A Director's Guide to Stanislavsky's Active Analysis

Theatre in Practice

Nick O'brien

The Working Actor

Paul Clayton

The Active Text

Dymphna Callery

Dramaturgy in the Making

Katalin Trencsenyi

Commedia Dell'Arte: An Actor's Handbook

UK) Rudlin John (University of Exeter

Realisme og teatralitet

Kjell Helgheim

The Complete Stanislavsky Toolkit

Bella Merlin

Voice into Acting

Christina Gutekunst

The Complete Brecht Toolkit

Stephen Unwin

Performance Studies

Richard Schechner

The Director's Craft

Katie Mitchell

An Actor's Work A Student's Diary

Konstantin Stanislavsky

The Cambridge Introduction to Theatre Studies

Christopher B.

The Art of Dramatic Writing Its Basis in the Creative Interpretation of Human Motives

Lajos Egri

Impro

Keith Johnstone

The Method Manual

Ed Kovens

The Power of the Actor

Ivana Chubbuck

Ibsen's Lively Art A Performance Study of the Major Plays

Frederick J. Marker

Building a Character

Constantin Stanislavski

Experimantal Theatre

James Roose-Evans

How to Stop Acting

Harold Guskin

Stanislavskij for begyndere

David Allen

Theatre, Theory, Theatre The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel

Daniel Gerould

Stanislavsky In Focus

Sharon Marie

Theaterspiele Spontaneität, Improvisation und Theatersport

Keith Johnstone

The Theory of the Modern Stage

Eric Bentley

An actor prepares

Constantin Stanislavski

A dream of passion

Lee Strasberg

Att vara äkta på scen : om skådespelarens arbetsmoral och teknik : valda texter

Konstantin Stanislavskij

Skuespilleren

Gerhard Ebert

An Anatomy of Drama

Martin Esslin

En skådespelares arbete med sig själv : i inlevelsens skapande process

Konstantin Stanislavskij

The Technique of Screenplay Writing: An Analysis of the Dramatic Structure of Motion Pictures

Eugene Vale

Stilanalys

Peter Cassirer

The Art of Dramatic Writing

Lajos Egri

Film Technique and Film Acting

V. I. Pudovkin

Stanislavskij systemet

Sonia Moore

On the Technique of Acting

Michael Chekhov