a high proportion of her contemporaries were suffering from a malaise she had thought was unique to her: profound dissatisfaction at the `ideal' lives they had been living as wives, mothers and homemakers. For Friedan, this discovery stimulated a remarkable burst of creative thinking, as she began to connect the elements of her own life together in new ways. The popular idea that men and women were equal, but different - that men found their greatest fulfilment through work, while women were most fulfilled in the home - stood revealed as a fallacy, and the depression and even despair she and so many other women felt as a result was recast not as a failure to adapt to a role that was the truest expression of femininity, but as the natural product of undertaking repetitive, unfulfilling and unremunerated labor. Friedan's seminal expression of these new ideas redefined an issue central to many women's lives so successfully that it fuelled a movement - the `second wave' feminism of the 1960s and 1970s that fundamentally challenged the legal and social framework underpinning an entire society.

What Betty Friedan, Simone de Beauvoir, Susan Faludi and Naomi Wolf did for feminism, senior editor of "The Atlantic" Hanna Rosin does for a new generation of women: an explosive new argument for why women are winning the battle of the sexes and why men are no longer top dog. Women are no longer catching up with men. By almost every measure, they are out performing them. We are at a turning point in history. In 2010, for the first time, the balance of the British workforce tipped towards women, who now hold around half of the nation's jobs. In the US, meanwhile, for every two men that receive a BA, three women will achieve the same. Not only do women dominate colleges and professional schools on every continent except Africa, young single women earn more than men in the US, and more than a third of mothers in the UK and the US are their family's main breadwinner. The tides have turned. The 'age of testosterone' is decisively over. At almost every level of society women are proving themselves far more adaptable and suited to a job market that rewards people skills and intelligence, and a world that has a dramatically diminishing need for traditional male muscle. In this landmark, once-in-a-generation book, Hanna Rosin reveals how this new world order came to be and its great implications for marriage, sex, children, work, families and society. Unhampered by old assumptions and ideologies and drawing on examples from across the globe, "The End of Men" helps us see how both men and women can - and must - adapt for a radically new era. "[Its strength] lies in the nuanced portraits Rosin draws of people trying to grapple with new currents of power, to assimilate political and economic change in their living rooms and trailers". ("FT Weekend"). "In this bold and inspired dispatch, Rosin upends the common platitudes of contemporary sexual politics with a deeply reported meditation from the unexpected frontiers of our rapidly changing culture". (Katie Roiphe, author of "The Morning After" and "Uncommon Arrangements"). ""The End of Men" describes a new paradigm that can, finally, take us beyond 'winners' and 'losers' in an endless 'gender war.' What a relief! Ultimately, Rosin's vision is both hope-filled and creative, allowing both sexes to become far more authentic: as workers, partners, parents...and people". (Peggy Orenstein, author of "Cinderella Ate My Daughter" and "Schoolgirls"). Hanna Rosin is a senior editor at "The Atlantic" magazine and a founder and co-editor of "DoubleX", "Slate's" women's section. She has written for the "New Yorker", "The New York Times", "GQ", and "The New Republic", and for a number of years covered politics and religion for the "Washington Post". In 2009 she was nominated for a National Magazine Award, and in 2010 she won one. She is the author of a previous book, "God's Harvard: A Christian College on a Mission to Save America". Rosin lives in Washington, DC, with her husband, "Slate" editor David Plotz, and their three children.

Beginning in 1963 with the publication of Betty Friedan's The Feminine Mystique and reaching a high pitch ten years later with the televised mega-event of the ""Battle of the Sexes""-the tennis match between Billie Jean King and Bobby Riggs-the mass media were intimately involved with both the distribution and the understanding of the feminist message. This mass media promotion of the feminist profile, however, proved to be a double-edged sword, according to Patricia Bradley, author of Mass Media and the Shaping of American Feminism, 1963-1975. Although millions of women learned about feminism

This book draws attention to the controversy that surrounds Betty Friedan, Germaine Greer, Gloria Steinem, and Simone de Beauvoir's lives and the important role that their life stories have played in their feminist writing.

In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the ""feminine mystique."" Focusing on ordinary Jewish women as well as prominent figures, leading scholars explore the wide canvas upon which Americ

Fictional characters, such as June Cleaver, and criticism of suburban domestic passivity, notably Betty Friedan's The Feminine Mystique, have profoundly shaped our popular and intellectual view of the immediate postwar decade. It is this image of apolitical domesticity and suburban conformity that Sylvie Murray challenges in The Progressive Housewife: Community Activism in Suburban Queens, 1945-1965. Set in the rapidly developing neighborhoods of northeastern Queens-home of none other than Friedan herself in the early 1950s-this study traces the political activities of a diverse group of middle-class suburbanites and brings into focus the central role played by full-time mothers and housewives as community activists. Like their famous neighbor, these Queens housewives were at the center of a vital network of civic organizations that used a variety of political strategies-from quiet lobbying to street protests-to build residential neighborhoods of quality. The battles they fought-to improve local schools and other public services, to stop the construction of public housing, and to control the cost and quality of rental housing, among others-cannot be easily pegged to the right or the left on the political spectrum. Rather, they reveal a profound conviction that both citizens and the state were responsible for the well-being of local communities.Part of an ongoing historical revision of the 1950s, The Progressive Housewife engages the current attempt to recognize and understand the political meaning of the middle class and suburbia, dispelling the myth of suburban domestic passivity by revealing the forms of political activity ordinary women were engaged in long before contemporary feminism had surfaced.

"Biography lovers may find this a great start in understanding the long-term impacts that individuals can have on culture, society, and history and be interested in seeking further information about Axelrod's fascinating subjects. --BooklistMeet 50 women and men who broke the rules . . . and changed the world. What does Charles Darwin have in common with Johannes Gutenberg--or with Jackson Pollock, Martin Luther, Betty Friedan, Steve Jobs, and DJ Kool Herc? They were the disruptors, upending cultural, technical, spiritual, or scientific paradigms and altering the way we live forever. Bestselling author Alan Axelrod presents engaging profiles, accompanied by original line drawings, of 50 visionaries who rewrote the rules. Their innovations range from the printing press (Gutenberg) to the fight for women's equality (Friedan), from the smartphone (Jobs) to the invention of hip-hop (Herc).

Until There Is Justice tells the complex, moving story of the remarkable civil rights figure Anna Arnold Hedgeman, who played a key role in more than half a century of social justice initiatives. Hedgeman ought to be a household name like her colleagues, including A. Philip Randolph, Betty Friedan, and Martin Luther King Jr., but until now she has received only a fraction of the attention she deserves. Through a commitment to faith-based activism, civil rights, and feminism, Anna Arnold Hedgeman participated in and led some of the 20th century's most important developments, including advances in education, public health, politics, and workplace justice. She worked as a teacher, lobbyist, politician, social worker, and activist, often behind the scenes but always crafting as well as carrying out policy. She repeatedly found herself a woman among men, a black American among whites, and asecular Christian among clergy, but she found ways to maintain all of those conflicting identities and work with others to forge a common humanity. Hedgeman cared deeply for the dignity and welfare of all people, acting most passionately on behalf of the dispossessed. She helped black and Puerto Rican Americans achieve critical civil service employment in New York City during the Great Depression, directed national efforts for permanent fair labor legislation after World War II, coordinated the first organized attempt by black Americans to influence a presidential election, orchestrated white religious Americans' participation in the 1963March on Washington, and introduced a broad and inclusive agenda as a founder of the National Organization for Women.Here finally is the story of this dignified woman and scrappy freedom fighter, devout Christian and demanding feminist, accomplished political operative and savvy grassroots organizer, proud American and insistent African American voice.

The challenges presented by feminism to traditional understandings of representation, normative values, power relations and the political are not simply the product of late-20th century thinking. Feminist Moments, in examining some of the pivotal texts in the history of feminist thought, demonstrates that these challenges emerge from a long and varied history of feminist writing. The volume brings together texts from literary and analytical works written by women and men, and from inside and outside the Western tradition, including Mary Wortley Montagu, Anna Wheeler and William Thompson, Nazira Zeineddine, Betty Friedan, Andrea Dworkin and Luisa Valenzuela. The volume is unique in offering close readings of key passages from the selected texts, making it ideal for classroom use; its original essays, all authored by specialists, will also be of interest to more advanced scholars. In juxtaposing and analysing a wide range of texts which despite their significance are rarely discussed together, Feminist Moments provides a fascinating historical narrative of feminist thought which will be highly valuable to students and scholars of the history of political thought, political philosophy and gender and literary studies.

Toronto's David Sanders and Claire Dumont are the Nick and Nora Charles of academia: two amateur detectives pulled into a web of deceit and violence involving murder, the illegal cross-border dumping of toxic waste, organized crime, dubious, self-serving politicians, and a mysterious, ambitious businessman whose loyalties are unknown. Michael Boughn weaves together multiple plots, deals within deals, and double crosses galore as David and Claire find themselves pulled deeper and deeper into a funny, captivating hard-boiled mystery that might have been written by of Dashiell Hammett - if he had only had the chance to read Betty Friedan.

Often photographed in a cowboy hat with her middle finger held defiantly in the air, Florynce ""Flo"" Kennedy (1916-2000) left a vibrant legacy as a leader of the Black Power and feminist movements. In the first biography of Kennedy, Sherie M. Randolph traces the life and political influence of this strikingly bold and controversial radical activist. Rather than simply reacting to the predominantly white feminist movement, Kennedy brought the lessons of Black Power to white feminism and built bridges in the struggles against racism and sexism. Randolph narrates Kennedy's progressive upbringing, her pathbreaking graduation from Columbia Law School, and her long career as a media-savvy activist, showing how Kennedy rose to founding roles in organizations such as the National Black Feminist Organization and the National Organization for Women, allying herself with both white and black activists such as Adam Clayton Powell, H. Rap Brown, Betty Friedan, and Shirley Chisholm.Making use of an extensive and previously uncollected archive, Randolph demonstrates profound connections within the histories of the new left, civil rights, Black Power, and feminism, showing that black feminism was pivotal in shaping postwar U.S. liberation movements.

Long before the United States was a nation, it was a set of ideas, projected onto the New World by European explorers with centuries of belief and thought in tow. From this foundation of expectation and experience, America and American thought grew in turn, enriched by the bounties of the Enlightenment, the philosophies of liberty and individuality, the tenets of religion, and the doctrines of republicanism and democracy. Crucial to this development were the thinkerswho nurtured it, from Thomas Jefferson to Ralph Waldo Emerson, W.E.B. DuBois to Jane Addams, and Betty Friedan to Richard Rorty. The Ideas That Made America: A Brief History traces how Americans have addressed the issues and events of their time and place, whether the Civil War, the GreatDepression, or the culture wars of today. Spanning a variety of disciplines, from religion, philosophy, and political thought, to cultural criticism, social theory, and the arts, Jennifer Ratner-Rosenhagen shows how ideas have been major forces in American history, driving movements such as transcendentalism, Social Darwinism, conservatism, and postmodernism. In engaging and accessible prose, this introduction to American thought considers how notions about freedom and belonging, the market and morality - and even truth - havecommanded generations of Americans and been the cause of fierce debate.

This anthology by celebrated interviewer Naim Attallah takes in some of his most spectacular encounters with the leading lights of the past. Naim Attallah spent a large part of the 1990s conducting in-depth interviews with a wide range of distinguished people from the arts, politics, business, academe and the media, some of which were first published in the Oldie and then in a series of books which were highly acclaimed on publication. This selection of interviews is chosen from the men and women who, alas, are no longer with us. The subjects are catholic in their choices, status and opinions and include Enoch Powell, Diana Mosley, Doris Lessing, Betty Friedan, John Updike, Elizabeth Jane-Howard, Hardy Amies, Patricia Highsmith, Harold Acton, and Julian Critchley. The interviews, all reprinted in their entirety, display the wit, wisdom and sheer life experience of a remarkable range of unforgettable and now legendary personalities. The shocking reality is that so many read as if conducted only yesterday. 'No Longer with Us' features an introduction by Richard Ingrams.