The bestselling graphic design reference, updated for the digital age Meggs' History of Graphic Design is the industry's unparalleled, award-winning reference. With over 1,400 high-quality images throughout, this visually stunning text guides you through a saga of artistic innovators, breakthrough technologies, and groundbreaking developments that define the graphic design field. The initial publication of this book was heralded as a publishing landmark, and author Philip B. Meggs is credited with significantly shaping the academic field of graphic design. Meggs presents compelling, comprehensive information enclosed in an exquisite visual format. The text includes classic topics such as the invention of writing and alphabets, the origins of printing and typography, and the advent of postmodern design.This new sixth edition has also been updated to provide: * The latest key developments in web, multimedia, and interactive design * Expanded coverage of design in Asia and the Middle East * Emerging design trends and technologies * Timelines framed in a broader historical context to help you better understand the evolution of contemporary graphic design * Extensive ancillary materials including an instructor's manual, expanded image identification banks, flashcards, and quizzes You can't master a field without knowing the history. Meggs' History of Graphic Design presents an all-inclusive, visually spectacular arrangement of graphic design knowledge for students and professionals. Learn the milestones, developments, and pioneers of the trade so that you can shape the future.

The classic “bible” of graphic design history! Perfect coffee table book.

The Blackwell Guide to the Philosophy of Religion features fourteen new essays written by some of the most prominent philosophers working in the field. Contributors include Linda Zabzeski, Hugh McCann, Brian Leftow, Gareth B. Matthews, William L. Rowe, Elliott Sober, Derk Pereboom, Alfred J. Freddoso, William P. Alston, William J. Wainwright, Peter van Inwagen, Philip Kitcher and Philip Quinn. Features fourteen newly commissioned essays. Provides a comprehensive treatment of the major problems in the philosophy of religion. Surveys the field and presents distinctive arguments.

The history of Jean de Labadie and the Labadists has re- ceived attention through the years. That attention, however, has more often than not fallen short in its tracing of Labadie's 'double migration'. Disaffected with the established church order of his day and motivated by a sense of prophetic mis- sion to establish again the life of the primitive church, this spiritual nomad wandered from France to Switzerland, then to the United Provinces, Germany and Denmark, according to the vicissitudes of the times. As he went, he changed his affiliations from 'high' church ever 'lower', from the bosom of Rome to Calvinism, then to congregational separatism. Thus there has been ample reason to treat Labadie's life and ministry episodically, be it a geographical or denominational episode, and a solid grounding could be had by piecing to- gether several of these (all listed in bibliography part D): M. de Certeau on the Jesuit years; X. de Bonnault d'Houet on his stay at Amiens; A-L. Bertrand on the 'lost years' from Amiens to Montauban; J-H. Gerlach and W. Goeters on the schism at Middelburg; P. Scheltema on Amsterdam; L. Holscher and G. E. Guhrauer on Herford; J. Lieboldt and H. von Schubert on Altona; B.B. James and H. C. Murphy on the colony in Maryland; L. Knappert on that in Surinam; and any number of authorities on the Labadists in Friesland. Yet there are sig- nificant gaps.

With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex.James Joyce's astonishing masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on 16 June 1904, during which Bloom's voluptuous wife, Molly, commits adultery.Initially deemed obscene in England and the USA, this richly-allusive novel, revolutionary in its Modernistic experimentalism, was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway.Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience.

"Ridiculously funny and astonishingly candid, Rod Stewart's memoir is the rock autobiography of the decade". ("Daily Mail"). "One of the most entertaining, revealing, captivating books of the year". ("Independent"). Rod Stewart was born the working-class son of a Scottish plumber in North London. Despite some early close shaves with a number of diverse career paths, ranging from gravedigging to professional football, it was music that truly captured his heart - and he never looked back. Rod started out in the early 1960s, playing the clubs on London's R&B scene, before his distinctively raspy voice caught the ear of the iconic front man Long John Baldry, who approached him while busking one night on a railway platform. Stints with pioneering acts like the Hoochie Coochie Men, Steampacket, and the Jeff Beck Group soon followed, paving the way into a raucous five years with the Faces, the rock star's rock band, whose offstage antics with alcohol, wrecked hotel rooms and groupies have become the stuff of legend. And during all this, he found a spare moment to write 'Maggie May', among a few others, and launch a solo career that has seen him sell an estimated 200 million records, be inducted into the Hall of Fame twice, and play the world's largest ever concert. Not bad, as he says, for a guy with a frog in his throat. And then, there is his not-so-private life: marriages, divorces and affairs with some of the world's most beautiful women - Bond girls, movie stars and supermodels - and a brush with cancer which very nearly saw it all slip away. Rod's is an incredible life, and here, thrillingly and for the first time, he tells the whole thing, leaving no knickers under the bed. A rollicking rock 'n' roll adventure that is at times deeply moving, this is the remarkable journey of a guy with one hell of a voice - and one hell of a head of hair.

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

The task of providing military defense for the Texas Frontier was never an easy one because the territory was claimed by some of the greatest querrilla fighters of all times-the Comanches, Kiowas, Apaches, and Lipans. Protecting a line running from the Red River southwest to El Paso was an impossible task, but following the Mexican War the federal government attempted to do so by establishing a line of forts. <p>During the Civil War the forts were virtually abandoned and the Indians once again ruled the area. Following the war when the military began to restore the old forts, they found that the Indians no longer fought with bows and arrows but shouldered the latest firearms. With their new weapons the Indians were able to inflict tremendous destruction, bringing demands from settlers for more protection. In the summer of 1866 a new line of forts appeared through central Texas under the leadership of General Philip H. Sheridan, commander of federal forces in Louisiana and Texas. </p><p>Guardians of a raw young land and focal points of high adventure, the old forts were indispensable in their day of service and it is fitting that they be preserved. In and around the forts and along the route of the Texas Forts Trail, history is abundant and enduring. </p><p>Historian Rupert Richardson first wrote the travel guide of the fort locations for the Texas Highway Department. B. W. Aston and Donathan Taylor took the original version and revised and expanded it, giving additional historical information on the forts and their role in frontier defense, making this a valuable historical resource as well as a travel guide to the forts and surrounding towns. </p><p>

German economic performance has astonished the world. At the turn of the century, Germany had been written off as the sick man of Europe. No more. Even as most of its European neighbors and OECD trading partners have struggled in the face of a turbulent global economy, the German economy has thrived. How does Germany do it? What is the secret? In The Seven Secrets of Germany, authors David Audretsch and Erik Lehmann answer these very questions. This book reveals, explains, and analyzes seven key aspects of Germany, its economy, and its society that have provided the nation with considerable buoyance in an era of global turbulence. These seven features range from the key and strategic role played by small firms to world leadership in its skilled and trained labor force, an abilityto harness global opportunities through leveraging local resources, public infrastructure, the capacity to deal with change and confront challenges in a flexible manner, and the emergence of a remarkably positive identity and image. The Seven Secrets of Germany have insulated the country from long-term economic deterioration and enabled it to take advantage of the opportunities afforded from globalization rather than succumbing as a victim to globalization. This insights can be instructive to other countries and refute the defeatist view that globalization leads to an inevitable deterioration of the standard of living, quality of life, and degree of economic prosperity.

Ferdinand de Saussure's Course in General Linguistics is one of the most influential texts of the 20th-century - an astonishing feat for what is, at heart, a series of deeply technical lectures about the structure of human languages. What the Course's vast influence shows, fundamentally, is the power of good interpretative skills. The interpretative tasks of laying down and clarifying definitions are often vital to providing the logical framework for all kinds of critical thinking - whether it be solving problems in business, or esoteric academic research. At the time sat which Saussure gave his lectures, linguistics was a scattered and inconsistent field, without a unified method or rigorous approach. He aimed to change that by setting down and clarifying definitions and distinctions that would provide a coherent methodological framework for the study of language. The terms laid down in the Course did exactly that - and they still make up the core of linguistic terminology a full century later. More than this, however, Saussure also highlighted the centrality of linguistic interpretation to understanding how we relate to the world, founding "semiotics", or the study of signs - a field whose influence on academics across the humanities and social sciences is unparalleled.

In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the widespread interest in illusionistic scenes and tableaux, in the "portability" of sights, spaces, and entire milieus. Sandberg investigates this transformation of visual culture outside the usual test cases of the largest European metropolises. He argues that Scandinavian spectators desired an unusual degree of authenticity--a cultural preference for naturalism that made its way beyond theater to popular forms of museum display.The Scandinavian wax museums and folk-ethnographic displays of the era helped pre-cinematic spectators work out the social implications of both voyeuristic and immersive display techniques. This careful study thus anticipates some of the central paradoxes of twentieth-century visual culture--but in a time when the mannequin and the physical relic reigned supreme, and in a place where the contrast between tradition and modernity was a high-stakes game.

Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.

Begun in 1994, The Atlanta Study is the first comprehensive investigation of its kind into near-death experiences (NDEs). The study's name hardly captures what lies behind it: life-and-death dramas played out in operating rooms and hospital beds--and simultaneous events unseen by medical personnel but reported with astonishing clarity and conviction by nearly 50 individuals who returned from death's door. Now the founder of The Atlanta Study, Dr. Michael Sabom reveals their impact on the people who have experienced them. From both medical and personal perspectives, he shares the electrifying stories of men and women from all walks of life and religious persuasions. He explores the clinical effect of the NDE on survival and healing and discloses surprising findings. He questions some common conclusions about NDEs. And he scrutinizes near-death experiences in the light of what the Bible has to say about death and dying, the realities of light and darkness, and the Gospel of Jesus Christ.

How to rethink innovation and revitalize America's declining manufacturing sector by encouraging advanced manufacturing, bringing innovative technologies into the production process.The United States lost almost one-third of its manufacturing jobs between 2000 and 2010. As higher-paying manufacturing jobs are replaced by lower-paying service jobs, income inequality has been approaching third world levels. In particular, between 1990 and 2013, the median income of men without high school diplomas fell by an astonishing 20% between 1990 and 2013, and that of men with high school diplomas or some college fell by a painful 13%. Innovation has been left largely to software and IT startups, and increasingly U.S. firms operate on a system of "innovate here/produce there," leaving the manufacturing sector behind. In this book, William Bonvillian and Peter Singer explore how to rethink innovation and revitalize America's declining manufacturing sector. They argue that advanced manufacturing, which employs such innovative technologies as 3-D printing, advanced material, photonics, and robotics in the production process, is the key.Bonvillian and Singer discuss transformative new production paradigms that could drive up efficiency and drive down costs, describe the new processes and business models that must accompany them, and explore alternative funding methods for startups that must manufacture. They examine the varied attitudes of mainstream economics toward manufacturing, the post-Great Recession policy focus on advanced manufacturing, and lessons from the new advanced manufacturing institutes. They consider the problem of "startup scaleup," possible new models for training workers, and the role of manufacturing in addressing "secular stagnation" in innovation, growth, the middle classes, productivity rates, and related investment. As recent political turmoil shows, the stakes could not be higher.

As a child growing up in Manhattan, William Helmreich played a game with his father called "Last Stop." They would pick a subway line, ride it to its final destination, and explore the neighborhood. Decades later, his love for exploring the city is as strong as ever. Putting his feet to the test, he decided that the only way to truly understand New York was to walk virtually every block of all five boroughs--an astonishing 6,000 miles. His journey took him to every corner of Manhattan, Brooklyn, Queens, the Bronx, and Staten Island. Helmreich spoke with hundreds of New Yorkers from every part of the globe and all walks of life. He finds that to be a New Yorker is to struggle to understand the place and to make a life that is as highly local as it is dynamically cosmopolitan. Truly unforgettable, The New York Nobody Knows will forever change how you view the world's greatest city.

Ever wondered where Arthur Conan Doyle got his inspiration for the famous literary sleuth? Holmes is a man known for his eccentricities - his reclusiveness and aura of genius have become trademarks today, and are recognisable in any Holmes adaptation. This book reveals the men who inspired that iconic persona, and also takes a fascinating look at crime and detection in nineteenth-century London. Was there a real 'Study in Scarlet'? Who developed the methods of forensic detection that remain in use today? And how did Victorian police detectives solve crimes without the aid of modern technology?An ideal book for any Sherlock fan, The Real World of Sherlock explores the world that the stories emerged from and the inspirations behind the character himself. You'll be astonished at just how real Sherlock was

In his landmark book How We Die , Sherwin B. Nuland profoundly altered our perception of the end of life. Now in The Art of Aging , Dr. Nuland steps back to explore the impact of aging on our minds and bodies, strivings and relationships. Melding a scientist's passion for truth with a humanist's understanding of the heart and soul, Nuland has created a wise, frank, and inspiring book about the ultimate stage of life's journey. The onset of aging can be so gradual that we are often surprised to find that one day it is fully upon us. The changes to the senses, appearance, reflexes, physical endurance, and sexual appetites are undeniable-and rarely welcome-and yet, as Nuland shows, getting older has its surprising blessings. Age concentrates not only the mind, but the body's energies, leading many to new sources of creativity, perception, and spiritual intensity. Growing old, Nuland teaches us, is not a disease but an art-and for those who practice it well, it can bring extraordinary rewards. "I'm taking the journey even while I describe it," writes Nuland, now in his mid-seventies and a veteran of nearly four decades of medical practice. Drawing on his own life and work, as well as the lives of friends both famous and not, Nuland portrays the astonishing variability of the aging experience. Faith and inner strength, the deepening of personal relationships, the realization that career does not define identity, the acceptance that some goals will remain unaccomplished-these are among the secrets of those who age well. Will scientists one day fulfill the dream of eternal youth? Nuland examines the latest research into extending life and the scientists who are pursuing it. But ultimately, what compels him most is what happens to the mind and spirit as life reaches its culminating decades. Reflecting the wisdom of a long lifetime, The Art of Aging is a work of luminous insight, unflinching candor, and profound compassion. From the Hardcover edition.