Florence Darrow wants to be a writer. Correction: Florence Darrow IS going to be a writer. Fired from her first job in publishing, she jumps at the chance to be assistant to the celebrated Maud Dixon, the anonymous bestselling novelist. The arrangement comes with conditions - high secrecy, living in an isolated house in the countryside¿. Before long, the two of them are on a research trip to Morocco, to inspire the much-promised second novel. Beach walks, red sunsets and long, whisky-filled evening discussions...win-win, surely? Until Florence wakes up in a hospital, having narrowly survived a car crash.

The books examines the financial and business structures of the counterfeiting business and considers how the internet and e-commerce present financial opportunities for counterfeiters. It explores 'organised crime' and criminal markets, digital technologies and cultural values and practices.

Dozens of times a day we are faced with moral dilemmas, and our judgments and actions are guided by our sense of what is right or wrong. But there are times when we find ourselves facing situations of moral complexity and uncertainty. Drawing on numerous case studies, Ethics in Practice is a practical and absorbing discussion on ethics and moral theory, and will help readers to make better informed, and more rationally justifiable, decisions about how to act and judge the actions of others, where there are morally hard choices to be made in their professional working life.

Beskrivelse mangler. Se gjerne forlagets (www.bnpublishing.com) hjemmeside, der det kan finnes mer informasjon.

Paul Hollywood is without doubt the man of the moment in British baking. His luxurious dough recipes have been single-handedly responsible for the mass ignition of ovens across the UK since the advent of The Great British Bake Off. Admired for his straighttalking style and amazing technical knowledge, Paul's judging partnership with Mary Berry has been described as one of television's best ever. Having suffered a rocky period in the USA - both professionally and personally - Hollywood is now back in England, once again enjoying the astounding success of The Great British Bake Off and his own touring shows. What's more, with his marriage fully reconciled and his wife Alexandra enjoying cooking success of her own, the sky truly is the limit for Paul Hollywood. But then, he was always destined for great things. Descended from a line of illustrious bakers, Hollywood originally trained as a sculptor, giving him the deftly skilful hands his viewers delight in watching. From kneading dough as a 17-year-old apprentice to his father to working as head baker at the prestigious Dorchester Hotel, his professional career is legendary.For the first time, this compelling biography sheds light on the man behind the counter, from his youth on Merseyside to the sunny climes of Cyprus and beyond. Journalist A S Dagnell delves deep into Paul Hollywood's story and charts the ingredients that have shaped this enigmatic character into the dazzlingly talented king of British baking.

En gripende og vakker historie om to menn, Dan og Andreas. Den ene berømt m atekspert og skribent som har måttet kjempe for å lykkes, den andre født ti l velstand og nå kjent racerbilsjåfør. De møtes som små og knytter et sterk t vennskap. Men begge elsker den samme kvinnen - Alexandra. Andreas gifter seg med henne, men en dag blir han skadet og de kan ikke få det barnet de s å inderlig ønsker seg. Skjebnen leker med dem, det meste er forgjengelig - men ikke ekte kjærlighet og vennskap.

<p>Published annually, the journal <i>Dumbarton Oaks Papers</i> was founded in 1941 for the publication of articles relating to Byzantine civilization.</p><p>In this issue: Audrey Becker, "Verbal and Nonverbal Diplomatic Communication at the Imperial Court of Constantinople (fifth-sixth Centuries)"; Alexandra Wassiliou-Seibt and Andreas Gkoutzioukostas, "The Origin and the Members of the Kamytzes Family: A Contribution to Byzantine Prosopography"; Michael Zellmann-Rohrer, "'Psalms Useful for Everything' Byzantine and Post-Byzantine Manuals for the Amuletic Use of the Psalter"; Raymond Van Dam, "Eastern Aristocracies and Imperial Courts: Constantine's Half-Brother, Licinius's Prefect, and Egyptian Grain"; Daniel Caner, "Not a Hospital but a Leprosarium: Basil's Basilias and an Early Byzantine Concept of the Deserving Poor"; Paul Botley, "Greek Literature in Exile: The Books of Andronicus Callistus, 1475-1476"; Aude Busine, "The Dux and the Nun: Hagiography and the Cult of Artemios and Febronia in Constantinople"; Benjamin Garstad, "Dionysiac and Christian Elements in the Lysos Episode in the <i>Greek Alexander Romance</i> (β rec.)."</p>

När 17-åriga J. kliver av planet på Malmö flygplats väntar Alexandramannen på henne. Han har en röd ros i munnen. Det är Alexandra som via internet övertalat J. att resa till Atheer Al Suhairy. Han vill köpa sex. Efteråt tycker han att helgen varit perfekt. Hon beskriver den som en mardröm.I april 2007 dömdes 31-årige Atheer Al Suhairy mot sitt nekande i Sveriges hittills största nätsexhärva. Han fick tio års fängelse för sexbrott mot närmare femtio unga tjejer och för att ha använt täcknamnet Alexandra på internet.I boken Alexandramannen ger han sin version av det som hänt. Det gör också J. och ytterligare fem unga tjejer. De berättar om timslånga chattar på nätet med Alexandra, om sexträffar med Atheer Al Suhairy och om ett samhälle och en vuxenvärld som svikit totalt. Den är fullständigt gastkramande, en helt enorm berättelse i all sin jävlighet.Andreas Ekström, kulturjournalist på Sydsvenskan, på sin blogg. Det bästa Wagner gjort är att intervjua Alexandramannen själv. När stora delar av tidningsvärlden tycks leva av att parasitera på våldtäktsoffrens berättelser tar hon diskussionen dit den hör hemma: hos förövaren. Den här boken är en bomb.DN, Kajsa Ekis Ekman Katia Wagners bok beskriver en kultur fientligt inställd till unga flickor. Alla svenska politiker borde läsa den.Katrine Kielos, Expressen Resultatet är en omskakande skildring av sårbarhet, utsatthet och utnyttjande. Vissa stycken gör så ont att läsa att jag tvingas pausa och lägga boken ifrån mig. Jag skulle vilja sätta Katia Wagners bok i händerna på varenda tonårsförälder, grundskollärare och socialsekreterare.Karin Rebas, Sydsvenskan Alexandramannen är undersökande och grävande journalistisk när den är som bäst.Västerbottenkuriren. Oskar Forsgren Det är en mycket mycket mycket bra bok. Betyg 5.Yukiko Duke, SVT Gomorron Sverige

6 days, 13 hours and 37 minutes to go ...At the end of The Prodigal Daughter, Florentyna Kane is elected President - the first woman President of the United States. At 7.30 one evening the FBI learn of a plot to kill her - the 1572nd such threat of the year. At 8.30 five people know all the details. By 9.30 four of them are dead. FBI agent Mark Andrews alone knows when. He also knows that a senator is involved. He has six days to learn where - and how. Six days to prevent certain death of the President.Shall We Tell the President is an enthralling, fast-paced thriller from the bestselling author of Kane and Abel, Jeffrey Archer. 'A storyteller in the class of Alexandre Dumas' Washington Post

The New Woman should be understood as a figure connecting nineteenth-century discourses of sexuality and the feminist movement(s) in a discursive response. Her brave redefinition of the gender contract is an indispensable gateway to modern culture. The fin de siècle anticipated postmodernism themes such as unstable male-female identities, the importance of Eros, a queer fantasy of a neuter gender, and the narcissistic game of self-invention as a response to the feeling of loss of collective values. This volume works across the east-west divide, discussing texts by Victoria Benedictsson, Lou Andreas-Salomé, Illa Christensen, Selma Lagerlöf, Henrik Ibsen, Knut Hamsun, Karen Blixen, L. Onerva, Elin Wägner, Ida Bäckman, Alexandra Kollontai, Colette, Djuna Barnes, Agnes von Krusenstjerna, Sigfried Siwertz, Karin Boye, Vicki Baum, Tora Dahl, Natasha Goerke, Natasha Tokarczuk, Henning Mankell and Liza Marklund.

In the expansive canon of Civil War memoirs, relatively few accounts from women exist. Among the most engaging and informative of these rare female perspectives is Constance Cary Harrison s "Recollections Grave and Gay," a lively, first-person account of the collapse of the Confederacy by the wife of President Jefferson Davis s private secretary. Although equal in literary merit to the well-known and widely available diaries of Mary Boykin Chesnut and Eliza Frances Andrews, Harrison s memoir failed to remain in print after its original publication in 1916 and, as a result, has been lost to all but the most diligent researcher. In "Refugitta of Richmond," Nathaniel Cheairs Hughes Jr. and S. Kittrell Rushing resurrect Harrison s work, reintroducing an especially insightful perspective on the Southern high command, the home front, and the Confederate elite. Born into an old, aristocratic Virginia family in 1843, Constance Cary fled with her family from their estate near Alexandria, Virginia, to Richmond in 1862. There, the nineteen-year-old met Burton Norvell Harrison, a young math professor from the University of Mississippi who had come to the Confederate capital to work for Davis. The pair soon became engaged and joined the inner circle of military, political, and social leaders at the Confederate White House. Under the pen name Refugitta, Constance also wrote newspaper columns about the war and became a respected member of Richmond s literary community. Fifty years later, Constance used her wartime diaries and letters to pen her recollections of her years in Richmond and of the confusing months immediately after the war. She offers lucid, insightful, and detailed observations of the Confederate home front even as she reflects on the racial and class biases characteristic of her time and station. With an informative introduction and thorough annotations by Hughes and Rushing, "Refugitta of Richmond" provides a highly readable, often amusing, occasionally troubling insider s look at the Confederate nerve center and its ultimate demise. Nathaniel Cheairs Hughes Jr. is the author or editor of twenty books relating to the American Civil War, including "The Life and Wars of Gideon J. Pillow; Brigadier General Tyree H. Bell, C.S.A.: Forrest s Fighting Lieutenant; "and "Yale s Confederates." S. Kittrell Rushing, Frank McDonald Professor of History at the University of Tennessee at Chattanooga, is the editor of Eliza Frances Andrews s "A Family Secret" and "Journal of a Georgia Woman, 1870 1872." Rushing also edited and annotated Judge Garnett Andrews s "Reminiscences of an Old Georgia Lawyer.""

The implications of biodiversity loss for the global environment have been widely discussed, but only recently has attention been paid to its direct and serious effects on human health. Biodiversity loss affects the spread of human diseases, causes a loss of medical models, diminishes the supplies of raw materials for drug discovery and biotechnology, and threatens food production and water quality."Biodiversity and Human Health" brings together leading thinkers on the global environment and biomedicine to explore the human health consequences of the loss of biological diversity. Based on a two-day conference sponsored by the National Institutes of Health, the National Science Foundation, and the Smithsonian Institution, the book opens a dialogue among experts from the fields of public health, biology, epidemiology, botany, ecology, demography, and pharmacology on this vital but often neglected concern.Contributors discuss the uses and significance of biodiversity to the practice of medicine today, and develop strategies for conservation of these critical resources. Topics examined include: the causes and consequences of biodiversity loss emerging infectious diseases and the loss of biodiversity the significance and use of both prescription and herbal biodiversity-derived remedies indigenous and local peoples and their health care systems sustainable use of biodiversity for medicine an agenda for the future In addition to the editors, contributors include Anthony Artuso, Byron Bailey, Jensa Bell, Bhaswati Bhattacharya, Michael Boyd, Mary S. Campbell, Eric Chivian, Paul Cox, Gordon Cragg, Andrew Dobson, Kate Duffy-Mazan, Robert Engelman, Paul Epstein, Alexandra S. Fairfield, JohnGrupenhoff, Daniel Janzen, Catherine A. Laughin, Katy Moran, Robert McCaleb, Thomas Mays, David Newman, Charles Peters, Walter Reid, and John Vandermeer.The book provides a common framework for physicians and biomedical researchers who wish to learn more about environmental concerns, and for members of the environmental community who desire a greater understanding of biomedical issues.

A collection of writing about design from the influential, eclectic, and adventurous Design Observer.Founded in 2003, Design Observer inscribes its mission on its homepage: Writings about Design and Culture. Since its inception, the site has consistently embraced a broader, more interdisciplinary, and circumspect view of design's value in the world-one not limited by materialism, trends, or the slipperiness of style. Dedicated to the pursuit of originality, imagination, and close cultural analysis, Design Observer quickly became a lively forum for readers in the international design community. Fifteen years, 6,700 articles, 900 authors, and nearly 30,000 comments later, this book is a combination primer, celebration, survey, and salute to a certain moment in online culture. This collection includes reassessments that sharpen the lens or dislocate it; investigations into the power of design idioms; off-topic gems; discussions of design ethics; and experimental writing, new voices, hybrid observations, and other idiosyncratic texts. Since its founding, Design Observer has hosted conferences, launched a publishing imprint, hosted three podcasts, and attracted more than a million followers on social media. All of these enterprises are rooted in the original mission to engage a broader community by sharing ideas on ways that design shapes-and is shaped by-our lives.Contributors includeSean Adams, Allison Arieff, Ashleigh Axios, Eric Baker, Rachel Berger, Andrew Blauvelt, Liz Brown, John Cantwell, Mark Dery, Michael Erard, Stephen Eskilson, Bryan Finoki, Kenneth FitzGerald, John Foster, Steven Heller, Karrie Jacobs, Meena Kadri, Mark Lamster, Alexandra Lange, Francisco Laranjo, Adam Harrison Levy, Mimi Lipson, KT Meaney, Thomas de Monchaux, Randy Nakamura, Phil Patton, Maria Popova, Rick Poynor, Louise Sandhaus, Dmitri Siegel, Martha Scotford, Adrian Shaughnessy, Andrew Shea, John Thackara, Dori Tunstall, Alice Twemlow, Tom Vanderbilt, Veronique Vienne, Alissa Walker, Rob Walker, Lorraine Wild, Timothy Young

It's no secret that authors have a love-hate relationship with Hollywood. The oft-repeated clich that "the book was better than the movie" holds true for more reasons than the average reader will ever know. When asked about selling their book rights to Hollywood authors like to joke that they drive their manuscripts to the border of Arizona and California and toss them over the fence, driving back the way they came at breakneck speed. This is probably because Hollywood just doesn't "get it." Its vision for the film or TV series rarely seems to match the vision of the author. And for those rare individuals who've had the fortune of sitting across the desk from one of the myriad, interchangeable development execs praising the brilliance of their work while ticking off a never-ending list of notes for the rewrite, the pros of pitching their work to Hollywood rarely outweigh the cons. Stephen Jay Schwartz has sat on both sides of that desk--first as the Director of Development for film director Wolfgang Petersen, then as a screenwriter and author pitching his work to the film and television industry. He's seen all sides of what is known in this small community as "Development Hell." The process is both amusing and heartbreaking. Most authors whose work contains a modicum of commercial potential eventually find themselves in "the room" taking a shot at seeing their creations re-visualized by agents, producers or development executives. What they often discover is that their audience is younger and less worldly as themselves. What passes for "story notes" is often a mishmash of vaguely connected ideas intended to put the producer's personal stamp on the project. Hollywood Versus The Author is a collection of non-fiction anecdotes by authors who've had the pleasure of experiencing the development room firsthand--some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen. They underscore the insanity of every crazy thing you've ever heard about Hollywood. For insiders and outsiders alike, Hollywood Versus The Author delivers the goods. With contributions by Michael Connelly, Lawrence Block, Max Allan Collins, Alan Jacobson, Andrew Kaplan, Tess Gerritsen, James Brown, Peter James, Rob Roberge, Lee Goldberg, Naomi Hirahara, T. Jefferson Parker, Diana Gould, Joshua Corin, and Alexandra Sokoloff

The essays collected in this volume - the outcome of the EAAS convention in Cyprus in 2006 - form a crossroads between a number of disciplines (literary theory and criticism, film studies, history, cultural studies, sociology); they are all animated - in different ways and to different extents - by a healthy suspicion towards the idea that the concepts of conformism, non-conformism and anti-conformism are transhistorically static or transcendentally self-evident. The conceptual contours of the subject are investigated before the topic is then explored in historical perspective, in its textual manifestations, and with regard to its stakes in visual culture. The collection is rounded off with a critical glance at commercial aspects of conformism and anti-conformism. The volume includes essays by Donald Pease, Heinz Ickstadt, Susana Delfino, Albena Bakratcheva, Marek Wilczynski, Johannes Volz, Marc Amfreville, Andrew S. Gross, Yves-Charles Grandjeat, Thomas Pughe, Susanne Rohr, Peter Loizos, Dimitris Liokaftos, Hilaria Loyo, Alexandra Ganser and Karin Hoepker, Frank Mehring, Berndt Ostendorf, and Arthur Redding.

Awareness of the significance of intangible cultural heritage (ICH) has recently grown, due to the promotional efforts of UNESCO and its Convention for the Safeguarding of the Intangible Cultural Heritage (2003). However, the increased recognition of intangible heritage has brought to light its undervalued status within the museum and heritage sector, and raised questions about safeguarding efforts, ownership, protective legal frameworks, authenticity and how global initiatives can be implemented at a local level, where most ICH is located. This book provides a variety of international perspectives on these issues, exploring how holistic and integrated approaches to safeguarding ICH offer an opportunity to move beyond the rhetoric of UNESCO; in partiular, the authors demonstrate that the alternative methods and attitudes that frequently exist at a local level can be the most effective way of safeguarding ICH. Perspectives are presented both from "established voices", of scholars and practitioners, and from "new voices", those of indigenous and local communities, where intangible heritage lives. It will be an important resource for students of museum and heritage studies, anthropology, folk studies, the performing arts, intellectual property law and politics. Michelle Stefano is Folklorist-in-Residence, University of Maryland Baltimore County; Peter Davis is Professor of Museology, International Centre for Cultural and Heritage Studies, Newcastle University; Gerard Corsane is Senior Lecturer in Heritage, Museum and Galley Studies, International Centre for Cultural and Heritage Studies, School of Arts and Cultures, Newcastle University. Contributors: Marilena Alivizatou, Alissandra Cummins, Kate Hennessey, Ewa Bergdahl, George Abungu, Shatha Abu-Khafajah, Shaher Rababeh, Vasant Hari Bedekar, Christian Hottin, Sylvie Grenet, Lyn Leader-Elliott, Daniella Trimboli, Leontine Meijer-van Mensch, Peter van Mensch, Andrew Dixey, Susan Keitumetse, Richard MacKinnon, Alexandra Denes, Christina Kreps, Harriet Deacon, D. Jared Bowers, Gerard Corsane, Paula Assuncao dos Santos, Elaine Muller, Michelle L. Stefano, Maurizio Maggi, Aron Mazel

How social media and DIY communities have enabled new forms of political participation that emphasize doing and making rather than passive consumption.Today, DIY-do-it-yourself-describes more than self-taught carpentry. Social media enables DIY citizens to organize and protest in new ways (as in Egypt's "Twitter revolution" of 2011) and to repurpose corporate content (or create new user-generated content) in order to offer political counternarratives. This book examines the usefulness and limits of DIY citizenship, exploring the diverse forms of political participation and "critical making" that have emerged in recent years. The authors and artists in this collection describe DIY citizens whose activities range from activist fan blogging and video production to knitting and the creation of community gardens.Contributors examine DIY activism, describing new modes of civic engagement that include Harry Potter fan activism and the activities of the Yes Men. They consider DIY making in learning, culture, hacking, and the arts, including do-it-yourself media production and collaborative documentary making. They discuss DIY and design and how citizens can unlock the black box of technological infrastructures to engage and innovate open and participatory critical making. And they explore DIY and media, describing activists' efforts to remake and reimagine media and the public sphere. As these chapters make clear, DIY is characterized by its emphasis on "doing" and making rather than passive consumption. DIY citizens assume active roles as interventionists, makers, hackers, modders, and tinkerers, in pursuit of new forms of engaged and participatory democracy.ContributorsMike Ananny, Chris Atton, Alexandra Bal, Megan Boler, Catherine Burwell, Red Chidgey, Andrew Clement, Negin Dahya, Suzanne de Castell, Carl DiSalvo, Kevin Driscoll, Christina Dunbar-Hester, Joseph Ferenbok, Stephanie Fisher, Miki Foster, Stephen Gilbert, Henry Jenkins, Jennifer Jenson, Yasmin B. Kafai, Ann Light, Steve Mann, Joel McKim, Brenda McPhail, Owen McSwiney, Joshua McVeigh-Schultz, Graham Meikle, Emily Rose Michaud, Kate Milberry, Michael Murphy, Jason Nolan, Kate Orton-Johnson, Kylie A. Peppler, David J. Phillips, Karen Pollock, Matt Ratto, Ian Reilly, Rosa Reitsamer, Mandy Rose, Daniela K. Rosner, Yukari Seko, Karen Louise Smith, Lana Swartz, Alex Tichine, Jennette Weber, Elke Zobl

The City: A World History tells the story of the rise and development of urban centers from ancient times to the twenty-first century. It begins with the establishment of the first cities in the Near East in the fourth millennium BCE, and goes on to examine urban growth in the Indus River Valley in India, as well as Egypt and areas that bordered the Mediterranean Sea. Athens, Alexandria, and Rome stand out both politically and culturally. With the fall ofthe Roman Empire in the West, European cities entered into a long period of waning and deterioration. But elsewhere, great cities-among them, Constantinople, Baghdad, Chang'an, and Tenochtitlan-thrived. In the late Middle Ages and the Early Modern period, urban growth resumed in Europe, giving rise to citieslike Florence, Paris, and London. This urban growth also accelerated in parts of the world that came under European control, such as Philadelphia in the nascent United States. As the Industrial Revolution swept through in the nineteenth century, cities grew rapidly. Their expansion resulted in a slew of social problems and political disruptions, but it was accompanied by impressive measures designed to improve urban life. Meanwhile, colonial cities bore the imprint of European imperialism. Finally, the book turns to the years since 1914, guided by a few themes: the impact of war and revolution; urban reconstruction after 1945; migration out of many cities in theUnited States into growing suburbs; and the explosive growth of "megacities" in the developing world.

This book is a reading of the text of the Gospel of John in light of a tradition of Johannine authorship represented by the Muratorian Fragment, Papias of Hierapolis, and the Anti-Marcionite Prologue, all which are taken to reflect the influence of a common tradition represented by Jerome, Clement of Alexandria, and Victorinus of Pettau. Taken together these suggest that the Gospel of John was the work of the late first- or early second-century John the Presbyter who mediated the tradition of a distinctive group of Johannine disciples among whom Andrew was most important.

Alejandro de la Fuente and George Reid Andrews offer the first systematic, book-length survey of humanities and social science scholarship on the exciting field of Afro-Latin American studies. Organized by topic, these essays synthesize and present the current state of knowledge on a broad variety of topics, including Afro-Latin American music, religions, literature, art history, political thought, social movements, legal history, environmental history, and ideologies of racial inclusion. This volume connects the region's long history of slavery to the major political, social, cultural, and economic developments of the last two centuries. Written by leading scholars in each of those topics, the volume provides an introduction to the field of Afro-Latin American studies that is not available from any other source and reflects the disciplinary and thematic richness of this emerging field.