Men Without Women was a milestone in Hemingway's career. Fiesta had already established him as a novelist of exceptional power, but with these short stories, his second collection, he showed that it is possible, within the space of a few pages, to recreate a scene with absolute truth, bringing to life details observed only by the eye of a uniquely gifted artist. Hemingway's men are bullfighters and boxers, hired hands and hard drinkers, gangsters and gunmen. Each of their stories deals with masculine toughness unsoftened by woman's hand. Incisive, hard-edged, pared down to the bare minimum, they are classic Hemingway territory - they helped establish him as one of the great literary authors of the twentieth century, and one of the best American authors of all time.

The best-selling text has been completely revised and revitalised in this fifth edition, with the authors once again encouraging general practitioners, medical students, general physicians and early stage dermatology specialist trainees and interns to relish the unique challenge of diagnosing and treating skin conditions. Clinical Dermatology, 5th edition contains over 400 high quality pictures and diagrams combined with colourful phrases to illustrate and entertain as it teaches. The book has established a reputation as a way of learning and as an accessible guide to the subject for the aspiring specialist. Readers are guided through the maze that too often lies between the presenting skin complaint and its final diagnosis and treatment. The authors have skilfully crafted an easily read text with enough detail to clarify the subject, but not enough to obscure it. This fifth edition contains new chapters on non-invasive physical treatment and dermoscopy, and new material on cosmetic dermatology, surgical dermatology, the skin and the psyche, and dermatoses of non-Caucasian skin.The text throughout the book has been updated in line with developments in the science and practice of dermatology...brilliantly succeeds in enticing you to look further. The writing is clear, and the joint British-American authorship avoids any parochial views. From a review of a previous edition in BMJ ...a very well-presented book...an excellent aid for teaching. I recommend this book highly to individuals and departments. From a review of a previous edition in J Derm Treatment provides a good overview of the structure and function of the skin as well as a good foundation for learning dermatology well organized and includes a chapter dedicated to skin signs of systemic disease which is not covered in the other dermatology primers. From a review of a previous edition in JAMA

In Cold Blood: A True Account of a Multiple Murder and its Consequences is considered by many to be the first work of the true crime genre. In this groundbreaking book, Truman Capote reconstructs the murder of the Clutter family from information provided by newspaper articles and interviews. 'Dick became convinced that Perry was that rarity, "a natural killer" - absolutely sane, but conscienceless, and capable of dealing, with or without motive, the coldest-blooded deathblows' On 15 November 1959, the small town of Holcomb, Kansas, a wealthy farmer, his wife and their two young children were found brutally murdered. Blood all over the walls, the telephone lines cut, and only a few dollars stolen. Heading up the investigation is Agent Al Dewey, but all he has are two footprints, four bodies, and a whole lot of questions. Truman Capote's detailed reconstruction of the events and consequences of that fateful night, In Cold Blood is a chilling, gripping mix of journalistic skill and imaginative power. 'The American dream turning into the American nightmare.A remarkable book' Spectator 'One of the most stupendous books of the decade' Sunday Express Truman Capote was one of the most significant American authors of the twentieth century, known for his highly acclaimed books, including: Breakfast at Tiffany's, A Tree of Night and Other Stories and The Grass Harp. In Cold Blood and Breakfast at Tiffany's have been selected for the Penguin Essentials series of books considered some of the twentieth century's most important reads.

Hylle K. 1465 illustrasjoner, 742 figurs. Fifth Edition. Saunders Company.

Beskrivning saknas från förlaget. Kolla gärna upp förlagets (Arkose Press) hemsida, där det kan finnas mer information.

These thoughtfully assembled writings by many of Latin America's finest authors bear first-person witness to the personal, social, and political situation of the writer and of literature in Latin America. At different times ironic, impassioned, humorous, reflective, autobiographical, polemical, and always vivid and engaging, this collection of writings is indispensable to a full appreciation of the achievement of twentieth-century Latin American literature.

Nineteenth-century American authors, critics, and readers believed that biography had the power to shape individuals' characters and to help define the nation's identity. In an age predating radio and television, biography was not simply a genre of writing, says Scott Casper; it was the medium that allowed people to learn about public figures and peer into the lives of strangers. In this pioneering study, Casper examines how Americans wrote, published, and read biographies and how their conceptions of the genre changed over the course of a century. Campaign biographies, memoirs of pious women, patriotic narratives of eminent statesmen, "mug books" that collected the lives of ordinary midwestern farmers--all were labeled "biography," however disparate their contents and the contexts of their creation, publication, and dissemination. Analyzing debates over how these diverse biographies should be written and read, Casper reveals larger disputes over the meaning of character, the definition of American history, and the place of American literary practices in a transatlantic world of letters.As much a personal experience as a literary genre, biography helped Americans imagine their own lives as well as the ones about which they wrote and read. |Nineteenth-century Americans believed that biographies influenced individual character and national identity. This book examines how Americans wrote, published, and read biographies during the 1800s, showing how their conceptions of the genre changed over time.

This concise anthology covers works by major American authors dating from the end of the Civil War to the rise of the Jazz Age. Introductory notes and suggestions for further reading supplement selections by Emily Dickinson, Mark Twain, Henry James, Edith Wharton, F. Scott Fitzgerald, T. S. Eliot, Robert Frost, and many others.

Offers the first comprehensive collection of writings by students and well-known Native American authors who published in boarding school newspapers during the late nineteenth and early twentieth centuries. The collection illuminates the boarding school legacy and how it has shaped, and continues to shape, Native American literary production.

In the decade from the early 1960s to the early 1970s, Latin American authors found themselves writing for a new audience in both Latin America and Spain and in an ideologically charged climate as the Cold War found another focus in the Cuban Revolution. The writers who emerged in this energized cultural moment-among others, Julio Cortazar (Argentina), Guillermo Cabrera Infante (Cuba), Jose Donoso (Chile), Carlos Fuentes (Mexico), Gabriel Garcia Marquez (Colombia), Manuel Puig (Argentina), and Mario Vargas Llosa (Peru)-experimented with narrative forms that sometimes bore a vexed relation to the changing political situations of Latin America.This volume provides a wide range of options for teaching the complexities of the Boom, explores the influence of Boom works and authors, presents different frameworks for thinking about the Boom, proposes ways to approach it in the classroom, and provides resources for selecting materials for courses

Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams argues that these tours were a central aspect of nineteenth-century authorship, at a time when authors were becoming celebrities and celebrities were international. Spanning the years from 1834 to 1904, Adams's book examines the British lecture tours of American authors such as Frederick Douglass, Harriet Beecher Stowe, and Mark Twain, and the American lecture tours of British writers that include Harriet Martineau, Charles Dickens, Oscar Wilde, and Matthew Arnold. Adams concludes her study with a discussion of Henry James, whose American lecture tour took place after a decades-long absence. In highlighting the wide range of authors who participated in this phenomenon, Adams makes a case for the lecture tour as a microcosm for nineteenth-century authorship in all its contradictions and complexity.

Originally published in 1963. The `Americanness' of the American novel is as readily apparent as it is elusive of definition. It is the purpose of this study not to discover the reluctant formula, the comprehensive statement of national identity, but to examine the evidences of this identity in the work of some individual American writers. This study explores the works of many prominent American authors including Edgar Allan Poe, Nathanial Hawthorne, and Mark Twain.

This is a concise yet comprehensive treatment of the American short story that includes an historical overview of the topic as well as discussion of notable American authors and individual stories, from Benjamin Franklin s The Speech of Miss Polly Baker in 1747 to The Joy Luck Club . * Includes a selection of writers chosen not only for their contributions of individual stories but for bodies of work that advanced the boundaries of short fiction, including Washington Irving, Sarah Orne Jewett, Stephen Crane, Jamaica Kincaid, and Tim O Brien * Addresses the ways in which American oral storytelling and other narrative traditions were integral to the formation and flourishing of the short story genre * Written in accessible and engaging prose for students at all levels by a renowned literary scholar to illuminate an important genre that has received short shrift in scholarly literature of the last century * Includes a glossary defining the most common terms used in literary history and in critical discussions of fiction, and a bibliography of works for further study

An immensely popular genre, crime fiction has only in recent years been engaged by African-American authors. Historically, the racist stereotypes often central to crime fiction and the socially conservative nature of the genre presented problems for writing the black experience, and the tropes of justice and restoration of social order have not resonated with authors who saw social justice as a work in progress.Some African-American authors did take up the challenge. Pauline Hopkins, Rudolph Fisher and Chester Himes led the way in the first half of the 20th century, followed by Ishmael Reed's ""anti-detective"" novels in the 1970s. Since the 1990s, Walter Mosley, Colson Whitehead and Stephen L. Carter have written detective fiction focusing on questions of constitutional law, civil rights, biological and medical issues, education, popular culture, the criminal justice system and matters of social justice. From Hopkin's Hagar's Daughter (published in 1900), to Hime's hardboiled Harlem Detective series, to Carter's patrician world of the black bourgeoisie, these authors provide a means of examining literary and social constructions of the African-American experience.

As a philosophical and social concept, alienation covers a broad range of mental states, both normal and abnormal. Correspondingly, a wide range of literary forms has been employed to deal with this important theme. In Three Authors of Alienation, an exploration of the literary expression of alienation, M. Ian Adams discusses the works of three contemporary Latin American authors.The fiction of Maria Luisa Bombal, Juan Carlos Onetti, and Alejo Carpentier reflects alienation, disgust with life, and a feeling of nothingness arising from the conditions of modern society. However, each author treats the theme differently. In La ultima niebla, Maria Luisa Bombal uses poetic imagery to create the emotional life of the protagonist. Juan Carlos Onetti portrays the schizoid extreme of alienation with a complex of symbols based on changes of vision caused by the mental states of his characters. In Los pasos perdidos, Alejo Carpentier presents the problem of the modern alienated artist who attempts to rid himself of his social alienation by changing times and cultures.In his close analysis of the works discussed, Adams considers each literary element in its context and also in terms of its relation to the larger artistic vision of the author. In addition, he places the works of the three authors in the greater perspective of modern social problems by discussing the concepts of social alienation proposed by Erich Fromm and Erich Kahler. His conclusion is that, although disgust with life and feelings of meaninglessness are at the heart of the experiences of the characters of all three authors, only in Alejo Carpentier's Los pasos perdidos are social conditions the major cause of alienation. In the works of Bombal and Onetti, alienation is a result not of social conditions, but of factors unique to the characters' personalities and circumstances.Three Authors of Alienation is a solid contribution to criticism of contemporary Latin American narrative. Adams's projection of a social problem into the realm of aesthetic experience yields intriguing interpretations of both the problem and the literature.

This book looks at the way writers present the effects of trauma in their work. It explores narrative devices, such as 'metafiction', as well as events in contemporary America, including 9/11, the Iraq War, and reactions to the Bush administration. Contemporary American authors who are discussed in depth include Carol Shields, Toni Morrison, Tim O'Brien, Mark Danielewski, Art Spiegelman, Jonathan Safran Foer, Anthony Swofford, Evan Wright, Paul Auster, Philip Roth, and Michael Chabon. Contemporary American Trauma Narratives offers a timely and dissenting intervention into debates about American writers' depiction of trauma and its after-effects.

American historians have typically argued that a shared experience of time worked to bind the antebellum nation together. Trains, technology, and expanding market forces catapulted the United States into the future on a straight line of progressive time. The nation's exceedingly diverse population could cluster around this common temporality as one forward-looking people.In a bold revision of this narrative, Archives of American Time examines American literature's figures and forms to disclose the competing temporalities that in fact defined the antebellum period. Through discussions that link literature's essential qualities to social theories of modernity, Lloyd Pratt asserts that the competition between these varied temporalities forestalled the consolidation of national and racial identity. Paying close attention to the relationship between literary genre and theories of nationalism, race, and regionalism, Archives of American Time shows how the fine details of literary genres tell against the notion that they helped to create national, racial, or regional communities. Its chapters focus on images of invasive forms of print culture, the American historical romance, African American life writing, and Southwestern humor. Each in turn revises our sense of how these images and genres work in such a way as to reconnect them to a broad literary and social history of modernity. At precisely the moment when American authors began self-consciously to quest after a future in which national and racial identity would reign triumphant over all, their writing turned out to restructure time in a way that began foreclosing on that particular future.

"Native American Renaissance is the most important discussion of contemporary American Indian poetry and fiction produced to date. It offers intelligent and balanced insight into the contexts and work of a number of contemporary American Indian writers. Its careful discussion provides clear and sometimes breathtaking illumination into this literature that is at once tribal and modern, western and traditional, a literature that is the oldest and newest literature in America." (Paula Gunn Allen (Laguna), University of California, Berkeley). "This is a pioneering volume. Lincoln presents the writing of today's most gifted Native American authors, against an ethnographic background which should enable a growing number of readers to share his enthusiasm. Lincoln has lived with American Indians, knows them, and is respected by them; all this enhances his book." (William Bright, Editor, Language). "This is the most informed and insightful assessment of the best of modern Native American literature. Lincoln is sensitive to the tribal roots of this literature, so he is able to go beyond mere criticism to cultural contextualization.I found this study quite powerful in its scope, probing depth, imaginative sweep, and sensitivity of writing. Debate on the subject may well gather around Native American Renaissance for the rest of the decade." (Alfonso Ortiz (San Juan), University of New Mexico).